Index Catalog // Scholar@UC

Type:: Media
Description/Abstract:: Table of Elements was specifically conceived and designed for use in a health care environment. The ideal situation for this work is in a hospital waiting room, "Table of Elements" attempts to shift the viewer’s experience away from the typical mode of watching a moving image and towards a way of observation more akin to the way in which we view a painting. I’m interested in creating a tension between the static and the dynamic. Initially the work may at times appear unchanging, although never static, and the piece, which at first may seem like it can be absorbed in a single glance, gradually reveals new dimensions of itself over time, or through repeated encounters. The work is exhibited as a diptych, with two synchronized video loops displayed on two adjacent monitors.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/15/2016
Date Modified:: 05/13/2019
Date Created:: 2012
License:: All rights reserved

Type:: Media
Description/Abstract:: Documentation of the installation and of reactions to the work by people in the the hospital waiting room. Interviews by Melissa Godoy.
Creator/Author:: Woodman, Charles and Godoy, Melissa
Submitter:: Charles Woodman
Date Uploaded:: 03/14/2016
Date Modified:: 05/07/2019
Date Created:: 2014
License:: All rights reserved

Type:: Media
Description/Abstract:: Short version with brief excerpts from the longer 150 minute work.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/14/2016
Date Modified:: 05/07/2019
Date Created:: 2012
License:: All rights reserved

Type:: Media
Description/Abstract:: Demo version of my first attempt at a multi-channel video installation. The work was highly influenced by Nam June Paik’s retrospective at the Whitney and by Steina Vasulka’s “The West”. This piece was produced while I was living and working at the Vasulka’s House/Studio in Santa Fe. I had persuaded them to let me house sit while they spent six months in Japan. Access to their equipment, particularly to 4 adjacent monitors and four ¾” video decks, was what made it possible to compose a multi image work. “Virtual Space” was originally an eight channel work, mounted as two 2X2 stacks of monitors facing each other across a narrow space. Standing in the middle, the viewer had to look back and forth between the two sides. One side (L) is an assembly of footage gathered at the Lightning Field (a land art project in southern New Mexico by artist Walter Di Maria.) The other side (V) features four views of the interior of the Vasulka’s live/work interior as a handheld camera slowly and continuously pans across interior surfaces in the space.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/06/2016
Date Modified:: 05/10/2019
Date Created:: 1989
License:: All rights reserved

Type:: Media
Description/Abstract:: A mostly formal exercise in composition and image processing, using footage of water. Probably the first in a ongoing series of works dealing with landscape, investigating the idea of video as a contemplative viewing experience akin to painting. Filmed in California and Mexico, Developed over the course of two visits to ETC, Final editing at PPG onto 1” open reel tape.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/05/2016
Date Modified:: 05/12/2019
Date Created:: 1992
License:: All rights reserved

Type:: Media
Description/Abstract:: Produced while I was living in Washington DC. This is a meditation on highway architecture and the view from moving cars, subjects that have long been dear to me. Shot on Hi8 with footage processed at ETC and in my studio using the Amiga computer.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/05/2016
Date Modified:: 05/17/2019
Date Created:: 1994
License:: All rights reserved

Type:: Media
Description/Abstract:: I was fascinated by the photos on gravestones in the Cemetery at San Minato in Florence, Italy. I began to think about the way in which a single image came to represent the entire lived experience of the person. Cinema as a whole also seems to be about representations of actions. I wondered about trying to film an experience directly lived as opposed to being represented. "I Morti" presents four streams of diary footage, images of daily life and travel. Collected over a 4 or 5 year period, these function as a counterpoint to the images of the dead on the fifth screen.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/05/2016
Date Modified:: 05/13/2019
Date Created:: 2002

Type:: Media
Description/Abstract:: My first multi channel work for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization. Installed at El Camino Medical Center in Mountain View, California.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/05/2016
Date Modified:: 05/07/2019
Date Created:: 2007

Type:: Media
Description/Abstract:: My first multi channel works for synchronized video streams. The piece starts in Cape Cod and moves gradually across the North American continent, ending at the Pacific Ocean. There is no attempt to cover all this of ground in any compete way - the work is an assembly of the places I traveled to and landscapes I admired during the four-year period in which I collected the material. All the scenes were shot with a single camera, then staggered in editing to create the appearance of a continuous shot. During filming I would pan, pause, and then move again, resulting in a series of staggered movements in which the different screens appear to drift in and out of synchronization.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 04/04/2016
Date Modified:: 05/13/2019
Date Created:: 2004

Type:: Media
Description/Abstract:: Produced while I was living in Washington DC. This is a meditation on highway architecture and the view from moving cars, subjects that have long been dear to me. Shot on Hi8 with footage processed at ETC and in my studio using the Amiga computer.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/23/2016
Date Modified:: 05/07/2019
Date Created:: 1994

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