Live cinema audio/visual improvisation. Brief excerpts from three recent performances - Albright-Knox Art Gallery , Lateral Thinking at 21C Museum/Hotel, Villa Douce, Riems, France
Live Audio Visual Improvisation on 4/24/10 at Gallery CS13 in Cincinnati, OH.
Music: Lief Fairfield, Issac Hand, Steve Kemple, Eddie Kwon, Ethan Philbrick, Images: Loraine Wible, Charles Woodman
Live Audio Visual Improvisation on 11/03/10 at Herron School of Art, Indianapolis, IN. Eddy Kwon (violin), Lief Fairfield (violin), Margaret Schedel (midi cello), Valierie Opielski (guitar), Charles Woodman (images)
"Ye Ying Di" uses a video camera to track the movement of a dancer on stage. The performer's speed and position determine which sounds are heard and what image is displayed.
Plain text files created by extracting OCR'ed text (no cleanup) from PDFs comprising the Lucy Schultz Archive of historic textbooks on English, composition, and rhetoric.
This first 16mm film made after graduate school, and also my last. Coyote Tracks culminates my interest in Semiotics and the exploration of cinema as a linguistic system. Each shot represents a single “pictograph” in a sentence describing a narrative journey. Shot in New Mexico and featuring a cast of old friends.
An early experiment with time based correction and the ability to mix two tapes together, as well as one of the few projects in which I worked with an online editor who operated the controls at my direction. This tape features two versions of the same image (shot in Santa Fe) slightly staggered in time and then wiped over each other. Edited at Eve Muir studio by Trevor Long. I was paying for the studio time to edit a project for LANL and was able to squeeze extra time in to edit two videos, this one and San Mateo Drive.
