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- Type:
- Media
- 摘抄:
- Three part work created for my exhibition at Shirley Jones Gallery in Yellow Springs, Ohio. Features dance treatments from Experimental Television Center, as well as footage from my backyard on Riddle Rd in Cincinnati. The piece was projected onto the store front windows of the gallery.
- 作者:
- Woodman, Charles
- 提交者:
- Charles Woodman
- 上传日期:
- 04/15/2016
- 更改日期:
- 05/07/2019
- 创建:
- 2006
- 证书:
- All rights reserved
-
- Type:
- Article
- 摘抄:
- There is good news for those who desire to live in stable racially integrated neighborhoods in Hamilton County. Starting with the 1970 Census, racial segregation declined modestly in the City of Cincinnati and to a smaller extent in suburban areas of the county. This occurred as, over the three decades from 1970 to 2000, an increasing number of communities found blacks and whites living together on the same blocks. Indeed, at the 2000 Census, about one-quarter of Hamilton County communities were racially integrated by the measures used in this study. Moreover, starting with the 1980 Census, fourteen of those communities have maintained stable racial integration. This is in sharp contrast to the results of a 1984 study that found few racially integrated neighborhoods between 1940 and 1980, and that those that did exist generally did so only as neighborhoods changed from largely white to largely black. This news is also in sharp contrast to newspaper accounts of the 2000 Census that reported that “Cincinnati” remained one of the most racially segregated cities in the country. However, many of these reports confused the City of Cincinnati with the much larger Cincinnati Primary Statistical Metropolitan Area, which ranked the 8th or 9th most segregated metropolitan area in the country depending on the study. In actuality, the City of Cincinnati ranked 67th most segregated among 245 cities with populations over 100,000.
- 作者:
- Casey-Leininger, Charles and Green, Erinn L.
- 提交者:
- Charles Casey-Leininger
- 上传日期:
- 09/24/2015
- 更改日期:
- 09/24/2015
- 创建:
- 2007
- 证书:
- All rights reserved
-
- Type:
- Media
- 摘抄:
- I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
- 作者:
- Woodman, Charles
- 提交者:
- Charles Woodman
- 上传日期:
- 04/05/2016
- 更改日期:
- 05/13/2019
- 创建:
- 2002
- 证书:
- All rights reserved
-
- Type:
- Media
- 摘抄:
- I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
- 作者:
- Woodman, Charles
- 提交者:
- Charles Woodman
- 上传日期:
- 03/23/2016
- 更改日期:
- 05/07/2019
- 创建:
- 2002
- 证书:
- All rights reserved
-
- Type:
- Media
- 摘抄:
- The term "palimpsest" refers to a text which has been written upon two or three times, but whose lines have been imperfectly erased, so that different layers of all the texts are visible and mix together.
- 作者:
- Woodman, Charles
- 提交者:
- Charles Woodman
- 上传日期:
- 03/23/2016
- 更改日期:
- 05/07/2019
- 创建:
- 2001
- 证书:
- All rights reserved
-
- Type:
- Media
- 摘抄:
- A precursor to "Megurs Ehd Ffleweh Bq Nsolst." Shot in the backyard of my house on Riddle Rd in Cincinnati, and upstairs in my studio. The hibiscus flowers take about an hour to open starting just at daylight. The flowers were filmed in realtime and subsequently sped up.
- 作者:
- Woodman, Charles
- 提交者:
- Charles Woodman
- 上传日期:
- 03/07/2016
- 更改日期:
- 05/07/2019
- 创建:
- 2013
- 证书:
- All rights reserved
-
- Type:
- Media
- 摘抄:
- A meditation on the pleasures of observation. Image music and text weave in a multi-layer dance. Images built around a pre-recorded soundtrack. Text: Jack Kerouac Music: Michael Fiday Image: Charles Woodman Performers: Carla Kihlsteadt, Graeme Jennings (violins) Narration: Matthias Bassi
- 作者:
- Kerouac, Jack, 1922-1969; Bassi, Matthias; Jennings, Graeme; Kihlsteadt, Carla; Woodman, Charles, and Fiday, Michael
- 提交者:
- Charles Woodman
- 上传日期:
- 03/06/2016
- 更改日期:
- 05/07/2019
- 创建:
- 2014
- 证书:
- All rights reserved
-
- Type:
- Media
- 摘抄:
- I was commissioned by Andy Marko of Semantics Gallery in Cincinnati to create a live show as the concluding event for his annual Autumedia Festival. The space at Semantics was filled with other work in the show, so he approached Third Party, another artist run space down the street, to host the performance. I sent a general call out to friends at CCM looking for improvising musicians with the idea of forming a fairly large ensemble. I had a a number of responses and the musical group was ultimately made up of Regan Brown (Bass Clarinet), Dave McDonnell (Sax and Electronics), Carrie Magin (Percussion), Steve Weimer (Keyboard), and Zach Larabee (Drums). I also invited Loraine Wible, former student and previous collaborator, with Discerning Crane, to contribute a second stream of images. When we got to the space I decided to throw Loraine's images obliquely across the long wall with mine in the center.
- 作者:
- Brown, Regan; Weimer, Steve; Woodman, Charles; Magin, Carrie; Larabee, Zach, and McDonnell, Dave
- 提交者:
- Charles Woodman
- 上传日期:
- 03/06/2016
- 更改日期:
- 03/12/2019
- 创建:
- 2012
- 证书:
- All rights reserved
-
- Type:
- Media
- 摘抄:
- Compilation of various short treatments of material featuring dancers and set to music. Primarily choreography by Brooke Kidd, Washington DC, Yee Jen Bao, Norman, OK and Judith Mikita, Cincinnati OH, all processed at the Experimental Television Center.
- 作者:
- Kidd, Brooke and Woodman, Charles
- 提交者:
- Charles Woodman
- 上传日期:
- 03/06/2016
- 更改日期:
- 03/12/2019
- 创建:
- 1992
- 证书:
- All rights reserved