1896 printing of 1896 copyrighted work. Part of the International Education Series. The author is credited with both a Ph.D. and an LL.D., as Professor of the Science and the Art of Teaching in the University of Michigan, and as the author of several books of diverse subject matter. W. T. Harris writes the editor's preface: A collection of thoughts on language, influences include Aristotle and Quintilian and Spencer and Lowell, covering its use, its growth, the study of its mechanics, its grammatical and logical structures, the order of mastering its use in speaking, reading, and writing. The discussion covers primary, grammar, high school, and college instruction. Chapters IV, V, and VI relay facts drawn from child study. Chapters VII, VIII, IX, X, and XIII discuss the higher function of literature. Chapter VIII discusses the use of paraphrasing to aid comprehension. The author's preface speaks back to the Harvard Committee's reports on students' writing skills. The Schultz Archive copy is roughly the complete text.
1889 printing of 1888 copyrighted text. Author is credited as Principal of Grammar School No. 3, Brooklyn, NY. Begins with gradual development of the sentence and the nature and office of the different parts of speech. The relations of words to each other precedes learning the words' proper forms. Includes exercises involving filling out sentences with the correct forms of words rather than correcting false syntax (although the appendix contains such exercises). Aims to make grammar more interesting and student progress more rapid. Preface claims it covers as much material as a two-book course on grammar. Examples of chapters include the following: Objects—Ideas; Analysis and Synthesis; Models for Written Analysis; Diagramming; Oral Parsing Models; Words Misused; Compound Sentences—Classification; Elliptical Sentences—Analysis; Bad Construction Improved; Composition—Subjects. Questions are used at the end of lessons. The book is structured to be progressive and its method inductive. The Schultz Archive copy includes the TOC, the index, a part of the appendix, and roughly forty to fifty pages from various chapters. Some of the pages are difficult to read due to the quality of the copies.
1864 printing of 1862 copyrighted text. Author is credited with a Master of Arts, as Principal of the Collegiate Schools, NY, and as the author of several other texts. A new and distinct system of grammar that combines practice with theory and example with precept to make the subject more interesting and teachable. The book contains fifty one short lessons, each followed by an exercise. Words are classified as parts of speech solely according to their use. A simple method of analyzing sentences is also presented as are sections on punctuation, rhetorical figures, and prosody. The Schultz Archive is roughly the complete 288 page text.
1864 printing of 1864 copyrighted text. Author is credited with a Master of Arts, as Principal of the Collegiate Schools, NY, and as the author of several other texts. A grammar handbook that explains rules through question/answer format. The same system from the author's larger grammar but for young beginners. The text aims to awaken students' interest, teach them to think, enable them to understand as they learn, lead them through natural steps, and give practical application to every abstract principle. The Schultz Archive copy is roughly the complete 120 page text.
1855 printing of the 1854 copyrighted text. The author is credited with a Master of Arts degree and as Associate Principal of the Collegiate School in New York, and as the author of First Lessons in Composition. Based on the same plan as the author's book for younger students, First Lessons in Composition, this text is meant for students in colleges and higher academies. The preface boasts its merits are its clearness and simplicity, its variety of subjects and their connections, and the practicality of its exercises. The sections cover the history of the English language; punctuation; rhetoric--with sections on taste, the imagination, the sublime, the beautiful, wit, humor, figurative language, varieties of style, and criticism; prose composition--with sections on invention, amplification, metaphorical language, climax and anithesis, paraphrasing, description, narration, letters, fiction, orations, etc; and poetical composition. Collection of rules and exercises, beginning with history of English language and punctuation until building up to poetry. It credits the influence of Blair, Burke, and Alison. Illustrative textual examples are used throughout. The Schultz Archive's copy is roughly the complete text.
1876 printing of the 1876 copyrighted text. The author is credited with a Doctor of Laws of English degree and as the author of other texts on composition and grammar. A collection of lessons that teaches the art of expression through oral and written inductive exercises rather than the old method of grammar teaching that relies on verbal parsing. Object-lessons are a substantial part of the text, and pictorial illustrations have been crafted to aid in the object-treatment of subjects. Ninety lessons appear in the text, covering subjects such as sentences, capital, periods; sentences expressing questions; letters and their sounds--syllables; use of possessive forms; comparatives and superlatives; the use of adverbs; analysis of sentences; punctuation; violations of unity; letter writing; exercise in criticising; oral discussion of subjects; and exercises in narration. The Schultz Archive's copy is roughly the complete text.
1851 printing of the 1851 copyrighted text. The author is credited with a Master of Arts and as Rector of the Henry-Street Grammar School in New York. The text was designed to fill a gap in composition textbooks for students ages 9 to 12. The first fifty pages use inductive lessons with exercises to familiarize students with the nature and use of the different parts of speech so they can recognize them and supply them when given incomplete sentences. Following this the text offers a more difficult treatise on grammar with different kinds of clauses and sentences, preparing the students for the rules of punctuation. Next are capitals and spelling. Then students are ready to express themselves in their own language, prompted with suggestive words to write sentences of every kind. Style is then taught with the properties of purity, propriety, precision, clearness, strength, harmony, and unity with examples for correction. Students are also taught different kinds of composition, such as letters, descriptions, narrations, biographical sketches, essays, and arguments, and three main figures of speech. The Schultz Archive's copy is roughly the complete text.
1887 printing of the enlarged edition of the first part of Bain's English Composition and Rhetoric. Alexander Bain is a Doctor of Laws of English and Emeritus Professor of Logic in the University of Aberdeen.The first part, Intellectual Elements of Style (included here), is focused on "Elements of Style that concern the understanding." The second part is about the "emotional qualities." This "re-modeling" is designed to narrow the scope and devote more attention to certain portions chosen for their utility. Its topics are order of words; number of words; the sentence; the paragraph; figures of speech; and the qualities of style: clearness, simplicity, impressiveness, and picturesqueness. Bain states that these topics are expounded, exemplified, and applied to the arts of criticism and composition. Bain has somewhat reordered the contents that was previously sectioned under the kinds of composition (description, narration, exposition, oratory). The Schultz Archive copy is the complete text of part first of the enlarged edition.
1884 printing of the revised American edition of Bain's rhetorical manual focused on style, structure, and modes. The copyright page states it was registered in 1866. Alexander Bain had a Master of Arts and was Professor of Logic in the University of Aberdeen. It states an interest in methodizing instruction in english composition, stating that little can be done to cultivate students' fund of expression, but that they can be taught to discriminate between good and bad expression. Rhetoric is defined as "the means whereby language, spoken or written, may be rendered effective." The text is divided into two parts. Part one deals with composition in general, particularly figures of speech, qualities of style, the sentence, and the paragraph. Part two deal with five kinds or modes of composition: description, narration (historical composition), exposition (science), oratory (persuasion), and poetry. Its rules and principles are accompanied with examples from canonical texts. It also includes analyzed extracts in its appendix. Although it has not been digitzed, the Schultz Archive's hardcopy is the complete text. It is identical to the 1887 printing (that is digitzed), excepting paratextual advertisements.
1887 printing of the revised American edition. The copyright page states it was registered in 1866. Alexander Bain had a Master of Arts and was Professor of Logic in the University of Aberdeen. It states an interest in methodizing instruction in english composition, stating that little can be done to cultivate students' fund of expression, but that they can be taught to discriminate between good and bad expression. Rhetoric is defined as "the means whereby language, spoken or written, may be rendered effective." The text is divided into two parts. Part one deals with composition in general, particularly figures of speech, qualities of style, the sentence, and the paragraph. Part two deal with five kinds or modes of composition: description, narration (historical composition), exposition (science), oratory (persuasion), and poetry. Its rules and principles are accompanied with examples from canonical texts. It also includes analyzed extracts in its appendix. The Schultz Archive's copy is the complete text.
