搜索条件
« 上一页 |
1 - 10 共 963
|
下一页 »
每页显示结果数
搜索结果
-
- Type:
- Article
- 摘抄:
- title
- 作者:
- Platts, Christopher
- 提交者:
- Christopher Platts
- 上传日期:
- 04/27/2026
- 更改日期:
- 04/27/2026
- 创建:
- 2026
- 证书:
- CC0 1.0 Universal
-
- Type:
- Article
- 摘抄:
- This project will explore the artist Leonora Carrington’s Self-portrait (Inn of the Dawn Horse, ca. 1937-38) and its relationship to and rejection of the male-centric, sexist ideology of psychoanalysis that governed the Surrealist movement. As outlined in Andre Breton's First Manifesto of Surrealism (1924), Freudian psychoanalysis had a great influence on Breton, the movement's founder (1896-1966). He believed in Freud's tenets and theories regarding dreams and the unconscious as a liberating and radical force that could tear down society’s systems of oppression. Yet there is a willful ignorance in Breton’s philosophy on the deep-rooted misogyny of Freud’s psychology and how the institution of psychoanalysis ignores the realities of female development and existence within inherently sexist societal structures of that period. However, Leonora Carrington rejected psychoanalytic theory as it pertained to her art. She refused to be categorized within sexist ideologies and asserted herself as a creative artist with her own interpretations of her work, positing her own ideologies in the process. She demonstrated her identity through her work and found liberation by developing her own feminist consciousness. Through researching Carrington's work, I want to expand on her ability to challenge the sexist paradigms of Surrealism and to reaffirm how her rejection demonstrates that female nonconformity is not only revolutionary but also necessary for female artistic freedom today. Other scholars have delved into this driving aspect of Carrington’s work but I will be utilizing Helene Cixous’ concept of “ecritutre feminine” in order to demonstrate how Carrington developed a “pictorial language” of her own within her work Self-Portrait (Inn of the Dawn Horse). I will use Cixous’ seminal work, "The Laugh of the Medusa," to expand on this idea and how Carrington developed that language, constituted of her own personal symbols, which is on full display in her self-portrait.
- 作者:
- Morriss, Ella
- 提交者:
- Ella Morriss
- 上传日期:
- 04/26/2026
- 更改日期:
- 04/26/2026
- 创建:
- 2026-04-27
- 证书:
- CC0 1.0 Universal
-
- Type:
- Article
- 摘抄:
- SAMPLE
- 作者:
- Rose, Emma
- 提交者:
- Emma Rose
- 上传日期:
- 04/26/2026
- 更改日期:
- 04/26/2026
- 创建:
- April 26, 2026
- 证书:
- CC0 1.0 Universal
-
- Type:
- Article
- 摘抄:
- As I have previously shown, Alexandre Brongniart established a coherent science of ceramics. By the mid-nineteenth century, Brongniart had popularised the term "la céramique" as a widely-applicable name for the field of pottery and porcelain making, and other related arts. In the Twentieth Century, ceramic manufacturing became increasingly technical. The inclusive field of artisans and industrialists that Brongniart had once envisioned was fracturing. Voices called for the separation of pottery making from experimental, industrial ceramics and the meaning of the term “ceramics” was hotly debated. Numerous etymologies were traced, but, as the predominant language of science transferred from French to English, none of the twentieth-century authors recognized Brongniart’s key role in the invention of the term. Critically, this language debate coincided with and reflected the global politics, nationalism, and warfare of the first half of the Twentieth Century.
- 作者:
- Carr-Trebelhorn, Julia
- 提交者:
- Julia Carr-Trebelhorn
- 上传日期:
- 03/09/2026
- 更改日期:
- 03/09/2026
- 创建:
- 2026-03-09
- 证书:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Article
- 摘抄:
- Taking on the task of ordering the sciences related to pottery and clay-based objects, natural historian and porcelainier Alexandre Brongniart sought a new way of describing the ancient practice. Early in his forty-seven-year career as director of the Sèvres Porcelain Manufactory, Brongniart developed a research center for the advanced study of pottery and porcelain making. Brongniart recognized that an inclusive and distinct term for the field was necessary, but it had to be introduced carefully, so that it was welcomed rather than rejected as presumptuous. Through close reading of Brongniart’s writings, as well as contemporary periodicals and the texts of other authors, the development of the word “ceramic” – originally introduced by Brongniart and his associates in French as “la céramique” – can be traced closely. I show that this was a deliberate, methodical, and years-long effort to create a durable, comprehensive term.
- 作者:
- Carr-Trebelhorn, Julia
- 提交者:
- Julia Carr-Trebelhorn
- 上传日期:
- 03/09/2026
- 更改日期:
- 03/09/2026
- 创建:
- 2026-03-09
- 证书:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Article
- 摘抄:
- Histopathology image analysis plays a pivotal role in disease diagnosis and treatment planning, relying heavily on accurate nuclei segmentation for extracting vital cellular information. In recent years, artificial intelligence (AI) and in particular deep learning models have been applied successfully in solving computational pathology image analysis tasks. The You Only Look Once (YOLO) object detection framework, which is based on a convolutional neural network (CNN) architecture has gained traction across various domains for its real-time processing capabilities. This systematic review aims to comprehensively explore and evaluate the advancements, challenges, and applications of YOLO-based methodologies in nuclei segmentation within the domain of histopathological images. The review encompasses a structured analysis of recent literature, focusing on the utilization of YOLO variants for nuclei segmentation. Key methodologies, training strategies, dataset specifics, and performance metrics are evaluated to elucidate the strengths and limitations of YOLO in this context. Additionally, the review highlights the unique characteristics of YOLO that enable efficient object detection and delineation of nuclei structures, offering a comparative analysis against traditional segmentation approaches. This systematic review underscores the promising outcomes achieved through YOLO-based architectures, emphasizing their potential for accurate and rapid nuclei segmentation. Furthermore, it identifies persistent challenges such as handling variances in nuclei appearances, optimizing model architectures for histopathological images, and improving generalization across diverse datasets. Insights derived from this review can provide a foundation for future research directions and enhancements in nuclei segmentation methodologies using YOLO within histopathology, fostering advancements in disease diagnosis and biomedical research.
- 作者:
- Debsarkar, Shyam
- 提交者:
- Shyam Debsarkar
- 上传日期:
- 12/28/2025
- 更改日期:
- 12/28/2025
- 创建:
- March 25, 2025
- 证书:
- All rights reserved
-
- Type:
- Article
- 摘抄:
- The young boy in Francisco de Zurbarán’s (1598-1664) Saint Peter Nolasco Recovering the Image of the Virgin of El Puig (1630) has been suggested to be either Zurbarán’s son, Juan de Zurbarán (1620–1649), or the son of James I of Aragon, Alfonso of Castile (1229–1260). Despite visual dominance, most scholars do not address the boy, and those who do offer conflicting identifications. This paper bridges the gap between these varying opinions, and concretely identifies the most formally important figure in this commission that defined Zurbarán’s career. The argument is built on the writings of Zurbarán scholar Martin S. Soria, as well as a comparison to Zurbarán’s body of work at large, primarily his tendency to create from life, and his suspected self-portrait, The Crucified Christ with a Painter (1650). I conclude that the child in the piece is likely a culmination of Juan and Alfonso and explore the implication of Zurbarán depicting his child in the noble and pious role of James the Conqueror’s son, paying witness to the rediscovery of the Virgin of El Puig. The combined figure of Juan and Alfonso gains significance through an exploration of historical context surrounding the legend of the Virgin of El Puig and its key figures. By drawing parallels between 17th-century Spanish colonialism contemporary to Zurbarán’s time and 13th-century Reconquista depicted in the painting, Zurbarán uses this composite figure to assert a vision of his lineage as triumphant and divinely favoured. Ultimately, this paper continues and expands upon Soria’s writings on the subject, and places Zurbarán within a Baroque tradition of artists, such as Velázquez, who used painting to assert their profession as divinely-inspired, nobel, and distinct from craftsmen.
- 作者:
- Krimmer, Ruby
- 提交者:
- Ruby Krimmer
- 上传日期:
- 04/28/2025
- 更改日期:
- 04/28/2025
- 创建:
- April 25, 2025
- 证书:
- All rights reserved
-
- Type:
- Article
- 摘抄:
- Today's industrial equipment is connected over a network to communicate with external systems and make decisions without human intervention, making it vulnerable to cyberattacks and showing the importance of research. This study explored the implementation of a cloud-based virtual testbed for a smart factory for cybersecurity testing and research. As a first step, this paper reports on developing an environment with one programmable logic controller (PLC) simulating a conveyor belt setup. The study examined different virtualization platforms and network designs. In addition, it executed a denial-of-service attack and identified its signature indicators. The study found that VMware Workstation Pro is the most suitable virtualization platform and that network input and output are the DoS attack's signature indicators.
- 作者:
- Mandalapu, Rohit and Said, Hazem
- 提交者:
- Rohit Mandalapu
- 上传日期:
- 01/17/2025
- 更改日期:
- 01/17/2025
- 创建:
- 2023-07-27
- 证书:
- Attribution 4.0 International
-
- Type:
- Article
- 摘抄:
- While most like to consider college and university campuses safe from discrimination, research demonstrates this is unfortunately not true. We know students with minority group status experience discrimination on campus at an alarming rate. Years of research has demonstrated the negative effects of experiencing discrimination on students’ well-being, sense of belonging, and future aspirations. However, research has also shown positive impacts that faculty relationships can have on students’ motivation, academic achievement, persistence, and aspirations. Faculty serve as institutional agents within the university, so they have considerable influence over students’ satisfaction with their university experience and overall wellness. Thus, this study investigates the extent to which college students’ trust in faculty acts as a buffer against the negative impacts of discrimination. Results of this research indicate a strong relationship between experiencing discrimination and feelings of stress and decreased sense of belonging, and that increased stress and decreased belonging negatively affect students’ future aspirations. However, our findings demonstrate that trust in faculty mitigates the negative effects of discrimination and can reduce feelings of stress and increase feelings of belonging, thereby increasing students’ future aspirations. Our findings demonstrate the important role faculty play in creating an affirming climate for students on college campuses.
- 作者:
- Mason, Lauren; Vason, Tyra; Faller, S. Elisabeth (Beth); Campbell, Kristen, and Chrobot-Mason, Donna
- 提交者:
- S. Elisabeth (Beth) Faller
- 上传日期:
- 01/03/2024
- 更改日期:
- 01/03/2024
- 创建:
- 2023-08-30
- 证书:
- All rights reserved
-
- Type:
- Article
- 摘抄:
- Article from Modernnati.com about Benjmain Dombar, Cincinnati architect.
- 作者:
- Meyer, Elizabeth A.
- 提交者:
- Elizabeth A. Meyer
- 上传日期:
- 11/21/2023
- 更改日期:
- 11/21/2023
- 创建:
- 20th century
- 证书:
- All rights reserved