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-
- Type:
- Media
- Description/Abstract:
- A meditation on pollution. Based on treatments of footage I produced and shot for the Los Alamos National Labs on the subject of Radioactive Waste Water Treatment.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 1991
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Performance by Carl Stewart. Carl wears a suit made of Camel packs, all of which he smoked. Filmed in the garden at his house in Rye, NY, wearing a pumpkin head which he grew. Inspired by Marlon Brando’s portrayal of the death of Vito Corleone. Dearly loved by me, this video exists somewhere outside of my other artworks and was never publicly exhibited.
- Creator/Author:
- Woodman, Charles and Stewart, Carl
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 1983-03-06
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- I was commissioned by Andy Marko of Semantics Gallery in Cincinnati to create a live show as the concluding event for his annual Autumedia Festival. The space at Semantics was filled with other work in the show, so he approached Third Party, another artist run space down the street, to host the performance. I sent a general call out to friends at CCM looking for improvising musicians with the idea of forming a fairly large ensemble. I had a a number of responses and the musical group was ultimately made up of Regan Brown (Bass Clarinet), Dave McDonnell (Sax and Electronics), Carrie Magin (Percussion), Steve Weimer (Keyboard), and Zach Larabee (Drums). I also invited Loraine Wible, former student and previous collaborator, with Discerning Crane, to contribute a second stream of images. When we got to the space I decided to throw Loraine's images obliquely across the long wall with mine in the center.
- Creator/Author:
- Brown, Regan; Weimer, Steve; Woodman, Charles; Magin, Carrie; Larabee, Zach, and McDonnell, Dave
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 03/12/2019
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A meditation on the pleasures of observation. Image music and text weave in a multi-layer dance. Images built around a pre-recorded soundtrack. Text: Jack Kerouac Music: Michael Fiday Image: Charles Woodman Performers: Carla Kihlsteadt, Graeme Jennings (violins) Narration: Matthias Bassi
- Creator/Author:
- Kerouac, Jack, 1922-1969; Bassi, Matthias; Jennings, Graeme; Kihlsteadt, Carla; Woodman, Charles, and Fiday, Michael
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Performance organized in conjunction with Passages, my one-person show at the Weston Art Gallery in Cincinnati. Suzanna Barnes (violin) Regan Brown (winds & autoharp) Zach Larabee (percussion) David McDonnell (electronics & horns) Loraine Wible (images) Charles Woodman (images)
- Creator/Author:
- Brown, Regan; Woodman, Charles; Wible, Loraine; Barnes, Suzanna; Larabee, Zach, and McDonnell, Dave
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/06/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2014
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Live audio visual improvisation on 05/3/2015 at SF Cinematheque, Center 4 New Music, San Francisco
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/18/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2015
- License:
- All rights reserved
-
- Type:
- Article
- Description/Abstract:
- The purpose of this study was to define and examine the IASB’s governance network. The IASB’s governance network was bound to include 14 organisational members and 407 individual actors. I used social network methodology to examine the professional and geographic perspectives represented as well as the extent to which the governance network was structurally embedded. It was found that the network forms a definable hierarchy that exhibits qualities of structural embeddedness. Banking interests were more embedded within the governance network than any other professional, academic, or social group. Also, a strong Western influence was detected. The societal benefit of this effort was to engage society in general and accounting researchers in particular in hopes of encouraging discourse about regulatory processes with both macro and micro consequences.
- Creator/Author:
- Goedl, Patricia
- Submitter:
- Patricia Goedl
- Date Uploaded:
- 06/01/2017
- Date Modified:
- 06/01/2017
- Date Created:
- 2012
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- Collaboration with Poet/Performer Enrique Aviles. This video has its origins as a part of the “video set” for a performance by Aviles, directed by Davis Chung. In the theatrical piece Aviles played the roles of two immigrants to the US (one Mexican and one Korean) who live on opposite sides of a rooming house in the Adams Morgan neighborhood in DC. Subsequently, Aviles and I decided to create a stand alone video using one of his poems. The original footage of the neighborhood was supplemented with images of graffiti he produced and a shot of him reciting the poem in the backyard of his house in Arlington, VA.
- Creator/Author:
- Aviles, Enrique (poetry); Airirang Korean Music and Dance Ensemble (music), and Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 03/23/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 1996
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization. Installed at El Camino Medical Center in Mountain View, California.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/05/2016
- Date Modified:
- 05/07/2019
- Date Created:
- 2007
- License:
- All rights reserved
-
- Type:
- Media
- Description/Abstract:
- A mostly formal exercise in composition and image processing, using footage of water. Probably the first in a ongoing series of works dealing with landscape, investigating the idea of video as a contemplative viewing experience akin to painting. Filmed in California and Mexico, Developed over the course of two visits to ETC, Final editing at PPG onto 1” open reel tape.
- Creator/Author:
- Woodman, Charles
- Submitter:
- Charles Woodman
- Date Uploaded:
- 04/05/2016
- Date Modified:
- 05/12/2019
- Date Created:
- 1992
- License:
- All rights reserved