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-
- Type:
- Media
- Description/Abstract:
- Orville Simpson cut of PBS special.
- Creator/Author:
- Center, Simpson
- Submitter:
- Simpson Center
- Date Uploaded:
- 07/28/2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Unedited video interview with Orville Simpson for PBS special.
- Creator/Author:
- Center, Simpson
- Submitter:
- Simpson Center
- Date Uploaded:
- 07/28/2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Full PBS special on technology and the future.
- Creator/Author:
- Center, Simpson
- Submitter:
- Simpson Center
- Date Uploaded:
- 07/28/2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first multi channel works for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/04/2016
- Date Modified:
- 05/13/2019
- Date Created:
- 2004
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any complete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2004
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization. Installed at El Camino Medical Center in Mountain View, California.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/05/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2007
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Commissioned by the Concert Nova chamber music group in Cincinnati. I created this image to accompany a performance of "Fratres" by Arvo Part. The recording used on this version is by Kronos Quartet.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2010
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- One of many attempts on my part to capture the magic motion of Aspen leaves, a fascination deeply embedded in memories of my childhood in Colorado. This footage was shot near Caribou, Colorado. The tape includes three different “episodes” which use a series image treatments and tricks, which further complicate the already complex motion of the leaves. The slow rate of change is such that no causal viewer will ever grasp the true dimensions of the work, beyond the surface image. This is a video which truly needs to contemplated as if it were a painting, installed in a space where it can be subjected to repeated viewing over a long period of time.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/08/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live Cinema
- Creator/Author:
- Woodman, Charles and duo B.
- Submitter:
- Charles Woodman
- Date Uploaded:
- 06/17/2020
- Date Modified:
- 06/17/2020
- Date Created:
- 2020
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Early Work - Filmed at Del City, Oklahoma auto auction
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/10/2019
- Date Modified:
- 05/10/2019
- Date Created:
- 1982
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Video showing bag-breakup of liquid droplets for Weber number of 33.
- Creator/Author:
- Khare, Prashant
- Submitter:
- Prashant Khare
- Date Uploaded:
- 07/26/2018
- Date Modified:
- 07/26/2018
- Date Created:
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced while I was living in Washington DC. This is a meditation on highway architecture and the view from moving cars, subjects that have long been dear to me. Shot on Hi8 with footage processed at ETC and in my studio using the Amiga computer.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/05/2016
- Date Modified:
- 05/17/2019
- Date Created:
- 1994
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Produced while I was living in Washington DC. This is a meditation on highway architecture and the view from moving cars, subjects that have long been dear to me. Shot on Hi8 with footage processed at ETC and in my studio using the Amiga computer.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1994
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Filmed on VHS, mastered on Betacam SP at Public Production Group, Washington DC. Ceramic artist Betty Woodman demonstrates her technique of ceramic art, discusses her background and talks with critic, curator and painter John Perreault about her work.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/20/2017
- Date Modified:
- 05/08/2019
- Date Created:
- 1991-05-31
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Filmed at Headlands National Monument during my 2015 residency, looking west at dusk.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A precursor to "Megurs Ehd Ffleweh Bq Nsolst." Shot in the backyard of my house on Riddle Rd in Cincinnati, and upstairs in my studio. The hibiscus flowers take about an hour to open starting just at daylight. The flowers were filmed in realtime and subsequently sped up.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/07/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2013
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A rough cut of work in progress
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 05/17/2019
- Date Modified:
- 05/17/2019
- Date Created:
- 2003
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Benjamin Britton: A review of some past and current creative research, 2022. -benb
- Creator/Author:
- Britton, Benjamin
- Submitter:
- Benjamin Britton
- Date Uploaded:
- 05/11/2022
- Date Modified:
- 05/13/2022
- Date Created:
- 2022-05-10
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- These images were created to accompany the music track by Odd Nosdam, with whom I had done a few live shows that year in San Francisco and one a few years earlier at VOLK in Cincinnati. I admire the distorted and gritty feel of the track and developed an image treatment which worked well with that texture.
- Creator/Author:
- Woodman, Charles and Odd Nosdam
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/15/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2007
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- The Workshop is an online platform where members of the public offer their own responses to artworks and other content included in the exhibition Hank Willis Thomas: All Things Being Equal... Many of the voices in the Workshop belong to Greater Cincinnatians who are Black, Indigenous, or people of color. Responses will accumulate throughout the run of the exhibition, and will remain online after the exhibition closes. The explanatory texts that appear on the walls of the museum are customarily written by curators, who balance factors including the artist’s point of view, institutional expectations, their own training and perspective, and the need to communicate with members of the public. Most but not all of the curators who wrote the explanatory texts in Hank Willis Thomas: All Things Being Equal... were trained in practices of social critique similar to those used by the artist, and are White. The purpose of the Workshop is to create space for more voices, views and ways of speaking about art to be heard.
- Creator/Author:
- Latessa, Amy
- Submitter:
- Amy Latessa
- Date Uploaded:
- 11/17/2020
- Date Modified:
- 11/17/2020
- Date Created:
- 2020-08-20
- License:
- Public Domain Mark 1.0