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El caballero de la invicta: la parodia discursiva como manifestación posmoderna en la ...
Camilo José Cela’s Mazurca para dos muertos: Why Mazurka?
Not so Dutiful Daughters: Women and Their Fathers in Three French Medieval Works: Le R...
Masculinidad natural y masculinidad autoconsciente en Don Segundo Sombra y El reino de...
Trajectoire sociale, honte et écriture (Annie Ernaux)
The City and The Country in Later Years: Luis Landero’s Juegos de la Edad Tardía
Lieu de mémoire, Lieu de créolité: The Plantation as Site of Memory
Alegorías de la retórica en las Capitulaciones de Santa Fe
The Erotic Spectacle of Identity Crises: Streetwalking Mannequins Cruise the 1938 Inte...
Desafíos a la censura: decodificando la referencialidad en Pedro, Juan y Diego
S(t)imulating Pleasure: The Female Body in Sade’s Les infortunes de la vertu and Thérè...
Subversive Supplementation: Calderón’s La Devoción de la Cruz
The Geography of Authorship in the Encyclopédie: Jaucourt’s Literary Landscapes
Del desprecio del pueblo a su conquista: un estudio de los personajes como ilustración...
“Et maintenant, mesdames et messieurs, le spectacle va commencer”: l’espace théâtral d...
Técnicas cinematográficas en tres cuentos de Horacio Quiroga
Exile in the Forest: Rite of Passage in Sony Labou Tansi’s La vie et demie
Girl Trouble: Gender Gaps in Isaac Chocrón’s Toda una dama
The Turdy Madonna: Religion and the Novel in George Sand and Samuel Beckett
Between Translations: Mario Vargas Llosa’s El hablador
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Berlau, John
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Vice President Al Gore
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University of Cincinnati: Romance and Arabic Languages and Literatures
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University of Cincinnati
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1999
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Correspondence_Victory City Outreach (CO)
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Cincinnati Romance Review
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