This presentation highlights Scholar@UC design experiment to use ANNIF to populate subject and genre fields. It was presented at Samvera Virtual Connect in 2023
If life is said to imitate art, then Suzanne Valadon’s rebellious, unorthodox, bohemian lifestyle is reflected in her artworks. Valadon's choice of the nude as the primary focus of much of her work reveals much about her role in society. A as a member of the working-class, Valadon was able to step outside the domestic and painted within the traditionally male domain. The art of Suzanne Valadon has been reprised in recent years as feminist art historians have been questioning the art historical canon and challenging the ideology of the nude as a masculine domain. This paper will discuss Valadon’s time as a model, what influence this had on her works, and her relationship with Edgar Degas, her family, and female contemporaries. It will also examine why Valadon chose the nude as the primary focus of much of her works and what this says about her role in society. Through this study, I hope to give better insight on why Valadon’s works were championed during her life, but the recognition faded after her death. Through her work, Valadon challenged not only the rules of the day, but she reclaimed the female nude in her work, the woman was no longer an object to be viewed but a subject in her own right.
The only artist to be featured at all eight Impressionist Exhibitions in Paris was Camille Pissarro. The Impressionist movement emerged during a period of rapid social change and growing industrialization with more people moving to cities. In Pissarro’s works, he specifically concentrated on the conditions of different weather and times of day to alter how he painted scenes of a city. My paper focuses on the Boulevard Montmartre series and his use of building tonal relationships and skill of lighting placement across the fourteen paintings in order to establish a harmonious composition where the day’s essence radiates off the canvas.
If life is said to imitate art, then Suzanne Valadon’s rebellious, unorthodox, bohemian lifestyle is reflected in her artworks. Valadon's choice of the nude as the primary focus of much of her work reveals much about her role in society. A as a member of the working-class, Valadon was able to step outside the domestic and painted within the traditionally male domain. The art of Suzanne Valadon has been reprised in recent years as feminist art historians have been questioning the art historical canon and challenging the ideology of the nude as a masculine domain. This paper will discuss Valadon’s time as a model, what influence this had on her works, and her relationship with Edgar Degas, her family, and female contemporaries. It will also examine why Valadon chose the nude as the primary focus of much of her works and what this says about her role in society. Through this study, I hope to give better insight on why Valadon’s works were championed during her life, but the recognition faded after her death. Through her work, Valadon challenged not only the rules of the day, but she reclaimed the female nude in her work, the woman was no longer an object to be viewed but a subject in her own right.
An exploration of the use of virtual reality technology in the context of diversity and inclusion training. This manuscript describes two studies: Study 1 was longitudinal and investigated the impacts of a VR-based bias training. Cognitive and affective empathy levels and impact on behavior, attitude, and knowledge before and after the training were measured to test the hypotheses that (H1) cognitive empathy levels would increase and (H2) individuals with higher initial levels of empathy would demonstrate more pronounced changes in cognitive empathy following the training. H1 was supported but larger changes were found in affective empathy levels. H2 was also supported as individuals with higher initial empathy levels showed higher levels of cognitive empathy after the training compared to individuals with lower initial empathy levels. However, again, larger differences were found in affective empathy levels. Qualitative data revealed a lasting impact nine weeks after the training that was not present in the quantitative data. Study 2 surveyed healthcare professionals who previously participated in a VR-based DEI training that focused on social determinants of health and empathy in healthcare professionals. The purpose of this study was to gain insight into the longitudinal impacts of a VR-based DEI training by gathering qualitative data from the participants at least a year after they went through the training. The respondents reported a lasting influence from the training. Reasons for the discrepancy between the qualitative and quantitative results are discussed as are implications for organizations and future DEI training development and research.