Cincinnati Romance Review: Volume 17 (1998)

Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist

The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy

Entre la luz y el abismo: Voces al atardecer de Francisco Rivera

Andrée Chedid: Dialogue and the Destruction of Form

La “ima-sapra” como metáfora del caos en El zorro de arriba y el zorro de abajo de José María Arguedas

Discontinuous Continuities in Assia Djebar’s L’amour la fantasia

Our Bodies, Our Selves: Vengeance in the Novellas of María de Zayas

From Realistic Narratives to Social Fantasy: Of Nightclubs and Supermarkets in Some Contemporary Narratives on Maghrebi-French