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Ninety lessons appear in the text, covering subjects such as sentences, capital, periods; sentences expressing questions; letters and their sounds--syllables; use of possessive forms; comparatives and superlatives; the use of adverbs; analysis of sentences; punctuation; violations of unity; letter writing; exercise in criticising; oral discussion of subjects; and exercises in narration. The Schultz Archive's copy is roughly the complete text.\r\n\r\n\r\n  "],"license_tesim":["http://creativecommons.org/publicdomain/mark/1.0/"],"date_created_tesim":["1876"],"thumbnail_path_ss":"/downloads/05742096s?file=thumbnail","suppressed_bsi":false,"actionable_workflow_roles_ssim":["admin_set/default-default-depositing"],"workflow_state_name_ssim":["deposited"],"member_ids_ssim":["05742096s"],"member_of_collections_ssim":["The Lucille M. 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Style is then taught with the properties of purity, propriety, precision, clearness, strength, harmony, and unity with examples for correction. Students are also taught different kinds of composition, such as letters, descriptions, narrations, biographical sketches, essays, and arguments, and three main figures of speech. The Schultz Archive's copy is roughly the complete text.\r\n\r\n  "],"license_tesim":["http://creativecommons.org/publicdomain/mark/1.0/"],"date_created_tesim":["1851"],"thumbnail_path_ss":"/assets/work-ff055336041c3f7d310ad69109eda4a887b16ec501f35afc0a547c4adb97ee72.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["admin_set/default-default-depositing"],"workflow_state_name_ssim":["deposited"],"member_ids_ssim":["057420947"],"member_of_collections_ssim":["The Lucille M. 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Appleton and Company"],"subject_tesim":["Composition textbook: college","The Lucille M. Schultz 19th Century Composition Archive","Studies in Rhetoric"],"description_tesim":["1887 printing of the enlarged edition of the first part of Bain's English Composition and Rhetoric. Alexander Bain is a Doctor of Laws of English and Emeritus Professor of Logic in the University of Aberdeen.The first part, Intellectual Elements of Style (included here), is focused on \"Elements of Style that concern the understanding.\" The second part is about the \"emotional qualities.\" This \"re-modeling\" is designed to narrow the scope and devote more attention to certain portions chosen for their utility. Its topics are order of words; number of words; the sentence; the paragraph; figures of speech; and the qualities of style: clearness, simplicity, impressiveness, and picturesqueness. Bain states that these topics are expounded, exemplified, and applied to the arts of criticism and composition. Bain has somewhat reordered the contents that was previously sectioned under the kinds of composition (description, narration, exposition, oratory). The Schultz Archive copy is the complete text of part first of the enlarged edition. "],"license_tesim":["http://creativecommons.org/publicdomain/mark/1.0/"],"date_created_tesim":["1887"],"thumbnail_path_ss":"/downloads/05741w50c?file=thumbnail","suppressed_bsi":false,"actionable_workflow_roles_ssim":["admin_set/default-default-depositing"],"workflow_state_name_ssim":["deposited"],"member_ids_ssim":["05741w50c"],"member_of_collections_ssim":["The Lucille M. 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Appleton and Company"],"subject_tesim":["The Lucille M. Schultz 19th Century Composition Archive","Studies in Rhetoric"],"description_tesim":["1884 printing of the revised American edition of Bain's rhetorical manual focused on style, structure, and modes. The copyright page states it was registered in 1866. Alexander Bain had a Master of Arts and was Professor of Logic in the University of Aberdeen. It states an interest in methodizing instruction in english composition, stating that little can be done to cultivate students' fund of expression, but that they can be taught to discriminate between good and bad expression. Rhetoric is defined as \"the means whereby language, spoken or written, may be rendered effective.\" The text is divided into two parts. Part one deals with composition in general, particularly figures of speech, qualities of style, the sentence, and the paragraph. Part two deal with five kinds or modes of composition: description, narration (historical composition), exposition (science), oratory (persuasion), and poetry. Its rules and principles are accompanied with examples from canonical texts. It also includes analyzed extracts in its appendix. Although it has not been digitzed, the Schultz Archive's hardcopy is the complete text. It is identical to the 1887 printing (that is digitzed), excepting paratextual advertisements.\r\n\r\n\r\n  "],"license_tesim":["http://creativecommons.org/publicdomain/mark/1.0/"],"date_created_tesim":["1884"],"thumbnail_path_ss":"/assets/work-ff055336041c3f7d310ad69109eda4a887b16ec501f35afc0a547c4adb97ee72.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["admin_set/default-default-depositing"],"workflow_state_name_ssim":["deposited"],"member_of_collections_ssim":["The Lucille M. 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