1848 printing of 1848 copyrighted text. The author is credited with a Master of Arts degree and as Principal of the Phillips Grammar School, Boston. Designed as an introduction to a larger work on the analysis of sentences. Emphasizes simplicity in the presentation and performance over memorization. The work is divided into two parts: formation of words (orthography and etymology) and formation of sentences (rules for construction, models for analyzing and parsing). The author states that sentences have a meaning and a form, a thought and a mode of expression. This leads to exercises on equivalents (equivalent words, phrases, or clauses). Part one is broken into introduction, derivation and composition of words, and parts of speech—inflection. Part two has an unnamed section followed by simple sentences, complex sentences, compound sentences, and prosody. The Schultz Archive copy contains the preface, the TOC, the introduction to part one, and the first section of part two.
1841 and 1842 copyrighted texts. The author is credited as "author of the prize essay on education, entitled 'The Teacher's Manual.'" A series of four books designed to connect pure feelings and correct moral ideas with intellectual instruction through narratives accompanied by questions for students. Many of the stories are given titles indicative of the moral theme explored, such as "Cruelty and Oppression" and "Envy, Hatred, and Malice." Pictorial illustrations also appear throughout. The Schultz Archive's copy includes selections from each of the four books, but none of the four is complete.
1842 printing of the 1842 copyrighted text. The author is credited with a Master of Arts degree and as Professor of Belles Lettres in the High School of Philadelphia. Seeks to address the insufficiency in teaching grammar through parsing alone. It maintains the common forms of classification, but treats orthography more fully than usual, shortens the section on construction, expands the rules of arrangement, and uses oral and written exercises. Derivation has been moved to the appendix. Although it maintains much of Lowth and Murray, the work credits the heavy influence of M'Culloch. The work includes pictorial illustrations, especially in the sections of writing exercises. The Schultz Archive's copy is roughly the complete text.