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All programs can be downloaded via the attached zip file.  Modify the file \"startup.txt\"  so that the base directory  matches your setup. 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Through a series of conversations we explored those journeys, compared and contrasted our stories, and discussed just why this music affects us so deeply. We discussed specific musicians in terms of whether we liked, did not like, or were indifferent to their music, and why we either agreed or not. In these conversations we posed various questions to each other, hoping to discover and articulate certain essences that we might share. One thing we agreed upon up front is that we are neither musicians nor music critics. In fact, we’re not convinced that the field of music criticism is even a valid endeavor. Music description and personal reaction, however, is another matter. In our conversations we tried to describe our reactions to specific musicians and “schools” of music, without labeling the music as “good” or “lousy”. You will see that this doesn’t prevent us from disagreeing and disagreeing in spirited fashion, while always trying to focus on why our personal reaction is what it is."],"license_tesim":["http://creativecommons.org/licenses/by/4.0/"],"date_created_tesim":["2019-01"],"thumbnail_path_ss":"/downloads/j098zc28c?file=thumbnail","suppressed_bsi":false,"actionable_workflow_roles_ssim":["admin_set/default-default-depositing"],"workflow_state_name_ssim":["deposited"],"member_ids_ssim":["j098zc28c"],"file_set_ids_ssim":["j098zc28c"],"visibility_ssi":"open","admin_set_tesim":["Default Admin Set"],"sort_title_ssi":"HOW WE GOT TO THE SAME PLACE ALMOST THE UNIVERSALITY OF THE MUSIC CALLED JAZZ","human_readable_type_tesim":["Article"],"read_access_group_ssim":["public"],"edit_access_group_ssim":["admin"],"edit_access_person_ssim":["marinesa@ucmail.uc.edu"],"nesting_collection__pathnames_ssim":["x059c851q"],"nesting_collection__deepest_nested_depth_isi":1,"_version_":1697107041067204608,"timestamp":"2021-04-15T11:49:57.258Z","score":0.00049999997},{"system_create_dtsi":"2019-02-06T19:45:51Z","system_modified_dtsi":"2019-05-23T18:42:47Z","has_model_ssim":["Article"],"id":"gm80hw40g","accessControl_ssim":["7ca9901a-19f9-4b2d-b1f1-6667fd8d5141"],"hasRelatedMediaFragment_ssim":["cc08hg77b"],"hasRelatedImage_ssim":["cc08hg77b"],"depositor_ssim":["krukowsa@ucmail.uc.edu"],"depositor_tesim":["krukowsa@ucmail.uc.edu"],"title_tesim":["Parallel Projections"],"date_uploaded_dtsi":"2019-02-06T19:45:51Z","date_modified_dtsi":"2019-05-23T18:42:47Z","isPartOf_ssim":["admin_set/default"],"geo_subject_tesim":["Ohio","Iowa"],"journal_title_tesim":["Drawing On"],"time_period_tesim":["Contemporary"],"college_tesim":["Design, Architecture, Art and Planning"],"department_tesim":["School of Design"],"creator_tesim":["Goché, Peter","Krukowski, Samantha"],"publisher_tesim":["University of Edinburgh"],"subject_tesim":["Architecture, Art, Agriculture, Urban Impact, Video Installation, Industry, Post-Industrial, Abandonment, History"],"language_tesim":["English"],"description_tesim":["Parallel Projections investigates two types of postindustrial site: the architectural and the agricultural; it conflates (projections of and into) spaces as means of making visceral our intellectual comprehension of the\r\nrelationships between materiality, surface, place and history. 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