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- Type:
- Document
- 摘抄:
- Many people and cultures throughout history have taken great interest in the end of the world. Christianity has been used to answer questions about the Apocalypse in the final book of the Bible, the Book of Revelation. Artists from all around the world have used this apocalyptic text as inspiration for their works. In 1498, German artist Albrecht Dürer published a series of fifteen woodcuts depicting scenes from Revelation. One of these was “The Four Horsemen of the Apocalypse”, which can be used to more readily understand the teachings and beliefs of the Christian Church in 15th-century Europe.
- 作者:
- Ginley, Moira
- 提交者:
- Moira Ginley
- 上传日期:
- 04/04/2024
- 更改日期:
- 04/22/2024
- 创建:
- 2024
- 证书:
- All rights reserved
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- Type:
- Document
- 摘抄:
- Witches’ Sabbath in Trier is a broadsheet that depicts a witches’ sabbath, and was a piece of the thriving print culture of sixteenth century Germany. The image of the witch reflects misogynistic beliefs about women, rooted in the Bible and the female life course. Witch persecution meant that people could find and punish the roots of evil causing their misfortune: witches sent by Satan. This othered population was most often impoverished women whose bodies were scrutinized as possible vessels for evil. Broadsheets like this one were a terrifying and fascinating form of entertainment, helping to spread misogynistic beliefs about witchcraft.
- 作者:
- Recker, Tegan
- 提交者:
- Tegan Recker
- 上传日期:
- 04/04/2024
- 更改日期:
- 04/23/2024
- 创建:
- March 26, 2024
- 证书:
- Open Data Commons Public Domain Dedication and License (PDDL)
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- Type:
- Document
- 摘抄:
- Tawaraya Sotatsu’s screen door print of the Japanese deities you cannot dismiss how unique each one of the figures appears. You also cannot help but wonder how these deities ended up looking the way that they did. We look back to 13th-century Japan to see why Raijin and Fujin ended up being depicted as they did. We consider their history, analysis, and the artist's importance within Japanese culture.
- 作者:
- Coto, Catalina
- 提交者:
- Catalina Coto
- 上传日期:
- 04/04/2024
- 更改日期:
- 04/22/2024
- 创建:
- April 4th, 2024
- 证书:
- All rights reserved
-
- Type:
- Document
- 摘抄:
- This document discusses the early life and artistic career of Caravaggio with his painting "Young Sick Bacchus". It also investigates the formal elements of the work and the contemporary theories behind it.
- 作者:
- Haag, Riley
- 提交者:
- Riley Haag
- 上传日期:
- 04/04/2024
- 更改日期:
- 04/18/2024
- 创建:
- 2024/02/28
- 证书:
- All rights reserved
-
- Type:
- Student Work
- 摘抄:
- The only artist to be featured at all eight Impressionist Exhibitions in Paris was Camille Pissarro. The Impressionist movement emerged during a period of rapid social change and growing industrialization with more people moving to cities. In Pissarro’s works, he specifically concentrated on the conditions of different weather and times of day to alter how he painted scenes of a city. My paper focuses on the Boulevard Montmartre series and his use of building tonal relationships and skill of lighting placement across the fourteen paintings in order to establish a harmonious composition where the day’s essence radiates off the canvas.
- 作者:
- Reinhold, Emily
- 提交者:
- Emily Reinhold
- 上传日期:
- 04/25/2023
- 更改日期:
- 04/25/2023
- 创建:
- 2023-04-20
- 证书:
- Public Domain Mark 1.0
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- Type:
- Media
- 摘抄:
- Delphi - a touchscreen video game art installation for galleries and museums. Viewers can explore a contemporary interpretation of the ancient Greek site of Delphi, home of a mythical oracle. The Delphi gallery installation, designed for museums and cultural centers, gives each visitor about ten minutes to explore Delphi and visit the oracle to get a personalized message. The installation is easy to use, and accessible for general audiences of all ages and degrees of experience. Two cubes (or a cube and a chair) are placed on a 7cm high, 2m square plinth stage; the large cube is a ventilated cabinet and tabletop for a touchscreen, the other cube is a seat. As players step up onto the plinth to interact with the touchscreen to explore the virtual world, they enter the installation observed by the other gallery visitors who watch the interaction on large video screens around them, displaying the virtual environment of Delphi onto the gallery walls, with soft, ambient sound of the Greek countryside and occasional interactive events. Delphi requires controlled lighting and electricity, between 50-500 sq meters, large video displays, audio, plinth, and two cubes (or cube and chair) as above. An area of about 500 square meters is optimal, although smaller is possible. A CAVE version of Delphi is currently being researched. Visitors can explore the environment in and around the hills and monuments of Delphi. By artificial intelligence, Delphi responds by AI to each visitors style of play, actions, responses, and behavior, choosing a classic Delphic maxim (150 Delphic maxims drawn from historical and literary sources) for each player in turn. Unzip Delphi_Oracle_install.zip into a Windows folder to create a folder called Delphi_Oracle and its contents. Change directories to browse into the Delphi_Oracle folder, and double-click on Delphi_Oracle.exe to play Delphi. If Microsoft Smartscreen asks to prevent an unrecognized app, click More info, and click Run anyway. With mouse or touchscreen you can move and interact onscreen; Slow or stop, left mouse button or touch the center of the screen Move forward, mouse button or touch center top of screen (higher = faster) Move backward, mouse button or touch center bottom of screen (lower = faster) Turn right, mouse or touch right side of screen Turn left, mouse or touch left side of screen Look up and down, left and right mouse buttons together (or two fingers) A touchscreen makes it feel very immersive, and a mouse also works just fine too. Currently working to run Delphi in the CAVE software for CAVE systems. Delphi is first and foremost a work of contemporary art and an interpretive reconstruction of a cultural treasure for everyone. Looking for a contemporary art gallery where I can premiere it. -benb copyright 2022 Benjamin Britton June 14, 2022 all rights reserved
- 作者:
- Britton, Benjamin
- 提交者:
- Benjamin Britton
- 上传日期:
- 06/16/2022
- 更改日期:
- 06/16/2022
- 创建:
- 2022-06-16
- 证书:
- All rights reserved
-
- Type:
- Document
- 摘抄:
- Art History Thesis
- 作者:
- Kumar, Mika
- 提交者:
- Mika Kumar
- 上传日期:
- 04/20/2022
- 更改日期:
- 04/20/2022
- 创建:
- 2022-04-21
- 证书:
- Open Data Commons Public Domain Dedication and License (PDDL)
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- Type:
- Document
- 摘抄:
- This project analyzes a print from the UC Art Collection called “Dusty Millers” and the amateur artist that created it. Diving into the artist’s biography and relations, this project first aims to understand how the amateur artist went about studying printmaking and how he became an important advocate for the medium in London. Secondly, the project discusses artistic influences from the 19th century that inspired his style and subject matter of his prints that include depictions of rural landscapes and daily labors.
- 作者:
- Roades, Gracie
- 提交者:
- Gracie Roades
- 上传日期:
- 04/08/2022
- 更改日期:
- 04/19/2022
- 创建:
- 2022-04-07
- 证书:
- All rights reserved
-
- Type:
- Student Work
- 摘抄:
- The University of Cincinnati Art Collection houses prints by two early 20th century German Expressionist printmakers, Max Pechstein (1881-1955) and Käthe Kollwitz (1867-1945). Pechstein’s Das Vater Unser (The Lord’s Prayer) series (1921) originally a portfolio of twelve, is represented in the University of Cincinnati Art Collection with nine of the bold woodcut prints. Kollwitz’s small postcard lithographs, Two Chatting Women with Two Children (c. 1930) and The Hospital Visit (c. 1926), are intimate and show the artists soft touch. Though formally very different, these prints share a common subject, the suffering of Germans during the interwar period (1918-1939). Both artists personally experienced both World Wars and their tragedies, and while Pechstein rarely addressed it directly, Kollwitz’s career was full of her antiwar sentiments. The prints grapple with the grief, political turmoil, and financial difficulties associated with the interwar period and each artist turns to their own form of religion to exercise their pain.
- 作者:
- O'Deens, Shannon
- 提交者:
- Shannon O'Deens
- 上传日期:
- 04/07/2022
- 更改日期:
- 04/26/2022
- 创建:
- April 20, 2022
- 证书:
- All rights reserved
-
- Type:
- Student Work
- 摘抄:
- Draft of capstone class final project. Includes file of images and wall labels for DRAFT of the exhibition. Includes prints from the UC art collection from the 16th century, 17th century, 18th century, 19th century, and 20th century. The representation of architecture within art is a main theme for artists of all time periods. Within the UC Art Collection, prints display different stylistic approaches from abstract to realistic when portraying architecture. This exhibit will display five prints that compare and contrast the idea of stylistic approach. By viewing these artworks, there is the question as to why artists chose to portray the two types differently. Does the style dictate the importance or function of the architecture? Through exploration, one could say that there is a correlation between the type of architecture and its stylistic rendering. When viewing the examples of the collection, architecture that is considered monumental, such as cathedrals or government buildings, seem to be portrayed with realistic detailing and perspective, leaving no room for artistic expression in the portrayal. On the other hand, common architecture is portrayed with more abstraction but allows more freedom of expression from the artist to interpret the structure. Is one better than the other or do these two separate approaches give their subjects individualized attention to their charms?
- 作者:
- Roades, Gracie
- 提交者:
- Gracie Roades
- 上传日期:
- 03/31/2022
- 更改日期:
- 04/07/2022
- 创建:
- 2022-03-31
- 证书:
- All rights reserved