Index Catalog // Scholar@UC

Type:: Media
Description/Abstract:: Early Work - Filmed at Del City, Oklahoma auto auction
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 05/10/2019
Date Modified:: 05/10/2019
Date Created:: 1982
License:: All rights reserved

Type:: Media
Description/Abstract:: This animation is created by Charles Woodman & Kim Anno. Woodman made the images and voice recordings Anno adapted "Canto 1" from Dante’s Purgatorio, making the text secular, and she created the soundscape effects. Keisha Kemper and Michael Burham are the actor’s voices.
Creator/Author:: Anno, Kim and Woodman, Charles
Submitter:: Nicki Davis
Date Uploaded:: 03/12/2019
Date Modified:: 03/12/2019
Date Created:: 2017
License:: All rights reserved

Type:: Media
Description/Abstract:: Shot at the Ceran St. Vrain Trailhead and campground, near Jamestown, Colorado. St. Vrain’s Woods was inspired by Seurat among others. An exploration of the elasticity of time, it is a moving picture made only of still images and the spaces between them. A portrait of a place and a moment.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/14/2016
Date Modified:: 05/07/2019
Date Created:: 2013
License:: All rights reserved

Type:: Media
Description/Abstract:: A few views of water and trees from my month long stay in Phoenecia, NY. This video utilizes an editing technique (a sort of continuous slow horizontal slide) that I conceptualized for more than a year. After several failed attempts I finally figured out how to make it work.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/06/2016
Date Modified:: 05/07/2019
Date Created:: 2015
License:: All rights reserved

Type:: Media
Description/Abstract:: ""Pulse Generator Pastry" is my first collaboration with my mother, the ceramic artist Betty Woodman. Betty created the shapes which contain the patterns in the video, based on the forms she uses in her work. I used those shapes as stencils into which both the positive and negative spaces were filled with textures, created using a piece of electronic test equipment called a pulse generator. The video was show in the storefont window at Salon 94 Gallery, during Betty’s show there in spring 2016. on Somehow the rapper ASAP Ferg ended up shooting part of his video for "Let It Bang" standing in front of the work.
Creator/Author:: Woodman, Charles and Woodman, Betty
Submitter:: Charles Woodman
Date Uploaded:: 08/08/2016
Date Modified:: 07/08/2019
Date Created:: 2016
License:: All rights reserved

Type:: Media
Description/Abstract:: Produced for Yoni Wolf and Why? Animation by Alex Woodman
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 08/08/2016
Date Modified:: 03/12/2019
Date Created:: 2013
License:: All rights reserved

Type:: Media
Description/Abstract:: Companion/sequal to "Lota’ Burger" produced a few days later, and under the same circumstances. This tape uses a similar methodology, this time with a moving camera, shot from a car, and a more complex series of overlapping wipes. Produced at Eve Muir Studios.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/24/2016
Date Modified:: 05/07/2019
Date Created:: 1988

Type:: Media
Description/Abstract:: An early experiment with time based correction and the ability to mix two tapes together, as well as one of the few projects in which I worked with an online editor who operated the controls at my direction. This tape features two versions of the same image (shot in Santa Fe) slightly staggered in time and then wiped over each other. Edited at Eve Muir studio by Trevor Long. I was paying for the studio time to edit a project for LANL and was able to squeeze extra time in to edit two videos, this one and San Mateo Drive.
Creator/Author:: Long, Trevor and Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/24/2016
Date Modified:: 05/07/2019
Date Created:: 1988

Type:: Media
Description/Abstract:: My first attempt at a multi-channel video installation. The work was highly influenced by Nam June Paik’s retrospective at the Whitney and by Steina Vasulka’s “The West”. This piece was produced while I was living and working at the Vasulka’s House/Studio in Santa Fe. I had persuaded them to let me house sit while they spent six months in Japan. Access to their equipment, particularly to 4 adjacent monitors and four ¾” video decks, was what made it possible to compose a multi image work. “Virtual Space” was originally an eight channel work, mounted as two 2X2 stacks of monitors facing each other across a narrow space. Standing in the middle, the viewer had to look back and forth between the two sides. One side (L) is an assembly of footage gathered at the Lightning Field (a land art project in southern New Mexico by artist Walter Di Maria.) The other side (V) features four views of the interior of the Vasulka’s live/work interior as a handheld camera slowly and continuously pans across interior surfaces in the space. Subsequently, each of the 2x2 grids of images composing the two sides (L&V) was transferred to a single tape. These are represented here as LX4 and Vx4.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/24/2016
Date Modified:: 05/18/2019
Date Created:: 1989

Type:: Media
Description/Abstract:: Produced almost entirely at Experimental Television Center (ETC), the video uses a simple animation of a rotating rectangle (produced in Deluxe Paint on the Amiga Computer) as a stencil into which are keyed various versions of a processed live image of the river outside the window at ETC. This was my second attempt at a multi channel piece. The four programs have been shown in grid’s of twelve and sixteen monitors. While relatively simple in structure and shown only three times, this remains a personal favorite.
Creator/Author:: Woodman, Charles
Submitter:: Charles Woodman
Date Uploaded:: 03/24/2016
Date Modified:: 05/18/2019
Date Created:: 1991

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