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Writing Cultural Identity: Strategies for Authorizing Difference
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La Double Entente: Eavesdropping in À la recherche du temps perdu
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En-gendering Violence in Roberto Athayde’s Apareceu a Margarida and Plínio Marcos’s Dois perdidos numa noite suja
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Schema Theory and Reader-Response Theory: Solutions to Contradictions in the Foreign Literature Class
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Noticias del Imperio y Corona de sombra: Dos visiones distintas
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From Realistic Narratives to Social Fantasy: of Nightclubs and Supermarkets in Some Contemporary Narratives on Magrebi-French
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Our Bodies, Our Selves: Vengeance in the Novellas of María de Zayas
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Discontinuous Continuities in Assia Djebar’s L’amour la fantasia
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La “ima-sapra” como metáfora del caos en El zorro de arriba y el zorro de abajo de José María Arguedas
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Andrée Chedid: Dialogue and the Destruction of Form
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Entre la luz y el abismo: Voces al atardecer de Francisco Rivera
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The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy
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Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist
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Preface
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Crisi dell’identittà e crisi del romanzo: I romanzi d’appendice di Emilio de Marchi
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The Rhythm of Irony
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El cuerpo disciplinable de la “Perfecta casada”
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Chevillard’s Aleatory World: Toward a French Postexotic Literature
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La temática regeneracionista en el Morsamor de Juan Valera
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The Laure – Georges Bataille Exchange: Celebrating the Dissymmetry of the Couple in Interwar French Thought
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The Widow’s Peak / The Widow Speaks: Carmen’s Idle Talk in Miguel Delibes’s Cinco horas con Mario
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Une chaîne de mains insolites dans Nadja d’André Breton
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La familia de Pascual Duarte o la función política de la picaresca
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¡Bienvenido, Míster Marshall!: La identidad nacional como artificio
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Paludes and the Question of Narrative Origination
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Frente al espejo: Escritura epistolar y creación de un nuevo “yo” en Nubosidad variable
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Passion, Power, Will, Desire: Gender Trespassing in the Poetry of Anna de Noailles
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Obabakoak: El infinito virtual
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Making National Citizens: Gender, Race, and Class in Two Works by Clorinda Matto de Turner
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Ut Pictura Theatrum - Dramatic Theory and the Pictorial Paradigm in 17th-Century France
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El triunfo secreto de la novela argentina contemporánea
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L’amitié féminine dans les œuvres d’Isabelle de Charrière et de Marceline Desbordes-Valmore
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Entorno a la teoría del discurso revolucionario y poético en Rogue Dalton
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Persistence and Denial of Center: The Appearance of the Peruvian Postmodern Novel and the Continuing Appeal of Modernity
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Myth, Identity and Collaboration in Michel Tournier’s Le Roi des Aulnes and Ahmadou Kourouma’s Monnè, outrages et défis
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"Una carta a Martín Romaña": La realidad ficcionalizada, la ficción real(izada)
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Their Heart Belongs to Daddy: Las Hojas Muertas and the Desintegration of Patriarchal Authority
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New Applications of Game Theory in Genet’s “Prisoner’s Dilemma”
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“Entre olvidados códices”: Escritura, texto y subtextos en Los nazarenos, novela histórica
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A New Edition of Dante’s Commedia: Peter Greenaway and Tom Phillips’ A T.V. Dante
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Maldita yo entre las mujeres de Mercedes Valdivieso: Una arqueología del diabolismo femenino
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Preface
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Tyrany, Writing, and Memory in Abel Posse’s Daimón
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Saint-Évremond and Pedantry: The Baroque Aesthetic of La comédie des académistes
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Playing Doubles: Another Look at Alemán’s Vengeance on Martí
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A “Tragic Mistake”?: Veronica’s Identity Quest in Maryse Condé’s Hérémakhonon
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Writing Cultural Identity: Strategies for Authorizing Difference
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La Double Entente: Eavesdropping in À la recherche du temps perdu
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En-gendering Violence in Roberto Athayde’s Apareceu a Margarida and Plínio Marcos’s Dois perdidos numa noite suja
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Schema Theory and Reader-Response Theory: Solutions to Contradictions in the Foreign Literature Class
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Noticias del Imperio y Corona de sombra: Dos visiones distintas
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From Realistic Narratives to Social Fantasy: Of Nightclubs and Supermarkets in Some Contemporary Narratives on Maghrebi-French
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Our Bodies, Our Selves: Vengeance in the Novellas of María de Zayas
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Discontinuous Continuities in Assia Djebar’s L’amour la fantasia
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La “ima-sapra” como metáfora del caos en El zorro de arriba y el zorro de abajo de José María Arguedas
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Andrée Chedid: Dialogue and the Destruction of Form
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Entre la luz y el abismo: Voces al atardecer de Francisco Rivera
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The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy
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Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist
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Introduction
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Erudizione, esotismo ed utopia in L’Isola del giorno prima di Umberto Eco
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Voiles et dévoilements, ou “L’entre-deux” dans Les carnets de Shérazade de Leila Sebbar
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The Queen Who Would be King
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La subversión de las metáforas místicas en La Regenta
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Passing the Test of Truth: Gender as Performance in Two French Narratives, Medieval and Modern
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The Rantings of Vian/Sullivan: Race Undercover
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Teatro y dictadura: emergencia de un teatro chileno contestatario
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Las relaciones peligrosas: niñas e indígenas en “La semana de colores” de Elena Garro
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Metapoetry and Metalanguage in Lope de Vega’s Rimas humanas y divinas del licenciado Tomé de Burguillos
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El cuarto de atrás by Carmen Martín Gaite: Space, Text, and Inscription
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Dante and Dionysios: The Articulation of the Heavenly Vision of Canto 28 of the Paradiso
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Alfonso Martínez de Toledo y Giovanni Bocaccio: Un análisis de la relación entre el Arcipestre de Talavera e Il Corbaccio
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Sobre los Coloquios de Fernán González de Eslava
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“En marge de Criton,” le premier essai de Roland Barthes
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Representations of Memory in Édouard Glissant’s La case du Commandeur
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Baudelaire’s Paris, or What Happens When the Lyric Poet Gets Lost in the City
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The Poisonous Gift: Language in Assia Djebar’s L’amour, la fantasia
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Imagined Americas: Boris Vian, Vernon Sullivan and the Franco-America Thriller
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Daura Olema García’s Maestra Voluntaria and the Making of a Revolutionary Identity in Post-1959 Cuba
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Recherche identitaire, relation mere/fille, écriture et libération: Jette ton pain d’Alice Rivaz
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A Spanish Descendant of Shahrazad? Azorín’s Use of Framing Devices in Las confesiones de un pequeño filósofo
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Voyeurism, Totalization, and the Hyperreal in Vargas Llosa’s In Praise of the Stepmother
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Introduction
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Reading Social Consciousness in Claribel Alegría’s Early Poetry
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Abdelkebir Khatibi lu par Jacques Derrida: du bilinguisme au monolinguisme de l’autre
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El sí de las hermanas: La escritura y lo intelectual en la obra de Teresa de Cartagena y Sor Juana Inés de la Cruz
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A Liquid Air of Apocalypse: The End(s) of Music in Proust and Sartre
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Idealización y deconstrucción del ideal caballeresco: Sacarus, el caballero ideal en la Crónica sarracina
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When Bakhtin Meets Descartes: Monologism, Dialogism and the Construction of Knowledge in the Discours de la Méthode
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Between Translations: Mario Vargas Llosa’s El hablador
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The Turdy Madonna: Religion and the Novel in George Sand and Samuel Beckett
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Girl Trouble: Gender Gaps in Isaac Chocrón’s Toda una dama
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Exile in the Forest: Rite of Passage in Sony Labou Tansi’s La vie et demie
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Técnicas cinematográficas en tres cuentos de Horacio Quiroga
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“Et maintenant, mesdames et messieurs, le spectacle va commencer”: l’espace théâtral dans trois films de Jean Renoir
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Del desprecio del pueblo a su conquista: un estudio de los personajes como ilustración de las concepciones ideológicas de Rómulo Gallegos
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The Geography of Authorship in the Encyclopédie: Jaucourt’s Literary Landscapes
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Subversive Supplementation: Calderón’s La Devoción de la Cruz
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