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- Type:
- Document
- Descripción/Resumen:
- Rosacea is a chronic inflammatory skin disorder commonly characterized by centrofacial erythema, papules, pustules, vascular instability, and ocular involvement. Although extensively studied in lighter skin tones, significant disparities remain in the diagnosis, detection, and treatment of rosacea in individuals with skin of color. This review examines current literature regarding rosacea in melanin-rich skin with emphasis on prevalence, biomarkers, pathophysiology, diagnostic challenges, Demodex folliculorum involvement, and treatment approaches. Current diagnostic standards rely heavily on visible erythema and telangiectasia, which are often less apparent in darker skin tones, contributing to underdiagnosis and delayed treatment. Research also suggests differences in inflammatory biomarkers, post-inflammatory hyperpigmentation, and vascular responses in skin of color. Treatment methods including topical therapies, lifestyle modifications, and laser-based thermal therapies are reviewed alongside their limitations and risks in melanated skin. Emerging diagnostic technologies, such as computer-aided imaging systems and biomarker-based approaches, demonstrate potential for improving diagnostic accuracy across diverse populations. Overall, this review highlights the need for more inclusive research, improved clinical education, and culturally competent diagnostic criteria to better address rosacea in underrepresented populations and reduce disparities in dermatologic care.
- Creador/Autor:
- Wilson, Shanice
- Peticionario:
- Shanice Wilson
- Fecha modificada:
- 05/13/2026
- Fecha modificada:
- 05/13/2026
- Fecha de creacion:
- 2024-07
- Licencia:
- All rights reserved
-
- Type:
- Document
- Descripción/Resumen:
- test submissions form
- Creador/Autor:
- Haitz, Lisa
- Peticionario:
- Lisa Haitz
- Fecha modificada:
- 05/01/2026
- Fecha modificada:
- 05/01/2026
- Fecha de creacion:
- 2026
- Licencia:
- Public Domain Mark 1.0
-
- Type:
- Document
- Descripción/Resumen:
- This paper explores queer artist Thomas Lanigan-Schmidt (b. 1948) and his piece titled Allegory of the Stonewall Riot (Statue of Liberty Fighting for Drag Queen, Husband, and Home) (1969). I take a biographical approach to the paper, dissecting Lanigan-Schmidt’s childhood and young adult life living as a queer street kid in the 1960s. I follow him to New York City, where he continued creating his kitsch style art and started getting recognized for it. Outside of his artistic endeavors, Lanigan-Schmidt would catch himself hanging out at The Stonewall Inn, a gay bar on Christopher Street. In the early hours of June 28, 1969, The Stonewall Inn was unexpectedly raided by the police. At a time when being queer was criminalized, the patrons of Stonewall had had enough and fought back against the police, sparking a riot that turned into a weeks-long protest. Lanigan-Schmidt was in attendance that night and joined the fight for gay liberation. It was this night that inspired his creation, Allegory of the Stonewall Riot (Statue of Liberty Fighting for Drag Queen, Husband, and Home). By analyzing the contextual importance of The Stonewall Inn and the riots that ensued, I show how Allegory of the Stonewall Riot reflects queer life in the 1960s. In the art historical canon, queer art is largely underrepresented. However, in this paper I show how Thomas Lanigan-Schmidt and Allegory of the Stonewall Riot deserve a place in the art historical canon
- Creador/Autor:
- Turner, Lauren
- Peticionario:
- Lauren Turner
- Fecha modificada:
- 04/27/2026
- Fecha modificada:
- 04/28/2026
- Fecha de creacion:
- 2026-04-27
- Licencia:
- CC0 1.0 Universal
-
- Type:
- Document
- Descripción/Resumen:
- “In my opinion, wherever there is a public, there is a sacred place. When there is no public, there is no performance because there is no dialogue,” claimed Marina Abramović (b. 1946) in conversation with Italian art critic and contemporary art historian Achille Bonito Oliva. For Abramović, the presence of an audience is constitutive to performance. Performance art has frequently been defined by its provocative impulse, functioning as a responsive and unstable form that artists have turned to when engaging with political, cultural, or social pressures, and when seeking to unsettle the conventions of more established artistic disciplines. These sentiments are conveyed by her first performance works, The Rhythm Series (1973-1974). Over the course of two years, she completed five separate performances that explored the physical limits of the body and the relationship between performer and audience. Abramović performed Rhythm 0 (1974), the fifth and final work, at the gallery Studio Morra in Naples, Italy, from 8 pm to 2 am. She placed seventy-two objects on a table that could cause the human body extreme pleasure or pain, including but not limited to objects like a comb, lipstick, paint, a feather, a bone of lamb, cake, and a gun. Instructions posted on the wall declared: “I am the object. During this period I take full responsibility.” This experiment used the art space to expose what audiences are capable of when social inhibition is suspended and moral responsibility is left unguided. This paper asks, in her performance Rhythm 0, how does Abramović's deliberate surrender of bodily agency transforms the audience from passive observers into ethically implicated subjects, forcing an intersubjective encounter with the artist that exposes unconventional, if not revolutionary, social conditions governing the art space?
- Creador/Autor:
- Penix, Sadie
- Peticionario:
- Sadie Penix
- Fecha modificada:
- 04/26/2026
- Fecha modificada:
- 04/27/2026
- Fecha de creacion:
- 2026-04
- Licencia:
- CC0 1.0 Universal
-
- Type:
- Document
- Descripción/Resumen:
- tst
- Creador/Autor:
- Scherz, Thomas
- Peticionario:
- Thomas Scherz
- Fecha modificada:
- 04/24/2026
- Fecha modificada:
- 04/24/2026
- Licencia:
- Attribution 4.0 International
-
- Type:
- Document
- Descripción/Resumen:
- Recent court decisions on EMS Law (3rd Edition).
- Creador/Autor:
- Bennett, Lawrence
- Peticionario:
- Lawrence Bennett
- Fecha modificada:
- 03/31/2026
- Fecha modificada:
- 04/05/2026
- Fecha de creacion:
- 2026-03-31
- Licencia:
- Public Domain Mark 1.0
-
- Type:
- Document
- Descripción/Resumen:
- Textbook for introductory physics, either algebra-based or conceptual
- Creador/Autor:
- Stocker, Dean
- Peticionario:
- Dean Stocker
- Fecha modificada:
- 03/14/2026
- Fecha modificada:
- 03/14/2026
- Fecha de creacion:
- 2026-03-14
- Licencia:
- Attribution 4.0 International
-
- Type:
- Document
- Descripción/Resumen:
- This historic document indicates the location of natural gas streetlights in the city of Boston, Massachusetts.
- Creador/Autor:
- Townsend-Small, Amy
- Peticionario:
- Amy Townsend-Small
- Fecha modificada:
- 01/26/2026
- Fecha modificada:
- 01/26/2026
- Fecha de creacion:
- 1985-08-27
- Licencia:
- Public Domain Mark 1.0
-
- Type:
- Document
- Descripción/Resumen:
- Additional free resources for personnel working in the research enterprise.
- Creador/Autor:
- Green-Schwartz, Clair
- Peticionario:
- Clair Green-Schwartz
- Fecha modificada:
- 12/22/2025
- Fecha modificada:
- 05/11/2026
- Licencia:
- Public Domain Mark 1.0
-
- Type:
- Document
- Descripción/Resumen:
- This document is a template for creating the National Science Foundation's Graduate Student and Postdoctoral Mentoring Plan. Not all NSF grant proposals require this document. Be sure to check grant-specific requirements or instructions for more details.
- Creador/Autor:
- Green-Schwartz, Clair and DenBleyker, Emma
- Peticionario:
- Clair Green-Schwartz
- Fecha modificada:
- 12/22/2025
- Fecha modificada:
- 12/22/2025
- Licencia:
- Public Domain Mark 1.0
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