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- Type:
- Document
- Description/Abstract:
- 2 parts. 19 pages. Two characters, Ella and Él, face a puzzling event that will make them reconsider their personal relationship and what they believed was their past. This play was performed on November 18, 2015. A video of the performance and accompanying program are included in this record. A streaming copy is available in the UCL Kaltura Mediaspace at https://ucl.mediaspace.kaltura.com/media/%5B+%5D+El+tama%C3%B1o+del+vac%C3%ADo+-+Obra+de+teatro/1_omneivsf.
- Creator/Author:
- Alcantar, Stephanie, 1990-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-12-03
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
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- Type:
- Document
- Description/Abstract:
- 2 parts. 23 pages. Two friends, with a common passion for soap operas and gay divas, collide after the unexpected arrival of a new neighbor.
- Creator/Author:
- Galeano, Camilo, 1981-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-11-30
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Document
- Description/Abstract:
- 23 parts. 42 pages. Spain, late 1960s. A UFO research group lead by Fernando Sesma tries to convince American filmmaker Orson Welles of the existence of extraterrestrial life on the planet UMMO.
- Creator/Author:
- García May, Ignacio, 1965-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-12-20
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Document
- Description/Abstract:
- 5 parts. 25 pages. A short play about a group of upper class Hispanic women living in the United States. The dynamics of their relationship gets tested when one of them, Joanna, comes to their children's soccer game with a new maid. Allegiances shift when Joanna receives the news of her husband's promotion, and their real feelings about each other are exposed.
- Creator/Author:
- Mazur, Eugenia, 1972-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-10-31
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Document
- Description/Abstract:
- 2 parts. 17 pages. The unexpected reunion of two sisters results in an emotional dead end.
- Creator/Author:
- Montes, Manuel R., 1981-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-12-24
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Document
- Description/Abstract:
- 4 parts. 14 pages. “Manrat” is more than just a rat; he is an elusive and amorous spirit residing in the smelly underbelly of man’s city. Fluff N' Stuff and Cheddars are his wisecracking nest-mates who speculate about the motives of Manrat's recently developed depression. All the while, they search the south side sewer for dinner: that is until they run into Talia, licensed psychologist. The two rodent cronies agree to help her back to the world above… if she can first cure Manrat of his sorrowful affliction. Fluff N' Stuff and Cheddars, Manrat's supposed friends are counting on it, but Talia's life is also at play. Can Talia and Manrat find salvation together, or will all four be condemned to wade in the stink of their daily problems? And what about Cheddars and Fluff N' Stuff? Will they be able to scurry out of their own hang-ups and help a friend in his hour of need? Fear. Passion. Giant mutant rats. “Manrat” delivers all in a filthy, unforgiving comedy.
- Creator/Author:
- Hutchinson, Sara W., 1989-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-12-12
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Media
- Description/Abstract:
- This work is part of a graduate project for SPAN 8062, Fall 2013 with Dr. Andrés Pérez-Simón. The seminar was funded by the Taft Research Center. Extent: 60 minutes.
- Creator/Author:
- García May, Ignacio, 1965-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-11-15
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Media
- Description/Abstract:
- This work is part of a graduate project for SPAN 8062, Fall 2013 with Dr. Andrés Pérez-Simón. The seminar was funded by the Taft Research Center. Extent: 53 minutes.
- Creator/Author:
- García May, Ignacio, 1965-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-10-04
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Student Work
- Description/Abstract:
- UC SCHOOL OF ART MFA GRADUATING SHOW 2015 — TEXTS AND PROJECTS This collection of texts and images brings together the work of graduate students and faculty in art history, art education, and fine arts at the University of Cincinnati in the spring of 2015. We invited students in art education and art history to write accompanying texts for the final projects of their peers in the fine arts graduate program – projects encompassing everything from multimedia installation, abstract painting, video animation, fiber-based sculptural assemblages, photography, and drawing. The students’ projects were presented at the Contemporary Arts Center, Cincinnati, as part of the School of Art’s MFA Thesis Exhibition, which ran from April 1 and April 25, 2015. A process of looking, talking, looking again, writing, reading, and re-writing unfolded. Shorter versions of the texts were shown at the CAC alongside the artworks at the CAC. The process created a working space for artists and writers in dialogue, giving rise to new ideas and projects in turn. Morgan Thomas Vittoria Daiello [from Foreword] Design: Sso-Rha Kang
- Creator/Author:
- Stenger, Kate; Spires, Lauren; Thomas, Morgan; Daiello, Vittoria; Norton, Ben; Kang, Sso-Rha; Lang, Gabrielle; Johnson, Leigh; Wyatt Bauman, Emily; Karimi, Saeide; Tinney, Ross; Turner, Miles; Oswald, Sean; Klimesh, Colin; Asadipour, Saeedeh; Girandola, Joe; Morren, Samuel; Drout, Julie; Wolhoy, Rick, and Horwitz, Ian
- Submitter:
- Morgan Thomas
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 05/23/2019
- Date Created:
- 2015-04-27
- License:
- All rights reserved
-
- Type:
- Article
- Description/Abstract:
- Al-Tahrir Square, surrounded by commercial crowded streets, financial headquarters, and governmental institutions is one of the most iconic squares in Baghdad. It is part of daily life for many Iraqi people due to its central location, which is characterized by busy roads with honking cars. In this essay, I am going to explore Al-Tahrir Square in Baghdad, Iraq as a venue of rebellion for Iraqi people. Since 2015, Iraqi people from diverse backgrounds have been gathering in the square to protest for their rights every Friday. It has been the site of many historical events in Iraq although it has been established as a social place. I will explore the sociopolitical significance of Al-Tahrir Square by connecting the history of the place with how it has been changed since 1961 when the Freedom Monument was first open to the public. The research addresses the urban landscape of Al-Tahrir Square and its transformation over time, taking into consideration the political issues that affect it. I will analyze policies and regulations that have discouraged people from gathering in the Square to prevent political threats to the government and suggest ways to create safer spaces and mixed used attractions, modify the natural landscape of Al-Ummah Garden to make it more connected to the Square, and revitalize the existing kaleidoscope for closer proximity to Tigris River. Keywords: Al-Tahrir Square, Freedom monument, Al-Ummah Garden, Al-Rasheed Street, and urban planning Al-Tahrir Square has a complicated history. It was a parking lot in the 1950s, but in 1961, it use shifted and it became the location of the Freedom Monument. This shift marked AlTahrir Square as evidence of the Iraqi people’s journey of struggle and victory that designated it as a symbol of a new era of liberation from British colonialism. It has always been selected as a protest site because of its location in central Baghdad, especially in the past when it was the focal point for social gatherings. Besides being accessible from both Al-Karkh and Al-Rusafa, the two sides of Baghdad, through the highways and bridges that shorten the distance, the Square has had a long history of political demonstrations and has become a symbol for liberation, represented by the Freedom Monument.
- Creator/Author:
- Alberto, Lora
- Submitter:
- Lora Alberto
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 09/20/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International