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Writing Cultural Identity: Strategies for Authorizing Difference
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La Double Entente: Eavesdropping in À la recherche du temps perdu
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En-gendering Violence in Roberto Athayde’s Apareceu a Margarida and Plínio Marcos’s Dois perdidos numa noite suja
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Schema Theory and Reader-Response Theory: Solutions to Contradictions in the Foreign Literature Class
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Noticias del Imperio y Corona de sombra: Dos visiones distintas
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From Realistic Narratives to Social Fantasy: of Nightclubs and Supermarkets in Some Contemporary Narratives on Magrebi-French
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Our Bodies, Our Selves: Vengeance in the Novellas of María de Zayas
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Discontinuous Continuities in Assia Djebar’s L’amour la fantasia
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La “ima-sapra” como metáfora del caos en El zorro de arriba y el zorro de abajo de José María Arguedas
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Andrée Chedid: Dialogue and the Destruction of Form
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Entre la luz y el abismo: Voces al atardecer de Francisco Rivera
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The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy
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Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist
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Preface
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Crisi dell’identittà e crisi del romanzo: I romanzi d’appendice di Emilio de Marchi
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The Rhythm of Irony
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El cuerpo disciplinable de la “Perfecta casada”
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Chevillard’s Aleatory World: Toward a French Postexotic Literature
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La temática regeneracionista en el Morsamor de Juan Valera
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