The Auditory Brainstem Response (ABR) to gated tone burst of five frequencies (0.125, 0.5, 4, 8, 10 kHz) as well as broadband click stimuli were recorded in two cheetahs, one male and one female. We report, for the first time, hearing estimates from two cheetahs. Provided are the raw data files in PDF format and RPT format which is the file format used by the Intelligent Hearing System Universal Smart Box for analysis and to mark waves in order to obtain amplitude and latency of waves. Data were obtained for the female cheetah on February 1, 2024 and for the male cheetah on March 26, 2024 from the Cincinnati Zoo and Botanical Gardens.
This is a poster detailing the scope, design, process safety, and economics for a chemical engineering capstone by project group 5046-2403. The project is centered around capturing carbon dioxide emissions from indoor testing cells at the General Electric Aerospace site in Peebles, Ohio. The process captures carbon dioxide from jet engine exhaust through a series of adsorption towers with activated carbon sorbent. The adsorbate goes through a desorption cycle to release purified gaseous carbon dioxide from the surface of the activated carbon. The gas is compressed for storage and off-site transport.
“Squinting at the Details” looks at an artwork by Guercino titled “Mars with Cupid: and attempts to identify possible references and symbolism in the smaller details found in the work.
The exhibition "Heavenly Bodies: Fashion and the Catholic Imagination," staged by the Metropolitan Museum of Art and Fashion Institute, showcased a fusion of Catholic iconography with contemporary fashion. The exhibition served as an immersive experience within the Met Cloisters, blending architecture, artworks, and garments to elevate clothing to the status of art. Attire was transformed into an earnest expression of spirituality and cultural identity through thematic organization. "Heavenly Bodies: Fashion and the Catholic Imagination" exemplifies the potential of fashion as a medium for artistic exploration and cultural discourse, challenging conventional perceptions and redefining boundaries between art and apparel.
The paper discusses how death and Memento Mori were displayed in the visual culture of the Northern European societies. The paper explores how the representation of the death evolves through the Middle Ages into the Baroque period and the reasons for such changes. The work follows research on the culture of these times and how they effected the representations of death that became so popular during the time. The thesis will also touch on how emergence of the importance of Still Life during this time can partially be attributed to this same culture.
