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Preface
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Crisi dell’identità e crisi del romanzo: I romanzi d’apprendice di Emilio de Marchi
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The Rhythm of Irony
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El cuerpo disciplinable de la “Perfecta casada”
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Chevillard’s Aleatory World: Toward a French Postexotic Literature
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La temática regeneracionista en el Morsamor de Juan Valera
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The Laure – Georges Bataille Exchange: Celebrating the Dissymmetry of the Couple in Interwar French Thought
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The Widow’s Peak / The Widow Speaks: Carmen’s Idle Talk in Miguel Delibe’s Cinco horas con Mario
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Une chaîne de mains insolites dans Nadja d’André Breton
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La familia de Pascual Duarte o la función política de la picaresca
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¡Bienvenido, Míster Marshall!: La identidad nacional como artificio
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¡Bienvenido, Míster Marshall!: La identidad nacional como artificio
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Paludes and the Question of Narrative Origination
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Frente al espejo: Escritura epistolar y creación de un nuevo “yo” en Nubosidad variable
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Passion, Power, Will, Desire: Gender Trespassing in the Poetry of Anna de Noailles
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Obabakoak: El infinito virtual
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Making National Citizens: Gender, Race, and Class in Two Works by Clorinda Matto de Turner
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“Ut Pictura Theatrum”: Dramatic Theory and the Pictorial Paradigm in the 17th Century France
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El triunfo secreto de la novela argentina contemporánea
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L’amitié féminine dans les œuvres d’Isabelle de Charrière et de Marceline Desbordes-Valmore Medha Karmarkar
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Entorno a la teoría del discurso revolucionario y poético en Roque Dalton
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Persistence and Denial of Center: The Appearance of the Peruvian Postmodern Novel and the Continuing Appeal of Modernity
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Myth, Identity and Collaboration in Michel Tournier’s Le Roi des Aulnes and Ahmadou Kourouma’s Monnè, outrages et défis
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Una carta a Martín Romaña: La realidad ficcionalizada, la ficción real(izada)
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Their Heart Belongs to Daddy: Las Hojas Muertas and the Desintegration of Patriarchal Authority
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New Applications of Game Theory in Genet’s “Prisoner’s Dilemma”
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“Entre olvidados códices”: Escritura, texto y subtextos en Los nazarenos, novela histórica
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A New Edition of Dante’s Commedia: Peter Greenway and Tom Phillips’ A T.V. Dante
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Maldita yo entre las mujeres de Mercedes Valdivieso: Una arqueología del diabolismo femenino
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Preface
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Tyrany, Writing, and Memory in Abel Posses’ Daimón
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Saint-Évremont and Pedantry: The Baroque Aesthetic of La comédie des académistes
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Playing Doubles: Another Look at Alemán’s Vengeance on Martí
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A “Tragic Mistake”?: Veronica’s Identity Quest in Maryse Condé’s Hérémakhonon
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Writing Cultural Identity: Strategies for Authorizing Difference
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La Double Entente: Eavesdropping in À la recherche du temps perdu
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En-gendering Violence in Roberto Athayde’s Apareceu a Margarida and Plínio Marcos’s Dois perdidos numa noite suja
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Schema Theory and Reader-Response Theory: Solutions to Contradictions in the Foreign Literature Class
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Noticias del Imperio y Corona de sombra: Dos visiones distintas
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From Realistic Narratives to Social Fantasy: of Nightclubs and Supermarkets in Some Contemporary Narratives on Magrebi-French
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Our Bodies, Our Selves: Vengeance in the Novellas of María de Zayas
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Discontinuous Continuities in Assia Djebar’s L’amour la fantasia
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La “ima-sapra” como metáfora del caos en El zorro de arriba y el zorro de abajo de José María Arguedas
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Andrée Chedid: Dialogue and the Destruction of Form
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Entre la luz y el abismo: Voces al atardecer de Francisco Rivera
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The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy
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Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist
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Preface
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Crisi dell’identittà e crisi del romanzo: I romanzi d’appendice di Emilio de Marchi
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