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Romance & Arabic Languages & Literat
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University of Cincinnati: Romance and Arabic Languages and Literatures
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Zombie Nation? The Horde, Social Uprisings, and National Narratives
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Zaira Rivera Casellas, Bajo la sombra del texto
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You Are What You Eat: Food as Expression of Social Identity and Intergroup Relations in the Colonial Andes
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Yo también hablo de la globalización
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Writing Mother: Maternal Abandonment in Nancy Huston's La Virevolte
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Writing Cultural Identity: Strategies for Authorizing Difference
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Writing Cultural Identity: Strategies for Authorizing Difference
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Writing Africans Out of the Racial Hierarchy: Anti-African Sentiment in Post-Revolutionary Mexico
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A Woman’s Journey Inwards in Va’ Dove Ti Porta Il Cuore
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Womanism and Social Change in Trinidad Morgades Besari’s Antígona from Equatorial Guinea
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The Widow’s Peak / The Widow Speaks: Carmen’s Idle Talk in Miguel Delibes’s Cinco horas con Mario
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When Feasting with the Statue Is Dueling with le Ciel: Carnival Inversions in Molière’s Le Festin de pierre (Dom Juan)
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When Bakhtin Meets Descartes: Monologism, Dialogism and the Construction of Knowledge in the Discours de la Méthode
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Werewere Liking and Ritual Theatre: Healing the Wounds of Misogyny?
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Voyeurism, Totalization, and the Hyperreal in Vargas Llosa’s In Praise of the Stepmother
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Voiles et dévoilements, ou “L’entre-deux” dans Les carnets de Shérazade de Leila Sebbar
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Vittorio Frigerio, Revolution!
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Virgilian Elements in Laura Esquivel’s Malinche
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Vikki Bell, The Art of Post-dictatorship: Ethics and Aesthetics in Transitional Argentina
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Vicente Pérez de León, Tablas destempladas: Los entremeses de Cervantes a examen
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Vermersch and the Zutistes: Toward an Archeology of ‘zut’
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Ut Pictura Theatrum - Dramatic Theory and the Pictorial Paradigm in 17th-Century France
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The University Spanish Classroom and the Learning Disabled Student: From the Learning Environment to a Designed Program
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Une chaîne de mains insolites dans Nadja d’André Breton
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"Una carta a Martín Romaña": La realidad ficcionalizada, la ficción real(izada)
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Un enfant disparaît
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Tyrany, Writing, and Memory in Abel Posse’s Daimón
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Two-Way Mirror: The Two Voices of Exile in La Rambla paralela by Fernando Vallejo
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The Turdy Madonna: Religion and the Novel in George Sand and Samuel Beckett
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Tu mettrais l’univers entier dans ta prunelle: le ciel et l’œil de Jacques Réda
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Tsitsi E. Jaji, Africa in Stereo: Modernism, Music and Pan-African Solidarity
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Trespasser across Perilous Ways: Assia Djebar, Woman Writer
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Tres poemas
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Trauma and the Family Emotional System in Jenn Díaz's Es un decir and Marisa Silva Schultze's Apenas diez
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Tras el velo de las apariencias: La desmitificación del progreso en El caballero del hongo gris de Ramón Gómez de la Serna
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The Transformation of Charity into Bienfaisance and Fraternity in Eighteenth-Century France
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Trajectoire sociale, honte et écriture (Annie Ernaux)
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A “Tragic Mistake”?: Veronica’s Identity Quest in Maryse Condé’s Hérémakhonon
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The Tower of the Antilles
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Toward a Phenomenology of Chabinité: Raphaël Confiant, Max Élisée, and the Experience of the Face
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Touché! Lire Rouaud
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Théâtralisation du Paysage Pastoral dans Les Nouvelles de Segrais
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Three Proustian Subjects reconfigured in El cuarto de atrás by Carmen Martín Gaite: Recovery of the Past, Sleep and the Novel to be Written
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Threading Layers of Memory into Family Trees: Family Collective Memory and Jewish Memory by Two Contemporary Latin American Writers
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Their Heart Belongs to Daddy: Las Hojas Muertas and the Desintegration of Patriarchal Authority
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Temps, culture, histoire: les trinités multiples de Jean Rouaud
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Tel père, telle fille ? Filiations paternelles dans les romans de Marie Nimier
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Teatro y dictadura: emergencia de un teatro chileno contestatario
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