Index Catalog // Scholar@UC

Type:: Student Work
Description/Abstract:: Submitted to the Faculty of the School of Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology.
Creator/Author:: Schwenker, John; McDonald, Garrett, and Palmer, Brian
Submitter:: CECH Library Service
Date Uploaded:: 07/12/2017
Date Modified:: 07/13/2017
License:: Attribution-NonCommercial-NoDerivs 4.0 International

Type:: Media
Description/Abstract:: Demo version of my first attempt at a multi-channel video installation. The work was highly influenced by Nam June Paik’s retrospective at the Whitney and by Steina Vasulka’s “The West”. This piece was produced while I was living and working at the Vasulka’s House/Studio in Santa Fe. I had persuaded them to let me house sit while they spent six months in Japan. Access to their equipment, particularly to 4 adjacent monitors and four ¾” video decks, was what made it possible to compose a multi image work. “Virtual Space” was originally an eight channel work, mounted as two 2X2 stacks of monitors facing each other across a narrow space. Standing in the middle, the viewer had to look back and forth between the two sides. One side (L) is an assembly of footage gathered at the Lightning Field (a land art project in southern New Mexico by artist Walter Di Maria.) The other side (V) features four views of the interior of the Vasulka’s live/work interior as a handheld camera slowly and continuously pans across interior surfaces in the space.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/06/2016
Date Modified:: 05/10/2019
Date Created:: 1989
License:: All rights reserved

Type:: Student Work
Description/Abstract:: Submitted to the Faculty of the School of Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology.
Creator/Author:: Cameron, Matt; Owens, Erik, and Boggs, Kevin
Submitter:: CECH Library Service
Date Uploaded:: 07/12/2017
Date Modified:: 07/13/2017
License:: Attribution-NonCommercial-NoDerivs 4.0 International

Type:: Media
Description/Abstract:: A mostly formal exercise in composition and image processing, using footage of water. Probably the first in a ongoing series of works dealing with landscape, investigating the idea of video as a contemplative viewing experience akin to painting. Filmed in California and Mexico, Developed over the course of two visits to ETC, Final editing at PPG onto 1” open reel tape.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/05/2016
Date Modified:: 05/12/2019
Date Created:: 1992
License:: All rights reserved

Type:: Student Work
Description/Abstract:: Submitted to the Faculty of the School of Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology.
Creator/Author:: Fall, Abdou; Nguyen, Mai Phuong, and Wertz, Kyle
Submitter:: CECH Library Service
Date Uploaded:: 07/12/2017
Date Modified:: 07/13/2017
License:: Attribution-NonCommercial-NoDerivs 4.0 International

Type:: Media
Description/Abstract:: Produced while I was living in Washington DC. This is a meditation on highway architecture and the view from moving cars, subjects that have long been dear to me. Shot on Hi8 with footage processed at ETC and in my studio using the Amiga computer.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/05/2016
Date Modified:: 05/17/2019
Date Created:: 1994
License:: All rights reserved

Type:: Student Work
Description/Abstract:: Submitted to the Faculty of the School of Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology.
Creator/Author:: Tamanko, Andrew and Nehring, Jordan
Submitter:: CECH Library Service
Date Uploaded:: 07/12/2017
Date Modified:: 07/13/2017
License:: Attribution-NonCommercial-NoDerivs 4.0 International

Type:: Student Work
Description/Abstract:: Submitted to the Faculty of the School of Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology.
Creator/Author:: Vallance, Shane and Muenker, Kyle
Submitter:: CECH Library Service
Date Uploaded:: 07/12/2017
Date Modified:: 07/12/2017
License:: Attribution-NonCommercial-NoDerivs 4.0 International

Type:: Media
Description/Abstract:: I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/05/2016
Date Modified:: 05/13/2019
Date Created:: 2002

Type:: Student Work
Description/Abstract:: Submitted to the Faculty of the School of Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology.
Creator/Author:: Jackson, Cory; Metzger, Alec, and Mitchell, Adrian
Submitter:: CECH Library Service
Date Uploaded:: 07/12/2017
Date Modified:: 07/13/2017
License:: Attribution-NonCommercial-NoDerivs 4.0 International

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