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  • A Golden Artist: Thomas Lanigan-Schmidt’s Life and Art During the Stonewall Era

    Document thumbnail: A Golden Artist: Thomas Lanigan-Schmidt’s Life and Art During the Stonewall Era
    Type:
    Document
    Descripción/Resumen:
    This paper explores queer artist Thomas Lanigan-Schmidt (b. 1948) and his piece titled Allegory of the Stonewall Riot (Statue of Liberty Fighting for Drag Queen, Husband, and Home) (1969). I take a biographical approach to the paper, dissecting Lanigan-Schmidt’s childhood and young adult life living as a queer street kid in the 1960s. I follow him to New York City, where he continued creating his kitsch style art and started getting recognized for it. Outside of his artistic endeavors, Lanigan-Schmidt would catch himself hanging out at The Stonewall Inn, a gay bar on Christopher Street. In the early hours of June 28, 1969, The Stonewall Inn was unexpectedly raided by the police. At a time when being queer was criminalized, the patrons of Stonewall had had enough and fought back against the police, sparking a riot that turned into a weeks-long protest. Lanigan-Schmidt was in attendance that night and joined the fight for gay liberation. It was this night that inspired his creation, Allegory of the Stonewall Riot (Statue of Liberty Fighting for Drag Queen, Husband, and Home). By analyzing the contextual importance of The Stonewall Inn and the riots that ensued, I show how Allegory of the Stonewall Riot reflects queer life in the 1960s. In the art historical canon, queer art is largely underrepresented. However, in this paper I show how Thomas Lanigan-Schmidt and Allegory of the Stonewall Riot deserve a place in the art historical canon
    Creador/Autor:
    Turner, Lauren
    Peticionario:
    Lauren Turner
    Fecha modificada:
    04/27/2026
    Fecha modificada:
    04/28/2026
    Fecha de creacion:
    2026-04-27
    Licencia:
    CC0 1.0 Universal

  • Ethical Implications in Marina Abramović’s "Rhythm 0"

    Document thumbnail: Ethical Implications in Marina Abramović’s "Rhythm 0"
    Type:
    Document
    Descripción/Resumen:
    “In my opinion, wherever there is a public, there is a sacred place. When there is no public, there is no performance because there is no dialogue,” claimed Marina Abramović (b. 1946) in conversation with Italian art critic and contemporary art historian Achille Bonito Oliva. For Abramović, the presence of an audience is constitutive to performance. Performance art has frequently been defined by its provocative impulse, functioning as a responsive and unstable form that artists have turned to when engaging with political, cultural, or social pressures, and when seeking to unsettle the conventions of more established artistic disciplines. These sentiments are conveyed by her first performance works, The Rhythm Series (1973-1974). Over the course of two years, she completed five separate performances that explored the physical limits of the body and the relationship between performer and audience. Abramović performed Rhythm 0 (1974), the fifth and final work, at the gallery Studio Morra in Naples, Italy, from 8 pm to 2 am. She placed seventy-two objects on a table that could cause the human body extreme pleasure or pain, including but not limited to objects like a comb, lipstick, paint, a feather, a bone of lamb, cake, and a gun. Instructions posted on the wall declared: “I am the object. During this period I take full responsibility.” This experiment used the art space to expose what audiences are capable of when social inhibition is suspended and moral responsibility is left unguided. This paper asks, in her performance Rhythm 0, how does Abramović's deliberate surrender of bodily agency transforms the audience from passive observers into ethically implicated subjects, forcing an intersubjective encounter with the artist that exposes unconventional, if not revolutionary, social conditions governing the art space?
    Creador/Autor:
    Penix, Sadie
    Peticionario:
    Sadie Penix
    Fecha modificada:
    04/26/2026
    Fecha modificada:
    04/27/2026
    Fecha de creacion:
    2026-04
    Licencia:
    CC0 1.0 Universal

  • Globalization of The Adoration: Pilgrimage, Trade, and Shifting Perspectives within The Master of the Legend of Saint Lucy’s 'Adoration of the Magi' (c. 1480-85)

    Document thumbnail: Globalization of The Adoration: Pilgrimage, Trade, and Shifting Perspectives within The Master of the Legend of Saint Lucy’s 'Adoration of the Magi' (c. 1480-85)
    Type:
    Document
    Descripción/Resumen:
    By considering various depictions of the Adoration of the Magi between 1400 to 1485, I establish that the portrayal of the Magus within The Master of the Legend of Saint Lucy’s painting directly reflects the economic realities in Bruges throughout the same period. In turn, my close examination of marketplace standards alongside themes of pilgrimage, shifting racial ideals, and a growing interest in secular subjects, offers new insight into 15th century adaptations of the Adoration.
    Creador/Autor:
    Wells, Maiana
    Peticionario:
    Maiana Wells
    Fecha modificada:
    04/29/2025
    Fecha modificada:
    04/29/2025
    Fecha de creacion:
    2025-04-30
    Licencia:
    All rights reserved

  • Keeping Up Appearances: A Lacanian Perspective on American Mythmaking in Augustus Saint-Gaudens’ 'The Puritan' (1886)

    Document thumbnail: Keeping Up Appearances: A Lacanian Perspective on American Mythmaking in Augustus Saint-Gaudens’ 'The Puritan' (1886)
    Type:
    Document
    Descripción/Resumen:
    Beneath the severe bronze of Saint-Gaudens' 'The Puritan' (1886) lies a fracture in an American myth. This paper reads the statue through the Lacanian concept of the Name-of-the-Father, revealing a national fantasy subtly unraveling at its seams. What at first conveys ancestral virtue is exposed as a compensatory myth-- an Imaginary projection built atop repression. Through patronage, iconography, and psychoanalysis, this study brings to light the scaffolding of Gilded Age mythmaking.
    Creador/Autor:
    Reisser, Kristopher
    Peticionario:
    Kristopher Reisser
    Fecha modificada:
    04/29/2025
    Fecha modificada:
    04/29/2025
    Licencia:
    All rights reserved

  • The Art of Unveiling: DeCamp’s Nude as a Sculptural Study

    Document thumbnail: The Art of Unveiling: DeCamp’s Nude as a Sculptural Study
    Type:
    Document
    Descripción/Resumen:
    While DeCamps "Woman Drying Her Hair (1898)" may appear at first glance to be a conventional nude, its composition, technique, and context suggest that DeCamp intended it as a deep investigation into form and style- a study rather than a narrative work. Through his study in Europe like Munich, Germany and mentorship provided by Frank Duveneck, DeCamp refined his ability to portray the figure in a way that was both perpetually rigorous and resonant to anatomical paintings in America.
    Creador/Autor:
    Cruz, Maleya
    Peticionario:
    Maleya Cruz
    Fecha modificada:
    04/22/2025
    Fecha modificada:
    04/29/2025
    Licencia:
    All rights reserved

  • How can we be happy in life?

    Document thumbnail: How can we be happy in life?
    Type:
    Document
    Descripción/Resumen:
    This is a test summary. And the answer is- by just letting ourselves be happy
    Creador/Autor:
    Famulari, Stevie
    Peticionario:
    Stevie Famulari
    Fecha modificada:
    04/09/2025
    Fecha modificada:
    04/09/2025
    Fecha de creacion:
    2025-04-09
    Licencia:
    Attribution 4.0 International

  • How can a memorial garden or greenspace be effectively designed to assist adults grieving the loss of a loved one?

    Document thumbnail: How can a memorial garden or greenspace be effectively designed to assist adults grieving the loss of a loved one?
    Type:
    Document
    Descripción/Resumen:
    This research demonstrates the positive effects of gardens on the well being of those grieving the loss of a loved one in the United States. This project creates a guideline for constructing an effective memorial garden using components such as motion, stillness, privacy, community, plant choice, and other design elements. The author also includes a recommended plant list for the Midwest United States and reading recommendations for garden design.
    Creador/Autor:
    Rettig, Ethan
    Peticionario:
    Ethan Rettig
    Fecha modificada:
    04/09/2025
    Fecha modificada:
    04/16/2025
    Fecha de creacion:
    2025-04-09
    Licencia:
    Attribution 4.0 International

  • How can the use of Integrated Pest Management Strategies, be used to educate landscape industry employees and environmental policy-makers on the benefits IPM has on ecological health in urban Cincinnati?

    Document thumbnail: How can the use of Integrated Pest Management Strategies, be used to educate landscape industry employees and environmental policy-makers on the benefits IPM has on ecological health in urban Cincinnati?
    Type:
    Document
    Descripción/Resumen:
    Integrated Pest Management is a continually improving initiative that is beneficial to both conservation of beneficial insects and ecological health in urban Cincinnati. However, landscape industry employees and environmental policy-makers require education on the four main strategies of IPM in order to carry out this initiative. This project explains the emerging educational strategies that landscape industry employees and environmental policy-makers need in order to fulfill this initiative.
    Creador/Autor:
    Leibold, Quinn
    Peticionario:
    Quinn Leibold
    Fecha modificada:
    04/09/2025
    Fecha modificada:
    04/16/2025
    Fecha de creacion:
    2025-04-09
    Licencia:
    Attribution 4.0 International

  • How can incorporating living art and food plants improve Cincinnati residents’ nutritional and emotional health?

    Document thumbnail: How can incorporating living art and food plants improve Cincinnati residents’ nutritional and emotional health?
    Type:
    Document
    Descripción/Resumen:
    Access to fresh food and green spaces is vital for well-being, yet downtown Cincinnati remains a food desert. This capstone explores how integrating living art and edible plants into urban spaces improves people’s mental health and well-being. Through the design of a community garden and a living art installation, this project blends horticulture, public health, and art to promote food access, reduce stress, and foster community a vibrant, restorative environment.
    Creador/Autor:
    Tanner, Avery
    Peticionario:
    Avery Tanner
    Fecha modificada:
    04/09/2025
    Fecha modificada:
    04/16/2025
    Fecha de creacion:
    2025-04-09
    Licencia:
    Attribution 4.0 International

  • How can landscape design help reduce habitat loss for local bird species?

    Document thumbnail: How can landscape design help reduce habitat loss for local bird species?
    Type:
    Document
    Descripción/Resumen:
    Ohio currently has 2 extinct, 5 extirpated, 5 threatened, and 10 endangered bird species. 36% of the birds on the lists call the prairie landscape home. In the 1700s Ohio had over 1,000,000 acres of prairies, today it is less than 10% of it. This project inspires and teaches people to bring prairies back into the modern landscape and bring nature back into these areas where they have been pushed out.
    Creador/Autor:
    Holmes, Riley
    Peticionario:
    Riley Holmes
    Fecha modificada:
    04/09/2025
    Fecha modificada:
    04/17/2025
    Fecha de creacion:
    2025-04-09
    Licencia:
    Attribution 4.0 International