Index Catalog // Scholar@UC

Type:: Media
Descripción/Resumen:: Did We Go? is an experimental video art documentary that examines whether humankind really reached the Moon in the Summer of 1969. Documentary filmmaker Aaron Ranen explores America to search for the truth behind claims of the Apollo 11 Moon Landing. Original footage of many significant historical sites and interviews with first-hand participants in the Apollo 11 Mission. No matter what you believed before, this documentary will astonish you and change how you think about the first Moon landing forever. To watch the entire video (sixty minutes), click on a link below.
Creador/Autor:: Aron Ranen and Britton, Benjamin
Peticionario:: Benjamin Britton
Fecha modificada:: 10/18/2021
Fecha modificada:: 10/21/2021
Fecha de creacion:: Did We Go
Licencia:: All rights reserved

Type:: Media
Descripción/Resumen:: Three part work created for my exhibition at Shirley Jones Gallery in Yellow Springs, Ohio. Features dance treatments from Experimental Television Center, as well as footage from my backyard on Riddle Rd in Cincinnati. The piece was projected onto the store front windows of the gallery.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 03/15/2016
Fecha modificada:: 05/14/2019
Fecha de creacion:: 2006
Licencia:: All rights reserved

Type:: Media
Descripción/Resumen:: Commissioned by the Concert Nova chamber music group in Cincinnati. I created this image to accompany a performance of "Fratres" by Arvo Part. The recording used on this version is by Kronos Quartet.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 03/15/2016
Fecha modificada:: 05/07/2019
Fecha de creacion:: 2010
Licencia:: All rights reserved

Type:: Media
Descripción/Resumen:: Table of Elements was specifically conceived and designed for use in a health care environment. The ideal situation for this work is in a hospital waiting room, "Table of Elements" attempts to shift the viewer’s experience away from the typical mode of watching a moving image and towards a way of observation more akin to the way in which we view a painting. I’m interested in creating a tension between the static and the dynamic. Initially the work may at times appear unchanging, although never static, and the piece, which at first may seem like it can be absorbed in a single glance, gradually reveals new dimensions of itself over time, or through repeated encounters. The work is exhibited as a diptych, with two synchronized video loops displayed on two adjacent monitors.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 03/15/2016
Fecha modificada:: 05/13/2019
Fecha de creacion:: 2012
Licencia:: All rights reserved

Type:: Media
Descripción/Resumen:: Documentation of the installation and of reactions to the work by people in the the hospital waiting room. Interviews by Melissa Godoy.
Creador/Autor:: Woodman, Charles and Godoy, Melissa
Peticionario:: Charles Woodman
Fecha modificada:: 03/14/2016
Fecha modificada:: 05/07/2019
Fecha de creacion:: 2014
Licencia:: All rights reserved

Type:: Media
Descripción/Resumen:: Short version with brief excerpts from the longer 150 minute work.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 03/14/2016
Fecha modificada:: 05/07/2019
Fecha de creacion:: 2012
Licencia:: All rights reserved

Type:: Media
Descripción/Resumen:: Three part work created for my exhibition at Shirley Jones Gallery in Yellow Springs, Ohio. Features dance treatments from Experimental Television Center, as well as footage from my backyard on Riddle Rd in Cincinnati. The piece was projected onto the store front windows of the gallery.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 04/15/2016
Fecha modificada:: 05/07/2019
Fecha de creacion:: 2006

Type:: Media
Descripción/Resumen:: I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 04/05/2016
Fecha modificada:: 05/13/2019
Fecha de creacion:: 2002

Type:: Media
Descripción/Resumen:: I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 03/23/2016
Fecha modificada:: 05/07/2019
Fecha de creacion:: 2002

Type:: Media
Descripción/Resumen:: The term "palimpsest" refers to a text which has been written upon two or three times, but whose lines have been imperfectly erased, so that different layers of all the texts are visible and mix together.
Creador/Autor:: Woodman, Charles
Peticionario:: Charles Woodman
Fecha modificada:: 03/23/2016
Fecha modificada:: 05/07/2019
Fecha de creacion:: 2001

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