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- Type:
- Media
- Description/Abstract:
- What happens when the biggest barrier to scientific discovery isn’t a lack of ideas, but the cost of the tools themselves? In this episode, Jarin Earle, a junior in Mechanical Engineering at North Carolina A & T State University, shares how a summer research project designing a low-cost viscometer changed the way he thinks about engineering; not as a way to build machines, but as a way to expand who gets the opportunity to do science.
- Creator/Author:
- Earle, Jarin O.; Yavitt, Ben M., and Payton, Eric J.
- Submitter:
- Eric Payton
- Date Uploaded:
- 07/24/2026
- Date Modified:
- 07/24/2026
- Date Created:
- 2026-07-24
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- Through my college journey, the terms “research” and “zero-emissions” have become central to my academic identity. Not just because they reflect both my lab experience and keen interest in sustainable tech, but because they evoke a personal question that many high school seniors and college underclassmen grapple with: what does it mean to be a scientist? I’m Trevon Collins, a mechanical engineering student at Tennessee Technological University. In this podcast episode, I’ll share the answers I’ve found through investigating age-old secrets of phase change and their implications for the green transition.
- Creator/Author:
- Collins, Trevon L; Yasin, Ayaaz; Bellur, Kishan, and Payton, Eric J
- Submitter:
- Eric Payton
- Date Uploaded:
- 07/24/2026
- Date Modified:
- 07/25/2026
- Date Created:
- 2026-07-24
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- Kennedy Whiters lives by "Do not fear failure; rather, fear not trying." She participated in the REALIZE REU when she was a junior at Albany State University. Kennedy performed research on methanogens, a type of anaerobic bacteria that consumes carbon dioxide and turns it into natural gas, which we can use as a source of energy in power plants. In this episode, she describes her experience working in the lab of Prof Annie Rowe, where she found the lab group to be a good source of positive support, like her family.
- Creator/Author:
- Whiters, Kennedy D.; Rowe, Annette R., and Payton, Eric J.
- Submitter:
- Eric Payton
- Date Uploaded:
- 07/19/2026
- Date Modified:
- 07/24/2026
- Date Created:
- 2024-07-28
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Media
- Description/Abstract:
- This presentation was created to share the preliminary results of this study, NSF #2324585, at the 2024 National Council of University Research Administrators Annual Meeting.
- Creator/Author:
- Green-Schwartz, Clair and Kennedy, Erica
- Submitter:
- Clair Green-Schwartz
- Date Uploaded:
- 12/15/2025
- Date Modified:
- 12/15/2025
- Date Created:
- 2024-08-04
- License:
- Public Domain Mark 1.0
-
- Type:
- Media
- Description/Abstract:
- Performance recorded for the Experiments in Cinema Festival, Albuquerque, NM
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 06/19/2023
- Date Modified:
- 06/19/2023
- Date Created:
- 2022-04
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- -Composer, Belinda Reyolds -Percussion and Vocals, University of Texas Percussion Ensemble Thomas Burrit, Director -Image, Charles Woodman
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 06/19/2023
- Date Modified:
- 06/19/2023
- Date Created:
- 2023-06
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Delphi - a touchscreen video game art installation for galleries and museums. Viewers can explore a contemporary interpretation of the ancient Greek site of Delphi, home of a mythical oracle. The Delphi gallery installation, designed for museums and cultural centers, gives each visitor about ten minutes to explore Delphi and visit the oracle to get a personalized message. The installation is easy to use, and accessible for general audiences of all ages and degrees of experience. Two cubes (or a cube and a chair) are placed on a 7cm high, 2m square plinth stage; the large cube is a ventilated cabinet and tabletop for a touchscreen, the other cube is a seat. As players step up onto the plinth to interact with the touchscreen to explore the virtual world, they enter the installation observed by the other gallery visitors who watch the interaction on large video screens around them, displaying the virtual environment of Delphi onto the gallery walls, with soft, ambient sound of the Greek countryside and occasional interactive events. Delphi requires controlled lighting and electricity, between 50-500 sq meters, large video displays, audio, plinth, and two cubes (or cube and chair) as above. An area of about 500 square meters is optimal, although smaller is possible. A CAVE version of Delphi is currently being researched. Visitors can explore the environment in and around the hills and monuments of Delphi. By artificial intelligence, Delphi responds by AI to each visitors style of play, actions, responses, and behavior, choosing a classic Delphic maxim (150 Delphic maxims drawn from historical and literary sources) for each player in turn. Unzip Delphi_Oracle_install.zip into a Windows folder to create a folder called Delphi_Oracle and its contents. Change directories to browse into the Delphi_Oracle folder, and double-click on Delphi_Oracle.exe to play Delphi. If Microsoft Smartscreen asks to prevent an unrecognized app, click More info, and click Run anyway. With mouse or touchscreen you can move and interact onscreen; Slow or stop, left mouse button or touch the center of the screen Move forward, mouse button or touch center top of screen (higher = faster) Move backward, mouse button or touch center bottom of screen (lower = faster) Turn right, mouse or touch right side of screen Turn left, mouse or touch left side of screen Look up and down, left and right mouse buttons together (or two fingers) A touchscreen makes it feel very immersive, and a mouse also works just fine too. Currently working to run Delphi in the CAVE software for CAVE systems. Delphi is first and foremost a work of contemporary art and an interpretive reconstruction of a cultural treasure for everyone. Looking for a contemporary art gallery where I can premiere it. -benb copyright 2022 Benjamin Britton June 14, 2022 all rights reserved
- Creator/Author:
- Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 06/16/2022
- Date Modified:
- 06/16/2022
- Date Created:
- 2022-06-16
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Benjamin Britton: A review of some past and current creative research, 2022. -benb
- Creator/Author:
- Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 05/11/2022
- Date Modified:
- 05/13/2022
- Date Created:
- 2022-05-10
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Belinda Reynolds (music), Ting Luo (piano and poetry), Charles Woodman (images) WORDS is a multimedia piano work with spoken words and visuals. The vocal part consists of an aural collage of Miss Luo, reciting in Mandarin and English, a poem written by herself, about the story of her grandfather, a composer during the late 20th century in China. The interplay between the audio collage, the video, and the piano part, create a multimedia composition that immerses the audience in a blanket of enticing, reflective sound-visual experiences.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2022
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commission work from Joseph's Bones
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 01/12/2022
- Date Modified:
- 01/12/2022
- Date Created:
- 2021
- License:
- All rights reserved
