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  • An Extended Comment on the Analysis of Risk-­‐Sensitive Foraging Among the Aché of Paraguay and a Brief Reply to Codding et al.

    Type:
    Article
    Description/Abstract:
    Shortly after the comparative analysis of Codding et al. was published, I prepared a comment on the article that I submitted for publication. In response to feedback from the editors, I eventually revised the manuscript substantially. That revised version has now been published. In this paper, I share the original submission of the comment, which focuses on important considerations for future studies of risk-­‐ sensitive foraging. Meanwhile, Codding and his colleagues have published a response to my comment. They exhibit some confusion about my position, which they describe as “paradoxical.” In a reply to their response, I have therefore added some clarifying remarks at the end of this paper
    Creator/Author:
    Koster, Jeremy
    Submitter:
    Jeremy Koster
    Date Uploaded:
    07/26/2019
    Date Modified:
    05/27/2020
    Date Created:
    2012-03
    License:
    Attribution-NonCommercial-NoDerivs 4.0 International

  • Delphi touchscreen art installation

    Type:
    Media
    Description/Abstract:
    Delphi - a touchscreen video game art installation for galleries and museums. Viewers can explore a contemporary interpretation of the ancient Greek site of Delphi, home of a mythical oracle. The Delphi gallery installation, designed for museums and cultural centers, gives each visitor about ten minutes to explore Delphi and visit the oracle to get a personalized message. The installation is easy to use, and accessible for general audiences of all ages and degrees of experience. Two cubes (or a cube and a chair) are placed on a 7cm high, 2m square plinth stage; the large cube is a ventilated cabinet and tabletop for a touchscreen, the other cube is a seat. As players step up onto the plinth to interact with the touchscreen to explore the virtual world, they enter the installation observed by the other gallery visitors who watch the interaction on large video screens around them, displaying the virtual environment of Delphi onto the gallery walls, with soft, ambient sound of the Greek countryside and occasional interactive events. Delphi requires controlled lighting and electricity, between 50-500 sq meters, large video displays, audio, plinth, and two cubes (or cube and chair) as above. An area of about 500 square meters is optimal, although smaller is possible. A CAVE version of Delphi is currently being researched. Visitors can explore the environment in and around the hills and monuments of Delphi. By artificial intelligence, Delphi responds by AI to each visitors style of play, actions, responses, and behavior, choosing a classic Delphic maxim (150 Delphic maxims drawn from historical and literary sources) for each player in turn. Unzip Delphi_Oracle_install.zip into a Windows folder to create a folder called Delphi_Oracle and its contents. Change directories to browse into the Delphi_Oracle folder, and double-click on Delphi_Oracle.exe to play Delphi. If Microsoft Smartscreen asks to prevent an unrecognized app, click More info, and click Run anyway. With mouse or touchscreen you can move and interact onscreen; Slow or stop, left mouse button or touch the center of the screen Move forward, mouse button or touch center top of screen (higher = faster) Move backward, mouse button or touch center bottom of screen (lower = faster) Turn right, mouse or touch right side of screen Turn left, mouse or touch left side of screen Look up and down, left and right mouse buttons together (or two fingers) A touchscreen makes it feel very immersive, and a mouse also works just fine too. Currently working to run Delphi in the CAVE software for CAVE systems. Delphi is first and foremost a work of contemporary art and an interpretive reconstruction of a cultural treasure for everyone. Looking for a contemporary art gallery where I can premiere it. -benb copyright 2022 Benjamin Britton June 14, 2022 all rights reserved
    Creator/Author:
    Britton, Benjamin
    Submitter:
    Benjamin Britton
    Date Uploaded:
    06/16/2022
    Date Modified:
    06/16/2022
    Date Created:
    2022-06-16
    License:
    All rights reserved