Index Catalog // Scholar@UC

Type:: Media
摘抄:: I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 04/05/2016
更改日期:: 05/13/2019
创建:: 2002
证书:: All rights reserved

Type:: Media
摘抄:: My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization. Installed at El Camino Medical Center in Mountain View, California.
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 04/05/2016
更改日期:: 05/07/2019
创建:: 2007
证书:: All rights reserved

Type:: Media
摘抄:: My first multi channel works for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization.
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 04/04/2016
更改日期:: 05/13/2019
创建:: 2004
证书:: All rights reserved

Type:: Media
摘抄:: Produced while I was living in Washington DC. This is a meditation on highway architecture and the view from moving cars, subjects that have long been dear to me. Shot on Hi8 with footage processed at ETC and in my studio using the Amiga computer.
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 03/23/2016
更改日期:: 05/07/2019
创建:: 1994
证书:: All rights reserved

Type:: Media
摘抄:: I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 03/23/2016
更改日期:: 05/07/2019
创建:: 2002
证书:: All rights reserved

Type:: Media
摘抄:: Collaboration with Poet/Performer Enrique Aviles. This video has its origins as a part of the “video set” for a performance by Aviles, directed by Davis Chung. In the theatrical piece Aviles played the roles of two immigrants to the US (one Mexican and one Korean) who live on opposite sides of a rooming house in the Adams Morgan neighborhood in DC. Subsequently, Aviles and I decided to create a stand alone video using one of his poems. The original footage of the neighborhood was supplemented with images of graffiti he produced and a shot of him reciting the poem in the backyard of his house in Arlington, VA.
作者:: Aviles, Enrique (poetry); Airirang Korean Music and Dance Ensemble (music), and Woodman, Charles
提交者:: Charles Woodman
上传日期:: 03/23/2016
更改日期:: 05/07/2019
创建:: 1996

Type:: Media
摘抄:: The term "palimpsest" refers to a text which has been written upon two or three times, but whose lines have been imperfectly erased, so that different layers of all the texts are visible and mix together.
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 03/23/2016
更改日期:: 05/07/2019
创建:: 2001

Type:: Media
摘抄:: Live audio visual improvisation on 05/3/2015 at SF Cinematheque, Center 4 New Music, San Francisco
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 03/18/2016
更改日期:: 05/07/2019
创建:: 2015

Type:: Media
摘抄:: A precursor to "Megurs Ehd Ffleweh Bq Nsolst." Shot in the backyard of my house on Riddle Rd in Cincinnati, and upstairs in my studio. The hibiscus flowers take about an hour to open starting just at daylight. The flowers were filmed in realtime and subsequently sped up.
作者:: Woodman, Charles
提交者:: Charles Woodman
上传日期:: 03/07/2016
更改日期:: 05/07/2019
创建:: 2013

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