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Voyeurism, Totalization, and the Hyperreal in Vargas Llosa’s In Praise of the Stepmother
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A Spanish Descendant of Shahrazad? Azorín’s Use of Framing Devices in Las confesiones de un pequeño filósofo
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Recherche identitaire, relation mere/fille, écriture et libération: Jette ton pain d’Alice Rivaz
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Daura Olema García’s Maestra Voluntaria and the Making of a Revolutionary Identity in Post-1959 Cuba
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Imagined Americas: Boris Vian, Vernon Sullivan and the Franco-America Thriller
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The Poisonous Gift: Language in Assia Djebar’s L’amour, la fantasia
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Baudelaire’s Paris, or What Happens When the Lyric Poet Gets Lost in the City
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Representations of Memory in Édouard Glissant’s La case du Commandeur
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“En marge de Criton,” le premier essai de Roland Barthes
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Sobre los Coloquios de Fernán González de Eslava
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