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Zombie Nation? The Horde, Social Uprisings, and National Narratives
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Zaira Rivera Casellas, Bajo la sombra del texto
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You Are What You Eat: Food as Expression of Social Identity and Intergroup Relations in the Colonial Andes
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Yo también hablo de la globalización
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Writing Mother: Maternal Abandonment in Nancy Huston's La Virevolte
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Writing Cultural Identity: Strategies for Authorizing Difference
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Writing Cultural Identity: Strategies for Authorizing Difference
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Writing Africans Out of the Racial Hierarchy: Anti-African Sentiment in Post-Revolutionary Mexico
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A Woman’s Journey Inwards in Va’ Dove Ti Porta Il Cuore
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Womanism and Social Change in Trinidad Morgades Besari’s Antígona from Equatorial Guinea
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The Widow’s Peak / The Widow Speaks: Carmen’s Idle Talk in Miguel Delibes’s Cinco horas con Mario
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When Feasting with the Statue Is Dueling with le Ciel: Carnival Inversions in Molière’s Le Festin de pierre (Dom Juan)
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When Bakhtin Meets Descartes: Monologism, Dialogism and the Construction of Knowledge in the Discours de la Méthode
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Werewere Liking and Ritual Theatre: Healing the Wounds of Misogyny?
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Voyeurism, Totalization, and the Hyperreal in Vargas Llosa’s In Praise of the Stepmother
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Voiles et dévoilements, ou “L’entre-deux” dans Les carnets de Shérazade de Leila Sebbar
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
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Vittorio Frigerio, Revolution!
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Virgilian Elements in Laura Esquivel’s Malinche
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