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- Type:
- Document
- Description/Abstract:
- In the mid-18th century, France entered the Rococo period, a period of enlightenment and play. As the Enlightenment spurred more liberal ideologies in French society, aristocratic women were afforded more freedoms than in previous periods, such as high education and participation in social and cultural realms such as Salons. Jean-Honoré Fragonard, known widely for his 1767 painting "The Swing", created a large body of work throughout the period often depicting female subjects in genre and allegorical scenes as well as portraiture. Often subverting the typical male gaze in his works, his paintings serve as a reflection of the period of empowerment experienced by aristocratic women in the Rococo period.
- Creator/Author:
- Ogorek, Charlotte
- Submitter:
- Charlotte Ogorek
- Date Uploaded:
- 04/04/2024
- Date Modified:
- 04/16/2024
- Date Created:
- 2024-04-4
- License:
- All rights reserved
-
- Type:
- Document
- Description/Abstract:
- Many people and cultures throughout history have taken great interest in the end of the world. Christianity has been used to answer questions about the Apocalypse in the final book of the Bible, the Book of Revelation. Artists from all around the world have used this apocalyptic text as inspiration for their works. In 1498, German artist Albrecht Dürer published a series of fifteen woodcuts depicting scenes from Revelation. One of these was “The Four Horsemen of the Apocalypse”, which can be used to more readily understand the teachings and beliefs of the Christian Church in 15th-century Europe.
- Creator/Author:
- Ginley, Moira
- Submitter:
- Moira Ginley
- Date Uploaded:
- 04/04/2024
- Date Modified:
- 04/22/2024
- Date Created:
- 2024
- License:
- All rights reserved
-
- Type:
- Document
- Description/Abstract:
- Witches’ Sabbath in Trier is a broadsheet that depicts a witches’ sabbath, and was a piece of the thriving print culture of sixteenth century Germany. The image of the witch reflects misogynistic beliefs about women, rooted in the Bible and the female life course. Witch persecution meant that people could find and punish the roots of evil causing their misfortune: witches sent by Satan. This othered population was most often impoverished women whose bodies were scrutinized as possible vessels for evil. Broadsheets like this one were a terrifying and fascinating form of entertainment, helping to spread misogynistic beliefs about witchcraft.
- Creator/Author:
- Recker, Tegan
- Submitter:
- Tegan Recker
- Date Uploaded:
- 04/04/2024
- Date Modified:
- 04/23/2024
- Date Created:
- March 26, 2024
- License:
- Open Data Commons Public Domain Dedication and License (PDDL)
-
- Type:
- Document
- Description/Abstract:
- Tawaraya Sotatsu’s screen door print of the Japanese deities you cannot dismiss how unique each one of the figures appears. You also cannot help but wonder how these deities ended up looking the way that they did. We look back to 13th-century Japan to see why Raijin and Fujin ended up being depicted as they did. We consider their history, analysis, and the artist's importance within Japanese culture.
- Creator/Author:
- Coto, Catalina
- Submitter:
- Catalina Coto
- Date Uploaded:
- 04/04/2024
- Date Modified:
- 04/22/2024
- Date Created:
- April 4th, 2024
- License:
- All rights reserved
-
- Type:
- Document
- Description/Abstract:
- This document discusses the early life and artistic career of Caravaggio with his painting "Young Sick Bacchus". It also investigates the formal elements of the work and the contemporary theories behind it.
- Creator/Author:
- Haag, Riley
- Submitter:
- Riley Haag
- Date Uploaded:
- 04/04/2024
- Date Modified:
- 04/18/2024
- Date Created:
- 2024/02/28
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Performance recorded for the Experiments in Cinema Festival, Albuquerque, NM
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 06/19/2023
- Date Modified:
- 06/19/2023
- Date Created:
- 2022-04
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- -Composer, Belinda Reyolds -Percussion and Vocals, University of Texas Percussion Ensemble Thomas Burrit, Director -Image, Charles Woodman
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 06/19/2023
- Date Modified:
- 06/19/2023
- Date Created:
- 2023-06
- License:
- All rights reserved
-
- Type:
- Student Work
- Description/Abstract:
- The only artist to be featured at all eight Impressionist Exhibitions in Paris was Camille Pissarro. The Impressionist movement emerged during a period of rapid social change and growing industrialization with more people moving to cities. In Pissarro’s works, he specifically concentrated on the conditions of different weather and times of day to alter how he painted scenes of a city. My paper focuses on the Boulevard Montmartre series and his use of building tonal relationships and skill of lighting placement across the fourteen paintings in order to establish a harmonious composition where the day’s essence radiates off the canvas.
- Creator/Author:
- Reinhold, Emily
- Submitter:
- Emily Reinhold
- Date Uploaded:
- 04/25/2023
- Date Modified:
- 04/25/2023
- Date Created:
- 2023-04-20
- License:
- Public Domain Mark 1.0
-
- Type:
- Media
- Description/Abstract:
- Delphi - a touchscreen video game art installation for galleries and museums. Viewers can explore a contemporary interpretation of the ancient Greek site of Delphi, home of a mythical oracle. The Delphi gallery installation, designed for museums and cultural centers, gives each visitor about ten minutes to explore Delphi and visit the oracle to get a personalized message. The installation is easy to use, and accessible for general audiences of all ages and degrees of experience. Two cubes (or a cube and a chair) are placed on a 7cm high, 2m square plinth stage; the large cube is a ventilated cabinet and tabletop for a touchscreen, the other cube is a seat. As players step up onto the plinth to interact with the touchscreen to explore the virtual world, they enter the installation observed by the other gallery visitors who watch the interaction on large video screens around them, displaying the virtual environment of Delphi onto the gallery walls, with soft, ambient sound of the Greek countryside and occasional interactive events. Delphi requires controlled lighting and electricity, between 50-500 sq meters, large video displays, audio, plinth, and two cubes (or cube and chair) as above. An area of about 500 square meters is optimal, although smaller is possible. A CAVE version of Delphi is currently being researched. Visitors can explore the environment in and around the hills and monuments of Delphi. By artificial intelligence, Delphi responds by AI to each visitors style of play, actions, responses, and behavior, choosing a classic Delphic maxim (150 Delphic maxims drawn from historical and literary sources) for each player in turn. Unzip Delphi_Oracle_install.zip into a Windows folder to create a folder called Delphi_Oracle and its contents. Change directories to browse into the Delphi_Oracle folder, and double-click on Delphi_Oracle.exe to play Delphi. If Microsoft Smartscreen asks to prevent an unrecognized app, click More info, and click Run anyway. With mouse or touchscreen you can move and interact onscreen; Slow or stop, left mouse button or touch the center of the screen Move forward, mouse button or touch center top of screen (higher = faster) Move backward, mouse button or touch center bottom of screen (lower = faster) Turn right, mouse or touch right side of screen Turn left, mouse or touch left side of screen Look up and down, left and right mouse buttons together (or two fingers) A touchscreen makes it feel very immersive, and a mouse also works just fine too. Currently working to run Delphi in the CAVE software for CAVE systems. Delphi is first and foremost a work of contemporary art and an interpretive reconstruction of a cultural treasure for everyone. Looking for a contemporary art gallery where I can premiere it. -benb copyright 2022 Benjamin Britton June 14, 2022 all rights reserved
- Creator/Author:
- Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 06/16/2022
- Date Modified:
- 06/16/2022
- Date Created:
- 2022-06-16
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Benjamin Britton: A review of some past and current creative research, 2022. -benb
- Creator/Author:
- Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 05/11/2022
- Date Modified:
- 05/13/2022
- Date Created:
- 2022-05-10
- License:
- All rights reserved
-
- Type:
- Document
- Description/Abstract:
- Art History Thesis
- Creator/Author:
- Kumar, Mika
- Submitter:
- Mika Kumar
- Date Uploaded:
- 04/20/2022
- Date Modified:
- 04/20/2022
- Date Created:
- 2022-04-21
- License:
- Open Data Commons Public Domain Dedication and License (PDDL)
-
- Type:
- Student Work
- Description/Abstract:
- The University of Cincinnati Art Collection houses prints by two early 20th century German Expressionist printmakers, Max Pechstein (1881-1955) and Käthe Kollwitz (1867-1945). Pechstein’s Das Vater Unser (The Lord’s Prayer) series (1921) originally a portfolio of twelve, is represented in the University of Cincinnati Art Collection with nine of the bold woodcut prints. Kollwitz’s small postcard lithographs, Two Chatting Women with Two Children (c. 1930) and The Hospital Visit (c. 1926), are intimate and show the artists soft touch. Though formally very different, these prints share a common subject, the suffering of Germans during the interwar period (1918-1939). Both artists personally experienced both World Wars and their tragedies, and while Pechstein rarely addressed it directly, Kollwitz’s career was full of her antiwar sentiments. The prints grapple with the grief, political turmoil, and financial difficulties associated with the interwar period and each artist turns to their own form of religion to exercise their pain.
- Creator/Author:
- O'Deens, Shannon
- Submitter:
- Shannon O'Deens
- Date Uploaded:
- 04/07/2022
- Date Modified:
- 04/26/2022
- Date Created:
- April 20, 2022
- License:
- All rights reserved
-
- Type:
- Document
- Description/Abstract:
- TEST
- Creator/Author:
- Kumar, Mika
- Submitter:
- Mika Kumar
- Date Uploaded:
- 03/31/2022
- Date Modified:
- 04/08/2022
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Belinda Reynolds (music), Ting Luo (piano and poetry), Charles Woodman (images) WORDS is a multimedia piano work with spoken words and visuals. The vocal part consists of an aural collage of Miss Luo, reciting in Mandarin and English, a poem written by herself, about the story of her grandfather, a composer during the late 20th century in China. The interplay between the audio collage, the video, and the piano part, create a multimedia composition that immerses the audience in a blanket of enticing, reflective sound-visual experiences.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2022
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commission work from Joseph's Bones
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2021
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commission work from Joseph's Bones
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2021
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- viDEO sAVant with duo B @ 12, a virtual audio/visual playground, SEAMUS, Stanford CA
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/11/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2021-04-23
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Digital/Analog Interlude Made with Sandin Image Processor original audio and video composition by Subterranean Video 1983 at BF/VF in Boston.
- Creator/Author:
- Mario Erik Paoli; Subterranean Video, and Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 01/02/2022
- Date Modified:
- 01/03/2022
- Date Created:
- 1983
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Space Shuttle Stomp was produced by Subterranean Video in 1984
- Creator/Author:
- Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 01/01/2022
- Date Modified:
- 01/01/2022
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A small robot rests on the floor as the camera zooms close, a finger reaches out to turn the switch and the robot comes to life. Sisyphus was produced by Subterranean Video, a video collective based at the Boston Film/Video Foundation, in 1983. Sisyphus was premiered at the Boston Institute of Contemporary Art as part of a show called "Boston Now:1984"
- Creator/Author:
- Britton, Benjamin and Charles Jevremovic
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 01/01/2022
- Date Modified:
- 01/01/2022
- Date Created:
- 1983
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Night time in Boston 1984 Subterranean Video
- Creator/Author:
- Geoff White; Mario-Erik Paoli; Britton, Benjamin, and Subterranean Video
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 10/22/2021
- Date Modified:
- 10/29/2021
- Date Created:
- 1984
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A visual interpretation of an ambient expression expressed in time; 17:52 original music and video by svid subterranean video visual timed countdown for new years in boston 1983 hynes auditorium by video projection
- Creator/Author:
- Britton, Benjamin; Geoff White; Charles Jevremovic; Mario-Erik Paoli, and Subterranean Video
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 10/22/2021
- Date Modified:
- 10/22/2021
- Date Created:
- 1983
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The Fruit of Chardin is a video symphony following a group of friends who meet in the evening to eat, party, explore the city, and make video and music together. Includes rare footage of Subterranean Video and an interview with video artist Nam June Paik, who discusses the meaning of Fluxus.
- Creator/Author:
- Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 10/18/2021
- Date Modified:
- 10/27/2021
- Date Created:
- 1986
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Did We Go? is an experimental video art documentary that examines whether humankind really reached the Moon in the Summer of 1969. Documentary filmmaker Aaron Ranen explores America to search for the truth behind claims of the Apollo 11 Moon Landing. Original footage of many significant historical sites and interviews with first-hand participants in the Apollo 11 Mission. No matter what you believed before, this documentary will astonish you and change how you think about the first Moon landing forever. To watch the entire video (sixty minutes), click on a link below.
- Creator/Author:
- Aron Ranen and Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 10/18/2021
- Date Modified:
- 10/21/2021
- Date Created:
- Did We Go
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Improvised over the Internet with Charles Woodman, Fabrizio Saiu, Marurizio Rinaldi
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 09/10/2020
- Date Modified:
- 09/10/2020
- Date Created:
- 2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Concept and Direction - Stephen Slaughter Editor - Charles Woodman Audio Consultant - Kick Lee
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 07/12/2020
- Date Modified:
- 07/12/2020
- Date Created:
- 2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Excerpt from Performance at Spettr00, Brescia, Italy, October, 2019
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 07/12/2020
- Date Modified:
- 07/12/2020
- Date Created:
- 2019
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live Cinema
- Creator/Author:
- Woodman, Charles and duo B.
- Submitter:
- Charles Woodman
- Date Uploaded:
- 06/17/2020
- Date Modified:
- 06/17/2020
- Date Created:
- 2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- This 7 minute demo reel contains excerpts from several 2006-11 shows including: - Discerning Crane, Herron School for the Arts, Indianapolis, 2010 - NWEMO All Stars, NOTACON, Cleveland, 2010 - Adam Tendler, performing Sonatas and Interludes by John Cage, New Genres Festival, Tulsa, 2009 - Meg Schedel, Odd Nosdam and Why?, SF Cinematheque, San Francisco, 2006
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 07/23/2019
- Date Modified:
- 07/24/2019
- Date Created:
- 2011
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Excerpts from live audio visual improvisation on May 5, 2017 at the Mockabee in Cincinnati, OH. David McDonnell - reeds and electronics Ofir Klemperer - electronics Zach Larabee - percussion Charles Woodman, Loraine Wible, Sayak Shome - images
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 07/23/2019
- Date Modified:
- 07/23/2019
- Date Created:
- May 5, 2017
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Six screen video installation proposal for a church social hall – the black bars represent pillars between the screens in the proposed exhibition space.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 07/23/2019
- Date Modified:
- 07/23/2019
- Date Created:
- 2018
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- video art
- Creator/Author:
- Woodman, Charles
- Submitter:
- Nicki Davis
- Date Uploaded:
- 07/02/2019
- Date Modified:
- 07/02/2019
- Date Created:
- 2019
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation with on June 2, 2019 at the Ellen Web Studio in Oakland, CA.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Nicki Davis
- Date Uploaded:
- 07/02/2019
- Date Modified:
- 07/02/2019
- Date Created:
- 2019
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced almost entirely at Experimental Television Center (ETC), the video uses a simple animation of a rotating rectangle (produced in Deluxe Paint on the Amiga Computer) as a stencil into which are keyed various versions of a processed live image of the river outside the window at ETC. This was my second attempt at a multi channel piece. The four programs have been shown in grid’s of twelve and sixteen monitors. While relatively simple in structure and shown only three times, this remains a personal favorite.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/31/2019
- Date Modified:
- 05/31/2019
- Date Created:
- 1991
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- viDEO sAVant w/ Nicholas Economos, InterMedia Series IV, Center for Contemporary Art, Cincinnati, OH, Performance.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/30/2019
- Date Modified:
- 05/31/2019
- Date Created:
- 2004
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first finished video, Made when I was an undergraduate at Antioch College. Shot and edited on ½” reel to reel B&W video.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/26/2019
- Date Modified:
- 05/26/2019
- Date Created:
- 1978
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Mixed and performed live at the Experimental Television Center in 1992 with a special appearance by Vanna White. Audio by Dub Syndicate "Tunes From the Missing Channel."
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/26/2019
- Date Modified:
- 05/29/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Made as part of viDEO sAVant’s series of ambient videos for nightclubs, distributed by Telegenics.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/26/2019
- Date Modified:
- 05/27/2019
- Date Created:
- 1993
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Some highlights of various dance footage processed at the Experimental Television Center in the preceding years.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/26/2019
- Date Modified:
- 05/27/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Featuring Jack Charney as the nude. All made with analog tools. Shot and mixed during the six months I lived and worked at the Vasulkas home/studio in Santa Fe. Two ¾” tapes of the nude were mixed through a key/stencil of third video (originally shot on 8mm film in Sienna Italy) to make one version of the combined images Video1+ Video2+stencil=A then this process was repeated Video1+Video2+stencil=B, then the combined images were mixed together again through the same stencil A+B+stencil=Mix1. This whole process was repeated twice and then those two were also combined. Then later some of those mixes were transferred to Betacam and slowed down. The final tape contains excerpts from a variety of the previous combinations with 2, 4 and 8 layers.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/21/2019
- Date Modified:
- 05/26/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Six screen video installationFeaturing Jack Charney as the nude. All made with analog tools. Shot and mixed during the six months I lived and worked at the Vasulkas home/studio in Santa Fe. Two ¾” tapes of the nude were mixed through a key/stencil of third video (originally shot on 8mm film in Sienna Italy) to make one version of the combined images Video1+ Video2+stencil=A then this process was repeated Video1+Video2+stencil=B, then the combined images were mixed together again through the same stencil A+B+stencil=Mix1. This whole process was repeated twice and then those two were also combined. Then later some of those mixes were transferred to Betacam and slowed down. The final tape contains excerpts from a variety of the previous combinations with 2, 4 and 8 layers.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/21/2019
- Date Modified:
- 05/26/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Excerpts from a concert by SLURrr with viDEO sAVant, January 1994, Arlington Planetarium, Arlington Virginia
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/21/2019
- Date Modified:
- 05/21/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Candle Dancer
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/20/2019
- Date Modified:
- 05/20/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- John Cage: Sonata and Interludes, viDEO sAVant, images w/ Adam Tendler, piano. Living Arts of Tulsa, Tulsa, OK, Performance.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/20/2019
- Date Modified:
- 05/20/2019
- Date Created:
- 2009
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- viDEO sAVant w/NWEAMO All Stars, NOTACON, Cleveland OH, Performance.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/20/2019
- Date Modified:
- 05/20/2019
- Date Created:
- 2010
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A rough cut of work in progress
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/17/2019
- Date Modified:
- 05/17/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/11/2019
- Date Modified:
- 05/11/2019
- Date Created:
- 1982
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/11/2019
- Date Modified:
- 05/11/2019
- Date Created:
- 1981
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/11/2019
- Date Modified:
- 05/11/2019
- Date Created:
- 1981
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/11/2019
- Date Modified:
- 05/11/2019
- Date Created:
- 1981
- License:
- All rights reserved
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