Voyeurism, Totalization, and the Hyperreal in Vargas Llosa’s In Praise of the Stepmother

A Spanish Descendant of Shahrazad? Azorín’s Use of Framing Devices in Las confesiones de un pequeño filósofo

Recherche identitaire, relation mere/fille, écriture et libération: Jette ton pain d’Alice Rivaz

Daura Olema García’s Maestra Voluntaria and the Making of a Revolutionary Identity in Post-1959 Cuba

Imagined Americas: Boris Vian, Vernon Sullivan and the Franco-America Thriller

The Poisonous Gift: Language in Assia Djebar’s L’amour, la fantasia

Baudelaire’s Paris, or What Happens When the Lyric Poet Gets Lost in the City

Representations of Memory in Édouard Glissant’s La case du Commandeur

“En marge de Criton,” le premier essai de Roland Barthes