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Design, Architecture, Art and Planning
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Woodman, Charles
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Video Art
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-
- Type:
- Media
- Description/Abstract:
- -Composer, Belinda Reyolds -Percussion and Vocals, University of Texas Percussion Ensemble Thomas Burrit, Director -Image, Charles Woodman
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 06/19/2023
- Date Modified:
- 06/19/2023
- Date Created:
- 2023-06
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Belinda Reynolds (music), Ting Luo (piano and poetry), Charles Woodman (images) WORDS is a multimedia piano work with spoken words and visuals. The vocal part consists of an aural collage of Miss Luo, reciting in Mandarin and English, a poem written by herself, about the story of her grandfather, a composer during the late 20th century in China. The interplay between the audio collage, the video, and the piano part, create a multimedia composition that immerses the audience in a blanket of enticing, reflective sound-visual experiences.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2022
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commission work from Joseph's Bones
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2021
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commission work from Joseph's Bones
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2021
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Concept and Direction - Stephen Slaughter Editor - Charles Woodman Audio Consultant - Kick Lee
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 07/12/2020
- Date Modified:
- 07/12/2020
- Date Created:
- 2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commissioned by the Mini Micro Cinema for the 2017 Cincinnati Fringe Festival – a response to a prompt they provided, “Shudderings of Images Awakening.”
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 07/23/2019
- Date Modified:
- 07/23/2019
- Date Created:
- 2017
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- video art
- Creator/Author:
- Woodman, Charles
- Submitter:
- Nicki Davis
- Date Uploaded:
- 07/02/2019
- Date Modified:
- 07/02/2019
- Date Created:
- 2019
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Mixed and performed live at the Experimental Television Center in 1992 with a special appearance by Vanna White. Audio by Dub Syndicate "Tunes From the Missing Channel."
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/26/2019
- Date Modified:
- 05/29/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Made as part of viDEO sAVant’s series of ambient videos for nightclubs, distributed by Telegenics.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/26/2019
- Date Modified:
- 05/27/2019
- Date Created:
- 1993
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Some highlights of various dance footage processed at the Experimental Television Center in the preceding years.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/26/2019
- Date Modified:
- 05/27/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Candle Dancer
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/20/2019
- Date Modified:
- 05/20/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A rough cut of work in progress
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/17/2019
- Date Modified:
- 05/17/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/11/2019
- Date Modified:
- 05/11/2019
- Date Created:
- 1981
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/11/2019
- Date Modified:
- 05/11/2019
- Date Created:
- 1981
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/11/2019
- Date Modified:
- 05/11/2019
- Date Created:
- 1981
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/10/2019
- Date Modified:
- 05/10/2019
- Date Created:
- 1983
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work - Filmed at Del City, Oklahoma auto auction
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/10/2019
- Date Modified:
- 05/10/2019
- Date Created:
- 1982
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- This animation is created by Charles Woodman & Kim Anno. Woodman made the images and voice recordings Anno adapted "Canto 1" from Dante’s Purgatorio, making the text secular, and she created the soundscape effects. Keisha Kemper and Michael Burham are the actor’s voices.
- Creator/Author:
- Anno, Kim and Woodman, Charles
- Submitter:
- Nicki Davis
- Date Uploaded:
- 03/12/2019
- Date Modified:
- 03/12/2019
- Date Created:
- 2017
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Shot at the Ceran St. Vrain Trailhead and campground, near Jamestown, Colorado. St. Vrain’s Woods was inspired by Seurat among others. An exploration of the elasticity of time, it is a moving picture made only of still images and the spaces between them. A portrait of a place and a moment.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2013
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A few views of water and trees from my month long stay in Phoenecia, NY. This video utilizes an editing technique (a sort of continuous slow horizontal slide) that I conceptualized for more than a year. After several failed attempts I finally figured out how to make it work.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- ""Pulse Generator Pastry" is my first collaboration with my mother, the ceramic artist Betty Woodman. Betty created the shapes which contain the patterns in the video, based on the forms she uses in her work. I used those shapes as stencils into which both the positive and negative spaces were filled with textures, created using a piece of electronic test equipment called a pulse generator. The video was show in the storefont window at Salon 94 Gallery, during Betty’s show there in spring 2016. on Somehow the rapper ASAP Ferg ended up shooting part of his video for "Let It Bang" standing in front of the work.
- Creator/Author:
- Woodman, Charles and Woodman, Betty
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 07/08/2019
- Date Created:
- 2016
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced for Yoni Wolf and Why? Animation by Alex Woodman
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2013
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Companion/sequal to "Lota’ Burger" produced a few days later, and under the same circumstances. This tape uses a similar methodology, this time with a moving camera, shot from a car, and a more complex series of overlapping wipes. Produced at Eve Muir Studios.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1988
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- An early experiment with time based correction and the ability to mix two tapes together, as well as one of the few projects in which I worked with an online editor who operated the controls at my direction. This tape features two versions of the same image (shot in Santa Fe) slightly staggered in time and then wiped over each other. Edited at Eve Muir studio by Trevor Long. I was paying for the studio time to edit a project for LANL and was able to squeeze extra time in to edit two videos, this one and San Mateo Drive.
- Creator/Author:
- Long, Trevor and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1988
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first attempt at a multi-channel video installation. The work was highly influenced by Nam June Paik’s retrospective at the Whitney and by Steina Vasulka’s “The West”. This piece was produced while I was living and working at the Vasulka’s House/Studio in Santa Fe. I had persuaded them to let me house sit while they spent six months in Japan. Access to their equipment, particularly to 4 adjacent monitors and four ¾” video decks, was what made it possible to compose a multi image work. “Virtual Space” was originally an eight channel work, mounted as two 2X2 stacks of monitors facing each other across a narrow space. Standing in the middle, the viewer had to look back and forth between the two sides. One side (L) is an assembly of footage gathered at the Lightning Field (a land art project in southern New Mexico by artist Walter Di Maria.) The other side (V) features four views of the interior of the Vasulka’s live/work interior as a handheld camera slowly and continuously pans across interior surfaces in the space. Subsequently, each of the 2x2 grids of images composing the two sides (L&V) was transferred to a single tape. These are represented here as LX4 and Vx4.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/18/2019
- Date Created:
- 1989
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced almost entirely at Experimental Television Center (ETC), the video uses a simple animation of a rotating rectangle (produced in Deluxe Paint on the Amiga Computer) as a stencil into which are keyed various versions of a processed live image of the river outside the window at ETC. This was my second attempt at a multi channel piece. The four programs have been shown in grid’s of twelve and sixteen monitors. While relatively simple in structure and shown only three times, this remains a personal favorite.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/18/2019
- Date Created:
- 1991
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My reaction to the Gulf War and the continuing transformation of war coverage into media spectacle. Edited at PPG and an early exploration of the Ampex ADO-1000 Digital Video Effects unit.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1991
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A mostly formal exercise in composition and image processing, using footage of water. Probably the first in a ongoing series of works dealing with landscape, investigating the idea of video as a contemplative viewing experience akin to painting. Filmed in California and Mexico, and developed over the course of two visits to Experimental Television Center. Final editing at PPG onto 1” open reel tape.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any complete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2004
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A meditation/celebration of the Spaghetti Western and the pornography of violence. An homage to Sergio Leone and Ennio Morricone. Copies of scenes from the original films, rented on VHS, were edited into a compilation reel. That material was processed at ETC, where Scott Davenport also added the text layer. Several versions of that were edited at PPG in an additive process, A+B=1 C+D=2, then 1+2= X, to create a ‘’final” hour-long version. The shorter “ sit down version was then created from that material.
- Creator/Author:
- Davenport, Scott and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A collection of images and sounds from television cop shows is interwoven with texts (selected by Scott Davenport) taken from pulp detective stories, the literary predecessor of the same genre.
- Creator/Author:
- Davenport, Scott and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1996
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Three part work created for my exhibition at Shirley Jones Gallery in Yellow Springs, Ohio. Features dance treatments from Experimental Television Center, as well as footage from my backyard on Riddle Rd in Cincinnati. The piece was projected onto the store front windows of the gallery.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/14/2019
- Date Created:
- 2006
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- These images were created to accompany the music track by Odd Nosdam, with whom I had done a few live shows that year in San Francisco and one a few years earlier at VOLK in Cincinnati. I admire the distorted and gritty feel of the track and developed an image treatment which worked well with that texture.
- Creator/Author:
- Woodman, Charles and Odd Nosdam
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2007
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- I was commissioned by Concert Nova to produce this viual accompaniment to the score by George Crumb. Images were shot at the Monterey Aquarium. Music: George Crumb, "Vox Baleanae," 1971
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2009
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The images for "Heaven" were produced at the Experimental TV Center. Nicholas Economos and I shared part of the residency and he helped me develop this complex patch using both the Jones Frame Buffer and Jones Keyer with a slow oscillator varying the amount of “trails” we see at any one time.
- Creator/Author:
- Woodman, Charles and Economos, Nicholas
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2009
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Created to accompany a composition by Christopher Bailey, HK2. All the images are appropriated from the film “Pi” by Darren Aronofsky.
- Creator/Author:
- Woodman, Charles and Bailey, Chris
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2010
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commissioned by the Concert Nova chamber music group in Cincinnati. I created this image to accompany a performance of "Fratres" by Arvo Part. The recording used on this version is by Kronos Quartet.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2010
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Table of Elements was specifically conceived and designed for use in a health care environment. The ideal situation for this work is in a hospital waiting room, "Table of Elements" attempts to shift the viewer’s experience away from the typical mode of watching a moving image and towards a way of observation more akin to the way in which we view a painting. I’m interested in creating a tension between the static and the dynamic. Initially the work may at times appear unchanging, although never static, and the piece, which at first may seem like it can be absorbed in a single glance, gradually reveals new dimensions of itself over time, or through repeated encounters. The work is exhibited as a diptych, with two synchronized video loops displayed on two adjacent monitors.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/13/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Documentation of the installation and of reactions to the work by people in the the hospital waiting room. Interviews by Melissa Godoy.
- Creator/Author:
- Woodman, Charles and Godoy, Melissa
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Short version with brief excerpts from the longer 150 minute work.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Video edited to match the music by guitarist/composer Val Opielski. Intended to act as a demo for a proposed appearance as performing duo.
- Creator/Author:
- Woodman, Charles and Opielski, Val
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Snow Mountain Ranch is a meditation on the elasticity of time and the veracity of representation. The focus is on careful observation and on a tension between the static and the dynamic. Shot from the patio of my hotel room at a YMCA Resort located just down the road from Camp Chief Ouray in Granby, Colorado, where I spent two summers a boy. The video begins as a single continuous take. We are witness to two unfolding narratives, happening at very different scales, the action of the weather and that of the cowboys. Both the movements of the sky and the action on the ground have been accelerated but not always to the same degree.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The image was filmed off a decorative plate with a live camera which was being processed dimming, and then coming to brightness then back again. It looks like the hue was off too, giving Jesus a green tint. Produced during a residency at the Experimental TV Center.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/19/2017
- Date Modified:
- 05/07/2019
- Date Created:
- 1993-06-01
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- This is an early installation video shown at a gallery at Millersville University and projected onto the ceiling. All footage is original.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/19/2017
- Date Modified:
- 05/07/2019
- Date Created:
- 1994-06-01
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Three part work created for my exhibition at Shirley Jones Gallery in Yellow Springs, Ohio. Features dance treatments from Experimental Television Center, as well as footage from my backyard on Riddle Rd in Cincinnati. The piece was projected onto the store front windows of the gallery.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2006
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The image is of the Carew Tower in Cincinnati, and the video was shot on a Mattel Videster toy camera.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2011
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Music Luigi Nono ...sofferte onde serene... 1976, for piano and tape. Produced for Collide-o-Scope Music on the occasion of our performance at Atlas Performing Arts Center, Washington, DC in 2011.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2011
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Contribution to the "Exquisite Video Corpse" project. The first 8 seconds are the video I was given as a departure point, the remainder is my contribution to the chain. The final 10 seconds were given to the next contributor.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/06/2016
- Date Modified:
- 05/09/2019
- Date Created:
- 2011
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Demo version of my first attempt at a multi-channel video installation. The work was highly influenced by Nam June Paik’s retrospective at the Whitney and by Steina Vasulka’s “The West”. This piece was produced while I was living and working at the Vasulka’s House/Studio in Santa Fe. I had persuaded them to let me house sit while they spent six months in Japan. Access to their equipment, particularly to 4 adjacent monitors and four ¾” video decks, was what made it possible to compose a multi image work. “Virtual Space” was originally an eight channel work, mounted as two 2X2 stacks of monitors facing each other across a narrow space. Standing in the middle, the viewer had to look back and forth between the two sides. One side (L) is an assembly of footage gathered at the Lightning Field (a land art project in southern New Mexico by artist Walter Di Maria.) The other side (V) features four views of the interior of the Vasulka’s live/work interior as a handheld camera slowly and continuously pans across interior surfaces in the space.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/06/2016
- Date Modified:
- 05/10/2019
- Date Created:
- 1989
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A mostly formal exercise in composition and image processing, using footage of water. Probably the first in a ongoing series of works dealing with landscape, investigating the idea of video as a contemplative viewing experience akin to painting. Filmed in California and Mexico, Developed over the course of two visits to ETC, Final editing at PPG onto 1” open reel tape.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/05/2016
- Date Modified:
- 05/12/2019
- Date Created:
- 1992
- License:
- All rights reserved