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- Type:
- Generic Work
- Description/Abstract:
- Spring Mix Multi-Channel Video Installation (all files)
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 10/27/2017
- License:
- All rights reserved
-
- Type:
- Generic Work
- Description/Abstract:
- Under the Bridge Multi-Channel Video Installation (all files).
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 10/27/2017
- License:
- All rights reserved
-
- Type:
- Generic Work
- Description/Abstract:
- American Diorama Multi-Channel Video Installation (all files).
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 11/02/2017
- License:
- All rights reserved
-
- Type:
- Generic Work
- Description/Abstract:
- I Morti Multi-Channel Video Installation (all files).
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 11/02/2017
- License:
- All rights reserved
-
- Type:
- Generic Work
- Description/Abstract:
- Table of Elements Multi-Channel Video Installation (University of Cincinnati Medical Center) (all files).
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 11/02/2017
- License:
- All rights reserved
-
- Type:
- Generic Work
- Description/Abstract:
- Baltimore Overpass Multi-Channel Video Installation (all files).
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 11/02/2017
- License:
- All rights reserved
-
- Type:
- Generic Work
- Description/Abstract:
- Drift Multi-Channel Video Installation (all files).
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 11/02/2017
- License:
- All rights reserved
-
- Type:
- Generic Work
- Description/Abstract:
- Virtual Space Multi-Channel Video Installation (all files).
- Creator/Author:
- Woodman-Collections, Charles
- Submitter:
- Charles Woodman-Collections
- Date Uploaded:
- 10/27/2017
- Date Modified:
- 11/02/2017
- License:
- All rights reserved
-
- Type:
- Document
- Description/Abstract:
- Playa Dust: Collected Stories from Burning Man is a compilation of essays by authors who are part of the universe of Burning Man or who engage the many ideas and landscapes on its periphery. By juxtaposing an unusual array of voices and stories, it reveals the complex nature and range of this annual pilgrimage to the Black Rock Desert. Samantha Krukowski (ed.) London: Black Dog Publishing, 2014
- Creator/Author:
- Van Proyen, Mark; Christian, Michael; Edwards, Ted; Bowditch, Rachel; Lundquist, Andrea; Harvey, Stewart; Gomez, Manuel; James, Jerry; Krukowski, Samantha; Cusolito, Karen; Shonkoff, Sam Berrin; Perez, Tony; Platek, Zoe; Tedrick, Bryan; Bruder, Jessica; Fox, William L.; St. John, Graham; Roberts, Adrian; Richards, Austin; Gillies, Douglas; Romanovska, Anna; Penabaz, Gabrielle, and Traub, Barbara
- Submitter:
- Samantha Krukowski
- Date Uploaded:
- 10/25/2016
- Date Modified:
- 10/25/2016
- License:
- All rights reserved
-
- Type:
- Document
- Description/Abstract:
- Digital copy of 2 volume work on Moholy-Nagy
- Creator/Author:
- Engelbrecht, C., Lloyd
- Submitter:
- Lloyd C. Engelbrecht
- Date Uploaded:
- 03/13/2017
- Date Modified:
- 03/13/2017
- License:
- All rights reserved
-
- Type:
- Article
- Description/Abstract:
- Increasing interest is seen at the intersection of architecture and health. The built environment has become associated with a number of negative health outcomes including obesity, cancers, and diabetes. Engaging design students in these inquiries surrounding health is integral in preparing them for future practice. This paper reviews the conceptual development and tested implementation of an interdisciplinary course focusing on the wellbeing and overall health of the occupant, using primary and secondary framework structures in the vein of Groat and Wang’s logical argumentation. The reviewed course engages interdisciplinary teams composed of students from the School of Architecture, the College of Engineering, and the College of Natural Resources, with private practice. The course puts forth an effort to break out of the conventional pedagogical structure found in architectural education, primarily the studio and large lecture spaces. The course has been specifically designed to: (1) establish a framework for common content relating to health in the built environment across disciplinary boundaries; (2) build meaningful partnerships between interdisciplinary student groups; and (3) establish a common vocabulary between architectural education and aligned disciplines regarding health and the built environment. The course structure, activities, and assessments are reviewed, proposing a solid framework for including integrated design and themes of health in architectural education.
- Creator/Author:
- Rider, Traci Rose
- Submitter:
- Lora Alberto
- Date Uploaded:
- 11/30/2017
- Date Modified:
- 12/01/2017
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- IASDR 2017 Guest Speaker Meredith Davis has taught for forty-seven years and served as head of the Department of Graphic Design, Director of Graduate Programs in Graphic Design, and Director of the PhD Design program at NC State University. She is an AIGA fellow and national medalist, Alexander Quarles Holladay Medalist for Teaching Excellence, and fellow and former member of the accreditation commission of the National Association of Schools of Art and Design, for which she drafted the national standards for the evaluation of college-level design programs. She serves as a member of the education advisory committee of the Cooper Hewitt Smithsonian National Design Museum and is a former president of the American Center for Design. Meredith is a frequent author–including four books on design and design education– and serves on the editorial boards of She Ji and Design Issues. Her research includes a two-year study of design-based teaching and learning for the National Endowment for the Arts, which received a CHOICE award from the National Association of College and Research Libraries. She has served on the development teams for two National Assessments of Educational Progress, most recently for the scenario-based evaluation of 21,500 students in Technology and Engineering Design Literacy. She authored a five-year research study of teaching critical and creative thinking across the college curriculum, featured in a study by the Organization for Economic Co-operation and Development on the effectiveness of higher education in preparing students for innovation jobs. She has reviewed proposals for the Smithsonian Office of Education and Museum Studies, National Science Foundation, US Department of Education, Institute of Museum and Library Services, and Canadian Foundation for Innovation, and her work has been funded by the Kenan Institute for Engineering, Science and Technology; National Endowment for the Arts; Worldesign Foundation; and several state commissions.
- Creator/Author:
- Davis, Meredith
- Submitter:
- Lora Alberto
- Date Uploaded:
- 02/05/2018
- Date Modified:
- 03/01/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- Kaleidoscope-Special Sessions Presentation You may have labored for years to achieve your current market success. But as your success grows, so do expectations. Growth targets require both capitalizing on existing business practices and innovating new ones. It can be a challenge to do both. Kaleidoscope's VP of Research and Development, Mike Clem, DVM, Ms shares his understandable, memorable and easy-to- apply "Ships and Castle" model.
- Creator/Author:
- Clem, Michael
- Submitter:
- Lora Alberto
- Date Uploaded:
- 01/09/2018
- Date Modified:
- 03/01/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- In societies where productivity is prioritized over presence, anxiety abounds. The extensive and alarming effects of anxiety on the mental and physiological wellbeing of bachelor students inspired a cross-disciplinary team to tackle this problem. Using combined expertise in visual design, music technology, psychology, art therapy and mindfulness — a digital tool entitled “Modes” was born. The Modes digital tool is an atmospheric, introspective, and aesthetically sophisticated engagement of three senses: ophthalmoception (sight), audioception (hearing), and tactioception (touch). Through immersive interaction, mesmerizing visual and sound landscapes are generated in order to reduce anxiety in bachelor students. The two measurable outcomes of Modes are 1) the reduction of self-reported anxiety in bachelor students, and 2) the reduction of bachelor student heart rates. Interacting with the Modes digital tool is like playing in a sandbox of dynamic visuals and music. Users begin by selecting and entering one of three digital environments entitled Refocus, Chill, or Energize. Each environment (or mode) offers a unique set of visuals and music designed specifically for anxiety reduction. The design and functionality of Modes are rooted in tenets of mindfulness practice and Ayurveda — an ancient Indian healing system emphasizing inner balance as a method for maintaining health and wellness (Kiefer, 2016). The Refocus, Chill, and Energize modes aim to balance each of three governing principle of Ayurveda that regulate physiological activity. Ultimately, users may combat and control their anxiety in three targeted ways: by refocusing, chilling, or energizing.
- Creator/Author:
- Verba Fischer, Emily and Hebbeler, John
- Submitter:
- Lora Alberto
- Date Uploaded:
- 12/06/2017
- Date Modified:
- 03/01/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- IASDR 2017 Re: Research Welcome video
- Creator/Author:
- IASDR 2017 and Creative Services
- Submitter:
- Lora Alberto
- Date Uploaded:
- 03/06/2018
- Date Modified:
- 03/06/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Document
- Description/Abstract:
- postcards print
- Creator/Author:
- Alberto, Lora
- Submitter:
- Lora Alberto
- Date Uploaded:
- 03/01/2018
- Date Modified:
- 03/12/2018
- Date Created:
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- IASDR 2017 Keynote- Design in the 21st Century: Complex Sociotechnical Systems Use Related Links URL to access presentation video Don Norman is Director of the Design Lab at the University of California, San Diego. He is co-founder of the Nielsen Norman Group, former Vice President of Apple and former executive at Hewlett Packard. Norman serves as an IDEO Fellow, an honorary professor of Design and Innovation at Tongji University (Shanghai), and is an advisor or board member of numerous companies. At UC, San Diego, he served as chair of the Psychology Department and founder and chair of the Cognitive Science Department. At Northwestern University, he is the Breed Professor of Design, emeritus. He has been Distinguished Visiting Professor of Industrial Design at the Korea Advanced Institute of Science and Technology (KAIST). He has honorary degrees in psychology from the University of Padua (Italy) and in Design from the Technical University of Delft (the Netherlands) and the University of the Republic of San Marino. He received a "Lifetime Achievement Award" from SIGCHI and the Benjamin Franklin Medal in Computer & Cognitive Science from the Franklin Institute (Philadelphia). He is a member of the American National Academy of Engineering, and fellow of the American Academy of Arts and Sciences, Association for Computing Machinery, American Psychological Association, Association for Psychological Science, Human Factors & Ergonomics Society, and the Design Research Society. He serves on the Board of Trustees at IIT's Institute of Design in Chicago. He is well known for his books "The Design of Everyday Things," "Emotional Design," and "Living with Complexity." He lives at www.jnd.org.
- Creator/Author:
- Dugan, Dan
- Submitter:
- Monica Salguero
- Date Uploaded:
- 01/26/2018
- Date Modified:
- 03/22/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- IASDR 2017 Guest Speaker Tracy Moss is an independent design consultant and currently serves as the Course Director for Counter-Proliferation Opportunity Design at Joint Special Operations University, MacDill Air Force Base, Florida. As co-founder of the U.S. Special Operations Command (USSOCOM) Design Thinking education program, she also serves as core faculty for the full complement of design-related courses and activities at the university and headquarters. Ms. Moss retired from military service in 2015 having spent 20 years on active duty in both the U.S. Air Force and U.S. Navy. During her final four years of military service at USSOCOM, she served as the lead Analyst and Planner on two operational design teams and as Chief of Counter-Weapons of Mass Destruction Analysis.
- Creator/Author:
- Moss, Tracy
- Submitter:
- Lora Alberto
- Date Uploaded:
- 03/22/2018
- Date Modified:
- 03/22/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- This presentation suggests a new transversal image of thought to grasp the creation of an ethical series of events in which architectural history/theory coursework engages in multi-educational rhizomatic ‘plateaus’. It does so by combining the philosophies and notions of impersonality and effects of French post-structuralist Gilles Deleuze, with that of Simone Brott (an Australian architect), as the basis for a cartographic analysis of the empirical subjectivity that works as a set of impersonal effects to reformulate the architectural history/theory coursework.
- Creator/Author:
- Kareem, Najlaa K.
- Submitter:
- UC Clermont College Library
- Date Uploaded:
- 03/29/2018
- Date Modified:
- 03/29/2018
- Date Created:
- 2018
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- IASDR 2017 Guest Speaker Bob Schwartz joined GE Healthcare (GEHC) in December 2007 as General Manager, Global Design & User Experience. With five studios in four countries, Bob is responsible for overseeing the Global Design function encompassing human factors, industrial design, ergonomics, user-interface, environmental design, and design research. As a strategic driver of organic business growth, his team focuses on the look, feel usability and end-to-end experience of GEHC products and services. Bob is also the GE Healthcare Global Executive Sponsor of the People with Disabilities Network. Since 2009, Global Design/UX has been the recipient of 19 medals from the International Design Excellence Awards (IDEA) and was listed, in 2011, by Fast Company magazine as a Corporate Design Stronghold. In 2015, Bob’s career trajectory was cited by Fast Company as among the top Chief Design Officers. In 2015 the Industrial Designers Society of America (IDSA) named him among the 50 most notable industrial designers of the last 50 years. Bob was recently elected Chair of the Board of the Design Management Institute. Continuously engaged in Design education throughout his career, he is a two-term member of the Board of Trustees of the Milwaukee Institute of Art & Design and its Executive Committee and is Chair of its Academic Excellence Committee. Bob is also a member of the Design Management Advisory Board at Northwestern University and has had similar roles at Savannah College of Art and Design and Carnegie Mellon University. Further, he has also held a design faculty appointment at the University of Cincinnati. While at P&G, Bob applied his leadership to developing the School Collaboratives Program there and has created similar relationships in his other roles with academic institutions globally. Bob joined GEHC from Procter & Gamble, where he was a global design leader working to transform the design function there to a strategically relevant capability, which is now comprised of 350 global designers and design managers. Prior to P&G, Bob was Vice President, New Product Development, at Levolor Kirsch, a division of Newell Rubbermaid, where he brought innovation to the home decor industry. At Motorola, Bob was the Director of Design, responsible globally for all key product lines within the Commercial, Government, Industrial and Consumer Products businesses. As Executive Director and COO for the Industrial Designers Society of America (IDSA) Bob forged an unprecedented relationship with Business Week magazine to annually publish the Industrial Design Excellence (IDEA) awards and later the Catalyst Awards. This accomplishment led to Bob receiving a United Nations appointment to the People's Republic of China as Senior Advisor for Design. He has also testified before Congress on a Bill to establish a US Design Center in the Dept. of Commerce. Bob was also the Director, Science and Technology Programs for AdvaMed, where he forged strong partnerships with the FDA, HCFA and Congress and lobbied and directed policy and voluntary standards research for circulatory and cardiovascular devices, healthcare information systems and the prevention of sexually transmitted diseases. Prior to this, Bob was the head of Corporate Industrial Design and Architecture for the American Red Cross, where he implemented new nation-wide mobile blood collection, tissue banking and disaster services systems and blood center laboratory designs. Most notably, Bob was inducted into the IDSA Academy of Fellows at the 2007 World Congress of Industrial Design, for his outstanding contributions to the industry. Bob has a Masters degree in Industrial Design from the Rhode Island School of Design, where he was a Roddy Scholar, and a Bachelor of Fine Arts in Industrial & Graphic Design from the Kansas City Art Institute.
- Creator/Author:
- Schwartz, Robert
- Submitter:
- Lora Alberto
- Date Uploaded:
- 03/22/2018
- Date Modified:
- 04/05/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- IASDR 2017 Guest Speaker Chris Rockwell is CEO and founder of Lextant, a human experience firm dedicated to informing and inspiring design through a deep understanding of people, their experiences and aspirations. For over 20 years, Chris and his team have developed leading techniques to connect desires to the design of product and service experiences for some of the largest brands in the automotive, consumer packaged goods, healthcare, and financial industries. A frequent speaker and thought leader, Chris was recently added to the Smart 50 list of innovators and was named a top executive in Central Ohio.
- Creator/Author:
- Rockwell, Chris
- Submitter:
- Lora Alberto
- Date Uploaded:
- 04/13/2018
- Date Modified:
- 04/19/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- IASDR 2017 Workshop Design now faces with new challenges that have made us rethink about our current design paradigm. It motivated us to organize a forum called, Design 3.0 Forum at KAIST in 2016, where we invited globally renowned design researchers and practitioners from different countries to discuss about important agenda for emerging challenges. The agenda we extracted from this forum can be summarized as follows: 1) envisioning of designers' future roles on open creativity and design; 2) dissemination and evaluation of design research outcomes by keeping deep design values; and 3) post education and practice that moves beyond the current use-centered perspectives by thinking big toward social innovation and large-scale impact. As the result of the Design 3.0 forum, we all agreed that we must continue to develop and extend these agenda and collaboratively make executable actions to carry them out in the design community. In this special session at IASDR 2017, not only the organizers of the previous Design 3.0 forum (i.e. Youn-kyung Lim, Ron Wakkary, Kun-pyo Lee, and Tek-jin Nam), we invite the people who have not participated in the previous forum but can provide important insights on these issues. For the format of the session, we will take the panel format where the invited participants will present their positions first, and then have in-depth discussion on them among the participants and the audience. Through this special session, we expect to advance the initial Design 3.0 agenda and can generate more concrete and executable action items for Design 3.0. Please follow developments of this work at http://design3-0.org/2017iasdr/
- Creator/Author:
- Lim, Youn-Kyung
- Submitter:
- Lora Alberto
- Date Uploaded:
- 04/16/2018
- Date Modified:
- 04/24/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Document
- Description/Abstract:
- Call for Participation- call for papers
- Creator/Author:
- Vogel, Craig and Fernandez, Oscar
- Submitter:
- Lora Alberto
- Date Uploaded:
- 03/05/2018
- Date Modified:
- 04/24/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- IASDR 2017 Guest Speaker Mark Hallerberg is Dean and Professor of Public Management and Political Economy at the Hertie School of Governance, a private public policy School in Berlin, Germany. His research focuses on fiscal governance, tax competition, financial crises, public sector innovation, and European Union politics. He previously held academic positions at Emory University, where he maintains an affiliation with the political science department, as well as at the University of Pittsburgh and Georgia Institute of Technology. He received his PhD from UCLA in 1995.
- Creator/Author:
- Hallerberg, Mark
- Submitter:
- Lora Alberto
- Date Uploaded:
- 02/26/2018
- Date Modified:
- 04/24/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- *Use Related Links URL to access presentation video Seattle Cancer Care Alliance and Premera Blue Cross show you how we conducted design research to build a collective understanding of the cancer care experience. We will provide detailed instructions, with checklists, on how to recreate a similar collaboration, including how we worked and what we worked on. You will walk away knowing how we shared skills and resources, built credibility and equal playing fields, and delivered research insights to both our organizations from multiple perspectives and vantage points. Seattle Cancer Care Alliance (SCCA) brings together the leading research teams and cancer specialists from Fred Hutchinson Cancer Research Center, Seattle Children's and UW Medicine. Based in Seattle, SCCA is one of the top five Adult Cancer Care facilities in the United States as ranked by U.S. News & World Report. Shay Ghassemian, User Experience Designer in Digital Health, and Katie Rehfield, Patient Experience Specialist, will be facilitating this workshop. Premera Blue Cross is a not-for-profit health insurance company serving 2 million people across the United States. As the largest health plan in the Pacific Northwest, Premera offers a wide range of products for individuals and families, Medicare recipients, and employers ranging from small business to Fortune 100 companies. Irish Malig, Senior Manager of Experience Strategy, Robert Racadio, Design Research Manager, Design Strategists Sara Bell, Paul Braun, and Ryan Rosensweig, and Darci Brown, Healthcare Implementation Manager in Provider Experience, will all be facilitating this workshop. Presented by Shay Ghassemian and Robert Racadio
- Creator/Author:
- Seattle Cancer Care Alliance and Premera Blue Cross
- Submitter:
- Lora Alberto
- Date Uploaded:
- 01/26/2018
- Date Modified:
- 04/24/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- Snapshots of IASDR 2017 Re:research Experience!
- Creator/Author:
- Alberto, Lora
- Submitter:
- Lora Alberto
- Date Uploaded:
- 03/02/2018
- Date Modified:
- 04/24/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- This paper expounds the background of Chinese design education as well as the orientation of the design education of Tongji University in the new times, it also collects 458 master thesis of College of Design and Innovation during 2010-2016 as analyzed sample. Based on the coding of subject classification, quantitative analysis and content analysis are made in order to understand the interdisciplinary education status of College of Design and Innovation from the two perspectives: the overall cross-disciplinary performance and the relationship between different cross-disciplinary directions.
- Creator/Author:
- Ren, Lisha and Wang, Yan
- Submitter:
- Lora Alberto
- Date Uploaded:
- 11/30/2017
- Date Modified:
- 04/24/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- IASDR 2017 Guest Speaker Kit Zhang is a Senior User Experience Designer and Design Manager at Amazon. She is currently working on Amazon Fashion’s personalized shopping experience, including Amazon's fashion service, “Prime Wardrobe”. She was the solo designer and researcher on the launch team of Amazon’s first brick-and-mortar "Bookstore". Throughout her three year journey at Amazon, she has been advocating for design research through collaboration with researchers, as well as pioneering new research methodologies as a designer on startup-mode teams. Kit has nine years of design industry experience in consultancies and corporations. She has designed and launched various consumer facing and enterprise products. Kit has a Master of Design degree from the University of Cincinnati, College of DAAP.
- Creator/Author:
- Zhang, Yue
- Submitter:
- Lora Alberto
- Date Uploaded:
- 04/09/2018
- Date Modified:
- 04/26/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- IASDR 2017 workshop Carlos Teixeira, IIT - Institute of Design and John Zimmerman, Carnegie Mellon University Design As Research in the Americas (DARIA) is a newly formed organization of design researchers working across academia, industry, and government. Our primary aim is to more effectively communicate the value of design research both within the Americas and across the world. One of our first steps is to better see what is taking place in design research around the world today and to begin to connect the players. IASDR 2017 is the ideal venue for doing so.
- Creator/Author:
- Zimmerman, John and Teixeira, Carlos
- Submitter:
- Lora Alberto
- Date Uploaded:
- 04/13/2018
- Date Modified:
- 04/26/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- Al-Tahrir Square, surrounded by commercial crowded streets, financial headquarters, and governmental institutions is one of the most iconic squares in Baghdad. It is part of daily life for many Iraqi people due to its central location, which is characterized by busy roads with honking cars. In this essay, I am going to explore Al-Tahrir Square in Baghdad, Iraq as a venue of rebellion for Iraqi people. Since 2015, Iraqi people from diverse backgrounds have been gathering in the square to protest for their rights every Friday. It has been the site of many historical events in Iraq although it has been established as a social place. I will explore the sociopolitical significance of Al-Tahrir Square by connecting the history of the place with how it has been changed since 1961 when the Freedom Monument was first open to the public. The research addresses the urban landscape of Al-Tahrir Square and its transformation over time, taking into consideration the political issues that affect it. I will analyze policies and regulations that have discouraged people from gathering in the Square to prevent political threats to the government and suggest ways to create safer spaces and mixed used attractions, modify the natural landscape of Al-Ummah Garden to make it more connected to the Square, and revitalize the existing kaleidoscope for closer proximity to Tigris River. Keywords: Al-Tahrir Square, Freedom monument, Al-Ummah Garden, Al-Rasheed Street, and urban planning Al-Tahrir Square has a complicated history. It was a parking lot in the 1950s, but in 1961, it use shifted and it became the location of the Freedom Monument. This shift marked AlTahrir Square as evidence of the Iraqi people’s journey of struggle and victory that designated it as a symbol of a new era of liberation from British colonialism. It has always been selected as a protest site because of its location in central Baghdad, especially in the past when it was the focal point for social gatherings. Besides being accessible from both Al-Karkh and Al-Rusafa, the two sides of Baghdad, through the highways and bridges that shorten the distance, the Square has had a long history of political demonstrations and has become a symbol for liberation, represented by the Freedom Monument.
- Creator/Author:
- Al-Tameemi, Rasha
- Submitter:
- Lora Alberto
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 09/20/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- Al-Tahrir Square, surrounded by commercial crowded streets, financial headquarters, and governmental institutions is one of the most iconic squares in Baghdad. It is part of daily life for many Iraqi people due to its central location, which is characterized by busy roads with honking cars. In this essay, I am going to explore Al-Tahrir Square in Baghdad, Iraq as a venue of rebellion for Iraqi people. Since 2015, Iraqi people from diverse backgrounds have been gathering in the square to protest for their rights every Friday. It has been the site of many historical events in Iraq although it has been established as a social place. I will explore the sociopolitical significance of Al-Tahrir Square by connecting the history of the place with how it has been changed since 1961 when the Freedom Monument was first open to the public. The research addresses the urban landscape of Al-Tahrir Square and its transformation over time, taking into consideration the political issues that affect it. I will analyze policies and regulations that have discouraged people from gathering in the Square to prevent political threats to the government and suggest ways to create safer spaces and mixed used attractions, modify the natural landscape of Al-Ummah Garden to make it more connected to the Square, and revitalize the existing kaleidoscope for closer proximity to Tigris River. Keywords: Al-Tahrir Square, Freedom monument, Al-Ummah Garden, Al-Rasheed Street, and urban planning Al-Tahrir Square has a complicated history. It was a parking lot in the 1950s, but in 1961, it use shifted and it became the location of the Freedom Monument. This shift marked AlTahrir Square as evidence of the Iraqi people’s journey of struggle and victory that designated it as a symbol of a new era of liberation from British colonialism. It has always been selected as a protest site because of its location in central Baghdad, especially in the past when it was the focal point for social gatherings. Besides being accessible from both Al-Karkh and Al-Rusafa, the two sides of Baghdad, through the highways and bridges that shorten the distance, the Square has had a long history of political demonstrations and has become a symbol for liberation, represented by the Freedom Monument.
- Creator/Author:
- Alberto, Lora
- Submitter:
- Lora Alberto
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 09/20/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- Based on a sound research plan, qualitative user data help designers understand needs, behaviors, and frustrations of a target user group. However, when a design team attempts to design for unfamiliar target groups, it is extremely difficult to accurately observe and understand them by simply using traditional research methods such as interviews and observation. As a result, the quality of user research data can be called into a question, which leads to unsatisfying design solutions. Inspired by a fiction writer’s technique of generating stories together with readers, we present the new method, Group Storymaking, that supports designers to quickly gain broad and clear understanding of an unfamiliar target group throughout a story-making activity with actual users. We envision Group Storymaking as a new user study method that designers can easily implement to learn about an unfamiliar target, involving actual users in a research process with less time and cost commitment.
- Creator/Author:
- Lee, Soonju; Kim, Hankyung, and Lim, Youn-kyung
- Submitter:
- Lora Alberto
- Date Uploaded:
- 11/21/2017
- Date Modified:
- 10/08/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation on 06/10/2016 at Modern Makers in Cincinnati, OH. Ofir Klemperer (electronics), Eddy Kwon (violin), Zach Larabee (percussion), Sayak Shome (images), Charles Woodman (images), Matt Coors (wall treatment), Andy Knolle (projector massage), Harry Sanchez (projector massage), Dan Leonard (live camera), Melissa Godoy (documentation)
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2016
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- This animation is created by Charles Woodman & Kim Anno. Woodman made the images and voice recordings Anno adapted "Canto 1" from Dante’s Purgatorio, making the text secular, and she created the soundscape effects. Keisha Kemper and Michael Burham are the actor’s voices.
- Creator/Author:
- Anno, Kim and Woodman, Charles
- Submitter:
- Nicki Davis
- Date Uploaded:
- 03/12/2019
- Date Modified:
- 03/12/2019
- Date Created:
- 2017
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation on 12/13/2015 at Shapeshifters Cinema in Oakland, CA. Zachary James Watkins (guitar and elecronics), Charles Woodman (images)
- Creator/Author:
- Watkins, Zachary James and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live cinema audio/visual improvisation. Brief excerpts from four 2015 performances - San Francisco Cinematheque 4/15, Headlands Center for the Arts 5/15, Spazio Contemporanea, Brescia, Italy 6/15, Micro Mini Cinema, Cincinnati 8/15
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation with Phi 4 on 06/11/2015 at Spazio Contemporanea, Brescia, Italy. Charles Woodman (images), Maurizio Rinaldi (Electro-acoustic sound act), Fabrizio Saiu (Percussion act)
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Documentation of an audio visual improvisation. Performed at Headlands Center for the Arts Spring 2015. Charles Woodman (images), Zachary James Watkins (sound)
- Creator/Author:
- Watkins, Zachary James and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Filmed at Headlands National Monument during my 2015 residency, looking west at dusk.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Filmed on a trip north during my 2015 residency at the Headlands Center for the Arts. Shot near where the Russian river meets the Pacific.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation on 09/3/2015 at Micro Mini Cinema in Cincinnati. Zach Larrabee (percussion), Dave McDonnell (saxophone and electronics), Loraine Wible (images), Charles Woodman (images)
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live cinema audio/visual improvisation. Brief excerpts from three recent performances - Albright-Knox Art Gallery , Lateral Thinking at 21C Museum/Hotel, Villa Douce, Riems, France
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- An ecstatic chant to the rising of the sun. Sound and image are juxtaposed and find moments of synchronicity, while remaining parallel and separate. Time rushes forward slowly. Narrative is all and nothing. Left over material from "Blooms" was adjusted to accompany Chris Bailey’s music.
- Creator/Author:
- Sukato; Woodman, Charles; Meitar Ensemble, and Bailey, Chris
- Submitter:
- Charles Woodman
- Date Uploaded:
- 02/21/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- I was commissioned by Andy Marko of Semantics Gallery in Cincinnati to create a live show as the concluding event for his annual Autumedia Festival. The space at Semantics was filled with other work in the show, so he approached Third Party, another artist run space down the street, to host the performance. I sent a general call out to friends at CCM looking for improvising musicians with the idea of forming a fairly large ensemble. I had a a number of responses and the musical group was ultimately made up of Regan Brown (Bass Clarinet), Dave McDonnell (Sax and Electronics), Carrie Magin (Percussion), Steve Weimer (Keyboard), and Zach Larabee (Drums). I also invited Loraine Wible, former student and previous collaborator, with Discerning Crane, to contribute a second stream of images. When we got to the space I decided to throw Loraine's images obliquely across the long wall with mine in the center.
- Creator/Author:
- Brown, Regan; Weimer, Steve; Woodman, Charles; Magin, Carrie; Larabee, Zach, and McDonnell, Dave
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced for Yoni Wolf and Why? Animation by Alex Woodman
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/08/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2013
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Compilation of various short treatments of material featuring dancers and set to music. Primarily choreography by Brooke Kidd, Washington DC, Yee Jen Bao, Norman, OK and Judith Mikita, Cincinnati OH, all processed at the Experimental Television Center.
- Creator/Author:
- Kidd, Brooke and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A meditation on pollution. Based on treatments of footage I produced and shot for the Los Alamos National Labs on the subject of Radioactive Waste Water Treatment.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 1991
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Performance by Carl Stewart. Carl wears a suit made of Camel packs, all of which he smoked. Filmed in the garden at his house in Rye, NY, wearing a pumpkin head which he grew. Inspired by Marlon Brando’s portrayal of the death of Vito Corleone. Dearly loved by me, this video exists somewhere outside of my other artworks and was never publicly exhibited.
- Creator/Author:
- Woodman, Charles and Stewart, Carl
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 1983-03-06
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation with duo B. on September 26, 2018 at Center for New Music in San Francisco, CA.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2019
- Date Modified:
- 03/14/2019
- Date Created:
- 2018-09-26
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation with duo B. on December 19, 2018 at Shapeshifters Cinema in Oakland, CA.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2019
- Date Modified:
- 03/14/2019
- Date Created:
- 2018-12-19
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation on 05/3/2015 at SF Cinematheque, Center 4 New Music, San Francisco
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/18/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Filmed at Headlands National Monument during my 2015 residency at the Headlands Center for the Arts. Late afternoon fog on the lagoon.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A few views of water and trees from my month long stay in Phoenecia, NY. This video utilizes an editing technique (a sort of continuous slow horizontal slide) that I conceptualized for more than a year. After several failed attempts I finally figured out how to make it work.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Filmed at the hot springs resort of the same name in Calistoga, CA.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The original material for this video was produced during a residency at Signal Culture in 2014 using three oscillators. The output of the first two was mixed by keying those images into portions of the output of a third. Subsequently, that footage was slowed down to about 10% of the original speed. During my stay at the Headlands Center for the Arts in 2015, I was struck by similarities between this material and the sound work of Brian Chase, another Artist in Residence there. This video is the result of an experiment in juxtaposing my video with Chase's sound work.
- Creator/Author:
- Chase, Brian and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Short loop produced at a Signal Culture artists residency in 2014. Made using the newly built, Nam Jun Paik designed, Wobulator. Produced by sending the output of the oscillator to the Paik Abe Wobulator, with the raster on that device collapsed. This image was then filmed off the screen. "Wiggle" was created in response to an invitation to show a short silent work at Peephole Cinema in San Francisco. In the end, they Peephole Cinema elected to show an excerpt from "Roman Spa."
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Performance organized in conjunction with Passages, my one-person show at the Weston Art Gallery in Cincinnati. Suzanna Barnes (violin) Regan Brown (winds & autoharp) Zach Larabee (percussion) David McDonnell (electronics & horns) Loraine Wible (images) Charles Woodman (images)
- Creator/Author:
- Brown, Regan; Woodman, Charles; Wible, Loraine; Barnes, Suzanna; Larabee, Zach, and McDonnell, Dave
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A cameraless video, made by mixing analog waveforms, with some additional digital processing. Produced at Signal Culture, 2014.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/07/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Documentation of live performance of the music with cinema accompaniment. Performed by Meitar Ensemble as part of MATA Festival at Roulette in Brooklyn. Shot from an audience members' cell phone.
- Creator/Author:
- Sukato; Woodman, Charles; Meitar Ensemble, and Bailey, Chris
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/29/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Shot at the Ceran St. Vrain Trailhead and campground, near Jamestown, Colorado. St. Vrain’s Woods was inspired by Seurat among others. An exploration of the elasticity of time, it is a moving picture made only of still images and the spaces between them. A portrait of a place and a moment.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2013
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Video by viDEO sAVant. Music by The Ubudis Quartet. The Ubudis Quartet combines Mexican guitarist Omar Tamez with Buffalo-based musicians Steve Baczkowski (saxophones, clarinets, and ethnic woodwinds), Jonathan Golove (electric cello), and John Bacon (percussion). Performed at the Albright-Knox Art Gallery in Buffalo, New York, this video presents a five minute edited sample of the Live Cinema performance.
- Creator/Author:
- Baczkowski, Steve; Bacon, John; Tamez, Omar; Woodman, Charles; Golove, Jonathan, and Ubudis Quartet
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2013
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Video edited to match the music by guitarist/composer Val Opielski. Intended to act as a demo for a proposed appearance as performing duo.
- Creator/Author:
- Woodman, Charles and Opielski, Val
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Short version with brief excerpts from the longer 150 minute work.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Documentation of the installation and of reactions to the work by people in the the hospital waiting room. Interviews by Melissa Godoy.
- Creator/Author:
- Woodman, Charles and Godoy, Melissa
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A precursor to "Megurs Ehd Ffleweh Bq Nsolst." Shot in the backyard of my house on Riddle Rd in Cincinnati, and upstairs in my studio. The hibiscus flowers take about an hour to open starting just at daylight. The flowers were filmed in realtime and subsequently sped up.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/07/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2013
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commissioned by the Concert Nova chamber music group in Cincinnati. I created this image to accompany a performance of "Fratres" by Arvo Part. The recording used on this version is by Kronos Quartet.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2010
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The images for "Heaven" were produced at the Experimental TV Center. Nicholas Economos and I shared part of the residency and he helped me develop this complex patch using both the Jones Frame Buffer and Jones Keyer with a slow oscillator varying the amount of “trails” we see at any one time.
- Creator/Author:
- Woodman, Charles and Economos, Nicholas
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2009
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- I was commissioned by Concert Nova to produce this viual accompaniment to the score by George Crumb. Images were shot at the Monterey Aquarium. Music: George Crumb, "Vox Baleanae," 1971
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2009
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- These images were created to accompany the music track by Odd Nosdam, with whom I had done a few live shows that year in San Francisco and one a few years earlier at VOLK in Cincinnati. I admire the distorted and gritty feel of the track and developed an image treatment which worked well with that texture.
- Creator/Author:
- Woodman, Charles and Odd Nosdam
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2007
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Three part work created for my exhibition at Shirley Jones Gallery in Yellow Springs, Ohio. Features dance treatments from Experimental Television Center, as well as footage from my backyard on Riddle Rd in Cincinnati. The piece was projected onto the store front windows of the gallery.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2006
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any complete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2004
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization. Installed at El Camino Medical Center in Mountain View, California.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/05/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2007
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2002
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The term "palimpsest" refers to a text which has been written upon two or three times, but whose lines have been imperfectly erased, so that different layers of all the texts are visible and mix together.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2001
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Collaboration with Poet/Performer Enrique Aviles. This video has its origins as a part of the “video set” for a performance by Aviles, directed by Davis Chung. In the theatrical piece Aviles played the roles of two immigrants to the US (one Mexican and one Korean) who live on opposite sides of a rooming house in the Adams Morgan neighborhood in DC. Subsequently, Aviles and I decided to create a stand alone video using one of his poems. The original footage of the neighborhood was supplemented with images of graffiti he produced and a shot of him reciting the poem in the backyard of his house in Arlington, VA.
- Creator/Author:
- Aviles, Enrique (poetry); Airirang Korean Music and Dance Ensemble (music), and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1996
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced while I was living in Washington DC. This is a meditation on highway architecture and the view from moving cars, subjects that have long been dear to me. Shot on Hi8 with footage processed at ETC and in my studio using the Amiga computer.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1994
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A meditation/celebration of the Spaghetti Western and the pornography of violence. An homage to Sergio Leone and Ennio Morricone. Copies of scenes from the original films, rented on VHS, were edited into a compilation reel. That material was processed at ETC, where Scott Davenport also added the text layer. Several versions of that were edited at PPG in an additive process, A+B=1 C+D=2, then 1+2= X, to create a ‘’final” hour-long version. The shorter “ sit down version was then created from that material.
- Creator/Author:
- Davenport, Scott and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A mostly formal exercise in composition and image processing, using footage of water. Probably the first in a ongoing series of works dealing with landscape, investigating the idea of video as a contemplative viewing experience akin to painting. Filmed in California and Mexico, and developed over the course of two visits to Experimental Television Center. Final editing at PPG onto 1” open reel tape.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1992
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My reaction to the Gulf War and the continuing transformation of war coverage into media spectacle. Edited at PPG and an early exploration of the Ampex ADO-1000 Digital Video Effects unit.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1991
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- An early experiment with time based correction and the ability to mix two tapes together, as well as one of the few projects in which I worked with an online editor who operated the controls at my direction. This tape features two versions of the same image (shot in Santa Fe) slightly staggered in time and then wiped over each other. Edited at Eve Muir studio by Trevor Long. I was paying for the studio time to edit a project for LANL and was able to squeeze extra time in to edit two videos, this one and San Mateo Drive.
- Creator/Author:
- Long, Trevor and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1988
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Companion/sequal to "Lota’ Burger" produced a few days later, and under the same circumstances. This tape uses a similar methodology, this time with a moving camera, shot from a car, and a more complex series of overlapping wipes. Produced at Eve Muir Studios.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1988
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- This is an early installation video shown at a gallery at Millersville University and projected onto the ceiling. All footage is original.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/19/2017
- Date Modified:
- 05/07/2019
- Date Created:
- 1994-06-01
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced on ¾" tape at Center for Contemporary Art, Santa Fe; features music by the Memluks, a band from Norman, OK, and appearances by my friend Willy.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/20/2017
- Date Modified:
- 05/07/2019
- Date Created:
- 1985-01-31
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The image was filmed off a decorative plate with a live camera which was being processed dimming, and then coming to brightness then back again. It looks like the hue was off too, giving Jesus a green tint. Produced during a residency at the Experimental TV Center.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/19/2017
- Date Modified:
- 05/07/2019
- Date Created:
- 1993-06-01
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Created to accompany a composition by Christopher Bailey, HK2. All the images are appropriated from the film “Pi” by Darren Aronofsky.
- Creator/Author:
- Woodman, Charles and Bailey, Chris
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2010
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Snow Mountain Ranch is a meditation on the elasticity of time and the veracity of representation. The focus is on careful observation and on a tension between the static and the dynamic. Shot from the patio of my hotel room at a YMCA Resort located just down the road from Camp Chief Ouray in Granby, Colorado, where I spent two summers a boy. The video begins as a single continuous take. We are witness to two unfolding narratives, happening at very different scales, the action of the weather and that of the cowboys. Both the movements of the sky and the action on the ground have been accelerated but not always to the same degree.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Shot from the village park along the river during my first residency at Signal Culture (Owego, NY).
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A collection of images and sounds from television cop shows is interwoven with texts (selected by Scott Davenport) taken from pulp detective stories, the literary predecessor of the same genre.
- Creator/Author:
- Davenport, Scott and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1996
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A meditation on the pleasures of observation. Image music and text weave in a multi-layer dance. Images built around a pre-recorded soundtrack. Text: Jack Kerouac Music: Michael Fiday Image: Charles Woodman Performers: Carla Kihlsteadt, Graeme Jennings (violins) Narration: Matthias Bassi
- Creator/Author:
- Kerouac, Jack, 1922-1969; Bassi, Matthias; Jennings, Graeme; Kihlsteadt, Carla; Woodman, Charles, and Fiday, Michael
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A 16mm film produced while I was graduate student. An exploration of connections between film and language.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1982
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Inspired by Mists, Iannis Xenakis, 1981, Live audio visual improvisation on 03/11/11 at Atlas Intersections Festival, Washington DC.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2011
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation on 01/28/2012 at International House Philadelphia
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation on 01/21/11 at Taza Café, Cincinnati, OH. Music: Regan Brown, Lief Fairfield, Steve Kemple, Eddy Kwon, Ethan Philbrick, Angelique Shepard, Katie Tomkins, Images: Charles Woodman
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/04/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2011
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- This first 16mm film made after graduate school, and also my last. Coyote Tracks culminates my interest in Semiotics and the exploration of cinema as a linguistic system. Each shot represents a single “pictograph” in a sentence describing a narrative journey. Shot in New Mexico and featuring a cast of old friends.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/24/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 1986
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- One of many attempts on my part to capture the magic motion of Aspen leaves, a fascination deeply embedded in memories of my childhood in Colorado. This footage was shot near Caribou, Colorado. The tape includes three different “episodes” which use a series image treatments and tricks, which further complicate the already complex motion of the leaves. The slow rate of change is such that no causal viewer will ever grasp the true dimensions of the work, beyond the surface image. This is a video which truly needs to contemplated as if it were a painting, installed in a space where it can be subjected to repeated viewing over a long period of time.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Filmed on VHS, mastered on Betacam SP at Public Production Group, Washington DC. Ceramic artist Betty Woodman demonstrates her technique of ceramic art, discusses her background and talks with critic, curator and painter John Perreault about her work.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/20/2017
- Date Modified:
- 05/08/2019
- Date Created:
- 1991-05-31
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Two channels or two versions of a video made with an early non-linear editing system "The Video Cube." Purchased by Matt Dibble, to which I made a contribution and got some time on the system. The tape attempts to form a series of wipes as if constantly changing channels. All footage is appropriated from cable tv.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/02/2017
- Date Modified:
- 05/08/2019
- Date Created:
- 1999-06-01
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Edited excerpts of the performance documentation from 2/25/2012. Curator and long time viDEO sAVant supporter Steve Liggeitt, of Living Arts of Tulsa, paired the sAVant crew with a group of choreographer/dancers for this improvisational extravaganza.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/14/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The image is of the Carew Tower in Cincinnati, and the video was shot on a Mattel Videster toy camera.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2011
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Music Luigi Nono ...sofferte onde serene... 1976, for piano and tape. Produced for Collide-o-Scope Music on the occasion of our performance at Atlas Performing Arts Center, Washington, DC in 2011.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 08/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2011
- License:
- All rights reserved