Search Constraints

Start Over
Filtering by: Publisher University of Cincinnati Remove constraint Publisher: University of Cincinnati

Search Results

  • Archaeometric Study of Kentucky Redware and Bricks at the 1820s Historic Ingels Family Bourbon County Farm and Pottery Site

    Article thumbnail: Archaeometric Study of Kentucky Redware and Bricks at the 1820s Historic Ingels Family Bourbon County Farm and Pottery Site
    Type:
    Article
    Description/Abstract:
    This archeometric study analyzed local clay deposits at the Ingels Family Farm, settled in the Early Nineteenth Century in Bourbon County Kentucky. The redware pottery made on site was bartered and sold in the region, and the clay deposits were also used to make the bricks that constructed the 1820 Ingels family residence, still extant as of May 2026. Numerous materials characterization techniques including XRD, XRF, DTA/TGA, Spectroscopy, wet chemical analysis, and SEM were used to determine the characteristics of the local clay deposit and the identifying characteristics of the redware. The study also tested the wares to determine an approximate firing range, which was consistent with the requirements of low-to-mid fired earthenware. This study was done using archaeological materials from a previous archaeological investigation of the farm, but new material was added with the assistance the USDA Soil Survey Office in Kentucky, who drilled core samples for the project in Spring 2012.
    Creator/Author:
    Carr-Trebelhorn, Julia; O'Malley, Nancy, Assistant Director, University of KY Museum of Anthropology, and Eitel, Richard, University of KY Department of Materials Science
    Submitter:
    Julia Carr-Trebelhorn
    Date Uploaded:
    05/30/2026
    Date Modified:
    05/30/2026
    Date Created:
    2013-05-01
    License:
    Attribution-NonCommercial-NoDerivs 4.0 International

  • Methane and carbon monoxide from natural gas streetlights in Boston

    Dataset thumbnail: Methane and carbon monoxide from natural gas streetlights in Boston
    Type:
    Dataset
    Description/Abstract:
    Methane and carbon monoxide concentrations and emissions from natural gas streetlights in Boston.
    Creator/Author:
    Townsend-Small, Amy
    Submitter:
    Amy Townsend-Small
    Date Uploaded:
    04/27/2026
    Date Modified:
    04/27/2026
    Date Created:
    2026-04-27
    License:
    Public Domain Mark 1.0

  • A Golden Artist: Thomas Lanigan-Schmidt’s Life and Art During the Stonewall Era

    Document thumbnail: A Golden Artist: Thomas Lanigan-Schmidt’s Life and Art During the Stonewall Era
    Type:
    Document
    Description/Abstract:
    This paper explores queer artist Thomas Lanigan-Schmidt (b. 1948) and his piece titled Allegory of the Stonewall Riot (Statue of Liberty Fighting for Drag Queen, Husband, and Home) (1969). I take a biographical approach to the paper, dissecting Lanigan-Schmidt’s childhood and young adult life living as a queer street kid in the 1960s. I follow him to New York City, where he continued creating his kitsch style art and started getting recognized for it. Outside of his artistic endeavors, Lanigan-Schmidt would catch himself hanging out at The Stonewall Inn, a gay bar on Christopher Street. In the early hours of June 28, 1969, The Stonewall Inn was unexpectedly raided by the police. At a time when being queer was criminalized, the patrons of Stonewall had had enough and fought back against the police, sparking a riot that turned into a weeks-long protest. Lanigan-Schmidt was in attendance that night and joined the fight for gay liberation. It was this night that inspired his creation, Allegory of the Stonewall Riot (Statue of Liberty Fighting for Drag Queen, Husband, and Home). By analyzing the contextual importance of The Stonewall Inn and the riots that ensued, I show how Allegory of the Stonewall Riot reflects queer life in the 1960s. In the art historical canon, queer art is largely underrepresented. However, in this paper I show how Thomas Lanigan-Schmidt and Allegory of the Stonewall Riot deserve a place in the art historical canon
    Creator/Author:
    Turner, Lauren
    Submitter:
    Lauren Turner
    Date Uploaded:
    04/27/2026
    Date Modified:
    04/28/2026
    Date Created:
    2026-04-27
    License:
    CC0 1.0 Universal

  • The Language of the Self: Rejecting the Surrealist focus on Psychoanalysis in Leonora Carrington’s Self-Portrait (Inn of the Dawn Horse)

    Article thumbnail: The Language of the Self: Rejecting the Surrealist focus on Psychoanalysis in Leonora Carrington’s Self-Portrait (Inn of the Dawn Horse)
    Type:
    Article
    Description/Abstract:
    This project will explore the artist Leonora Carrington’s Self-portrait (Inn of the Dawn Horse, ca. 1937-38) and its relationship to and rejection of the male-centric, sexist ideology of psychoanalysis that governed the Surrealist movement. As outlined in Andre Breton's First Manifesto of Surrealism (1924), Freudian psychoanalysis had a great influence on Breton, the movement's founder (1896-1966). He believed in Freud's tenets and theories regarding dreams and the unconscious as a liberating and radical force that could tear down society’s systems of oppression. Yet there is a willful ignorance in Breton’s philosophy on the deep-rooted misogyny of Freud’s psychology and how the institution of psychoanalysis ignores the realities of female development and existence within inherently sexist societal structures of that period. However, Leonora Carrington rejected psychoanalytic theory as it pertained to her art. She refused to be categorized within sexist ideologies and asserted herself as a creative artist with her own interpretations of her work, positing her own ideologies in the process. She demonstrated her identity through her work and found liberation by developing her own feminist consciousness. Through researching Carrington's work, I want to expand on her ability to challenge the sexist paradigms of Surrealism and to reaffirm how her rejection demonstrates that female nonconformity is not only revolutionary but also necessary for female artistic freedom today. Other scholars have delved into this driving aspect of Carrington’s work but I will be utilizing Helene Cixous’ concept of “ecritutre feminine” in order to demonstrate how Carrington developed a “pictorial language” of her own within her work Self-Portrait (Inn of the Dawn Horse). I will use Cixous’ seminal work, "The Laugh of the Medusa," to expand on this idea and how Carrington developed that language, constituted of her own personal symbols, which is on full display in her self-portrait.
    Creator/Author:
    Morriss, Ella
    Submitter:
    Ella Morriss
    Date Uploaded:
    04/26/2026
    Date Modified:
    04/26/2026
    Date Created:
    2026-04-27
    License:
    CC0 1.0 Universal

  • SAMPLE

    Article thumbnail: SAMPLE
    Type:
    Article
    Description/Abstract:
    SAMPLE
    Creator/Author:
    Rose, Emma
    Submitter:
    Emma Rose
    Date Uploaded:
    04/26/2026
    Date Modified:
    04/26/2026
    Date Created:
    April 26, 2026
    License:
    CC0 1.0 Universal

  • South_GLAS - 50cm/pixel DEM GeoTIFF files

    Dataset thumbnail: South_GLAS - 50cm/pixel DEM GeoTIFF files
    Type:
    Dataset
    Description/Abstract:
    South_GLAS - 50cm/pixel DEM GeoTIFF files
    Creator/Author:
    Britton, Benjamin
    Submitter:
    Benjamin Britton
    Date Uploaded:
    04/04/2026
    Date Modified:
    04/04/2026
    Date Created:
    2026-04-03
    License:
    Open Data Commons Public Domain Dedication and License (PDDL)

  • G1 G-LiHT Yucatan Reprocessing Project - 50 cm/px DEM GeoTIFF files

    Dataset thumbnail: G1 G-LiHT Yucatan Reprocessing Project - 50 cm/px DEM GeoTIFF files
    Type:
    Dataset
    Description/Abstract:
    G1 G-LiHT Yucatan Reprocessing Project - 50cm/pixel DEM GeoTIFF files South_GLAS - Ground-Filtered LiDAR, LAZ format South_NFI - Ground-Filtered LiDAR, LAZ format Norte_GLAS - Ground-Filtered LiDAR, LAZ format Norte_NFI - Ground-Filtered LiDAR, LAZ format North2_GLAS - Ground-Filtered LiDAR, LAZ format North2_NFI - Ground-Filtered LiDAR, LAZ format Out_GLAS - Ground-Filtered LiDAR, LAZ format Out_NFI - Ground-Filtered LiDAR, LAZ format Centro_GLAS - Ground-Filtered LiDAR, LAZ format Centro_NFI - Ground-Filtered LiDAR, LAZ format Chiaps_GLASI - Ground-Filtered LiDAR, LAZ format Chiaps_NFI - Ground-Filtered LiDAR, LAZ format Campeche_NFI - Ground-Filtered LiDAR, LAZ format
    Creator/Author:
    Britton, Benjamin
    Submitter:
    Benjamin Britton
    Date Uploaded:
    04/04/2026
    Date Modified:
    04/04/2026
    Date Created:
    2
    License:
    Open Data Commons Public Domain Dedication and License (PDDL)

  • North2_NFI - 50cm/pixel DEM File, GeoTIFF

    Dataset thumbnail: North2_NFI - 50cm/pixel DEM File, GeoTIFF
    Type:
    Dataset
    Description/Abstract:
    North2_NFI - 50cm/pixel DEM File, GeoTIFF
    Creator/Author:
    Britton, Benjamin
    Submitter:
    Benjamin Britton
    Date Uploaded:
    04/04/2026
    Date Modified:
    04/06/2026
    Date Created:
    2026-04-03
    License:
    Open Data Commons Public Domain Dedication and License (PDDL)

  • North2_NFI - Ground-Filtered LiDAR, LAZ format

    Dataset thumbnail: North2_NFI - Ground-Filtered LiDAR, LAZ format
    Type:
    Dataset
    Description/Abstract:
    G1 North2_NFI
    Creator/Author:
    Britton, Benjamin
    Submitter:
    Benjamin Britton
    Date Uploaded:
    04/03/2026
    Date Modified:
    04/06/2026
    Date Created:
    2026-04-03
    License:
    Open Data Commons Public Domain Dedication and License (PDDL)

  • Out_Yuc_NFI - Ground-Filtered LiDAR, LAZ format

    Dataset thumbnail: Out_Yuc_NFI - Ground-Filtered LiDAR, LAZ format
    Type:
    Dataset
    Description/Abstract:
    Out_Yuc_NFI
    Creator/Author:
    Britton, Benjamin
    Submitter:
    Benjamin Britton
    Date Uploaded:
    04/03/2026
    Date Modified:
    04/06/2026
    Date Created:
    2026-04-03
    License:
    Open Data Commons Public Domain Dedication and License (PDDL)