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En-gendering Violence in Roberto Athayde’s Apareceu a Margarida and Plínio Marcos’s Dois perdidos numa noite suja
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La Double Entente: Eavesdropping in À la recherche du temps perdu
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Writing Cultural Identity: Strategies for Authorizing Difference
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A “Tragic Mistake”?: Veronica’s Identity Quest in Maryse Condé’s Hérémakhonon
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Playing Doubles: Another Look at Alemán’s Vengeance on Martí
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Saint-Évremond and Pedantry: The Baroque Aesthetic of La comédie des académistes
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Tyrany, Writing, and Memory in Abel Posse’s Daimón
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Preface
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Cincinnati Romance Review: Volume 16 (1997)
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Maldita yo entre las mujeres de Mercedes Valdivieso: Una arqueología del diabolismo femenino
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