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Zygometra sp - 1
1 of 100
Zygometra punctata - 5
2 of 100
Zygometra punctata - 4
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Zygometra punctata - 3
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Zygometra punctata - 2
5 of 100
Zygometra punctata - 1
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Zygodon viridissimus var. rupestris / (Dicks.) Brid.
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Zygodon viridissimus / (Dicks.) Brid.
8 of 100
Zone 8 looking west toward head of valley and site 003
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Zone 8 looking west toward head of valley and site 003
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Zombie Nation? The Horde, Social Uprisings, and National Narratives
11 of 100
zig-zag oyster - 1
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Zebra
13 of 100
Zaira Rivera Casellas, Bajo la sombra del texto
14 of 100
The Youth's Letter-Writer: or The Epistolary Art made Plain and Easy to Beginners, through the example of Henry Moreton
15 of 100
The Youth's Catechetical Grammar: or, simple illustration of the principles of the English language adapted to the capacity of the juvenile mind; comprising a philosophical view of orthography, etymology, syntax and prosody, illustrated by appropriate exercises
16 of 100
The Young Composer: or Young Writer's Assistant; Containing, in condensed form, many things of importance to those learning to write compositions; to which are added blank leaves, for preserving copies of letters, essays, etc.
17 of 100
The Young Composer: or, Progressive Exercises in English Composition: Compromising Sentence Making, Variety of Expression, Figurative Language, the Use of Capitals and Punctuation, and the Principles of Versification; with Copious Exercises on Every Topic
18 of 100
The Young Composer: A Guide to English Grammar and Composition
19 of 100
You Are What You Eat: Food as Expression of Social Identity and Intergroup Relations in the Colonial Andes
20 of 100
Yo también hablo de la globalización
21 of 100
Xestospongia muta - 5
22 of 100
Xestospongia muta - 4
23 of 100
Xestospongia muta - 3
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Xestospongia muta - 2
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Xestospongia muta - 1
26 of 100
The Writing of Compositions
27 of 100
Writing Mother: Maternal Abandonment in Nancy Huston's La Virevolte
28 of 100
Writing Cultural Identity: Strategies for Authorizing Difference
29 of 100
Writing Cultural Identity: Strategies for Authorizing Difference
30 of 100
Writing Africans Out of the Racial Hierarchy: Anti-African Sentiment in Post-Revolutionary Mexico
31 of 100
The Writer Being One of a Series of Handbooks Upon Practical Expression A Correlation of the Principles of Elocution and Rhetoric Applied to Every Detail
32 of 100
Women Learn to Write
33 of 100
A Woman’s Journey Inwards in Va’ Dove Ti Porta Il Cuore
34 of 100
Womanism and Social Change in Trinidad Morgades Besari’s Antígona from Equatorial Guinea
35 of 100
The Widow’s Peak / The Widow Speaks: Carmen’s Idle Talk in Miguel Delibes’s Cinco horas con Mario
36 of 100
The Widow’s Peak / The Widow Speaks: Carmen’s Idle Talk in Miguel Delibe’s Cinco horas con Mario
37 of 100
Why Share: Student in Pedagogy Scholarship
38 of 100
When Feasting with the Statue Is Dueling with le Ciel: Carnival Inversions in Molière’s Le Festin de pierre (Dom Juan)
39 of 100
When Bakhtin Meets Descartes: Monologism, Dialogism and the Construction of Knowledge in the Discours de la Méthode
40 of 100
What's at Stake for Students and Instructors
41 of 100
What is Place for Writers?
42 of 100
Werewere Liking and Ritual Theatre: Healing the Wounds of Misogyny?
43 of 100
Weld's English Grammar: illustrated by exercises in composition, analyzing, and parsing
44 of 100
Weissia sharpii / L.E. Anderson & B.A.E. Lemmon
45 of 100
Weissia sharpii / L.E. Anderson & B.A.E. Lemmon
46 of 100
Weissia controversa / Hedw.
47 of 100
Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Weissia controversa / Hedw.
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Watercolor of red-figured jug by Mervete Dajlani of the Archaeological Museum of Durrës.
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Watercolor of red-figured jug by Mervete Dajlani of the Archaeological Museum of Durrës.
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Water trap on terrace in Tract A077.
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Water trap on terrace in Tract A077.
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Washing pots at the end of the first day of fieldwalking.
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Washing pots at the end of the first day of fieldwalking.
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Warnstorfia pseudostraminea / (Müll. Hal.) Tuom. & T.J. Kop.
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Warnstorfia pseudostraminea / (Müll. Hal.) Tuom. & T.J. Kop.
66 of 100
Warnstorfia exannulata var. exannulata / (Schimp. in B.S.G.) Loeske
67 of 100
Warnstorfia exannulata var. exannulata / (Schimp. in B.S.G.) Loeske
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Warnstorfia exannulata var. exannulata / (Schimp. in B.S.G.) Loeske
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Warnstorfia exannulata var. exannulata / (Schimp. in B.S.G.) Loeske
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Warnstorfia exannulata var. exannulata / (Schimp. in B.S.G.) Loeske
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Warnstorfia exannulata var. exannulata / (Schimp. in B.S.G.) Loeske
72 of 100
Wall text accompanying Along the Wall
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Wall fragments from B267.
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Walkers 17 and 01 in tract B057.
87 of 100
Voyeurism, Totalization, and the Hyperreal in Vargas Llosa’s In Praise of the Stepmother
88 of 100
Vomitorium in amphitheater.
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Voiles et dévoilements, ou “L’entre-deux” dans Les carnets de Shérazade de Leila Sebbar
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Vittorio Frigerio, Revolution!
93 of 100
Virgilian Elements in Laura Esquivel’s Malinche
94 of 100
Vikki Bell, The Art of Post-dictatorship: Ethics and Aesthetics in Transitional Argentina
95 of 100
Views of S side of Zone 2 from B313.
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Views of S side of Zone 2 from B313.
97 of 100
Views of S side of Zone 2 from B313.
98 of 100
Views of S side of Zone 2 from B313.
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Views of S side of Zone 2 from B313.
100 of 100