Programs to chapter 5 of book "Multivariate Public Key Cryptosystems" by Ding, Petzoldt and Schmidt
For generating the public and private keys use; load "keygen.txt"
To sign a (randomly generated) document: load "sign.txt";
To verify the signature: load "verify.txt";
If the characteristic is odd use: load "forge_odd.txt"; The program uses only the data in public_key.txt and a randomly generated document and shows that its signature would be accepted.
The program "forge_even.txt" for the case with even characteristic will be added later
Magma programs for the variants of the Hidden Field Equations. In order to run these programs use
load "keygen.txt";
load "encrypt.txt";
load "decrypt.txt";
A message is generated at random. Modify the program to use your own message and/or change the parameters in the file keygen.txt
Magma programs for the original Hidden Field Equations by Patarin To run these programs use
load "keygen.txt";
load "encrypt.txt";
load "decrypt.txt";
A message is generated at random. Modify the program to use your own message and/or change the parameters
Magma programs to chapter 4 of the book "Multivariate Public Key Cryptosystems" by Ding, Petzoldt and Schmidt
There are two attachments one for the original Hidden Field Equations (HFE) and the other for variants of it (HFEv)
Programs used and described in the book "Multivariate Public Key Cryptosystems" by Ding, Petzoldt and Schmidt. All programs can be downloaded via the attached zip file. Modify the file "startup.txt" so that the base directory matches your setup. Put this file where magma can find it.
After starting magma run: load "startup.txt"; It will then allow you to select the method on which you want to work.
Files can be downloaded individually by clicking on a chapter name and then selecting the scheme of interest.
In this paper, I study how general technology users perceive the dark web. In this study,
I conducted research on what these users know about dark web technologies, activities,
content, and how their perceptions changed after a first-hand experience on dark web
marketplaces and sites. I aimed to tackle myths and misconceptions that users had about the
dark web and present new data in order to educate and bring awareness to the dark web to
those who may never have the opportunity or reason to come upon this information on their
own. It is my hope that the findings of this paper and the experiences of the participants will
foster the spread of knowledge and awareness to both the threats and benefits that the dark
web contributes to society.
A conversation between two friends who are not musicians and whose personal histories could hardly be more different. Through a series of conversations we explored those journeys, compared and contrasted our stories, and discussed just why this music affects us so deeply. We discussed specific musicians in terms of whether we liked, did not like, or were indifferent to their music, and why we either agreed or not. In these conversations we posed various questions to each other, hoping to discover and articulate certain essences that we might share. One thing we agreed upon up front is that we are neither musicians nor music critics. In fact, we’re not convinced that the field of music criticism is even a valid endeavor. Music description and personal reaction, however, is another matter. In our conversations we tried to describe our reactions to specific musicians and “schools” of music, without labeling the music as “good” or “lousy”. You will see that this doesn’t prevent us from disagreeing and disagreeing in spirited fashion, while always trying to focus on why our personal reaction is what it is.
Parallel Projections investigates two types of postindustrial site: the architectural and the agricultural; it conflates (projections of and into) spaces as means of making visceral our intellectual comprehension of the
relationships between materiality, surface, place and history. Parallel Projections is not meant for specific
places but for specific kinds of spaces: defunct industrial buildings, abandoned urban edifices, and mechanized
natural landscapes. The authors, living in places (Iowa and Ohio) that have both been radically altered by scalar
economic shifts, adapt alien (guest) project components to their native (host) contexts. Both types of spaces, host
and guest, as spaces of urban and rural abandonment, share surfaces that are compelling palimpsests. These
surfaces are encrusted with nearly-obliterated histories, emptied by changes in production methods and habits
of occupation and revealed by ghost texts. In opposition to the idea that these sites should be whitewashed and redrawn, the authors see them as grounds for new layers that can receive projections of phenomena from other postindustrial sites and as repositories for material evidence that deepens, rather than erases, the evidence of their
pasts.
A 1948 exhibition catalogue of the work of Alberto Giacommetti, with an essay by Jean-Paul Sartre, highlights the relationships between sculpture and psychoanalysis, phenomenology, existentialism.
