Index Catalog // Scholar@UC

1. Monarch butterflies (Danaus plexippus) only use magnetic cues for migratory directionality with orientation re-calibrated by coldness - data file

Type:: Dataset
Description/Abstract:: Data of monarchs subjected to righting response orientation trials under different artificial magnetic fields pre- and post-overwintering cold treatment.
Creator/Author:: Shively-Moore, Samuel
Submitter:: Samuel Shively-Moore
Date Uploaded:: 03/25/2025
Date Modified:: 05/21/2025
License:: Attribution-NonCommercial 4.0 International

2. AMERICAN HISTORY - FOR FIRE & EMS

Type:: Document
Description/Abstract:: Modules to educate Officers in Officer I, II, III and Officer IV classes.
Creator/Author:: Bennett, Lawrence
Submitter:: Lawrence Bennett
Date Uploaded:: 08/18/2020
Date Modified:: 05/21/2025
Date Created:: 2020-08
License:: Attribution-NonCommercial 4.0 International

3. Cable Management Device

Type:: Student Work
Description/Abstract:: Senior design capstone report.
Creator/Author:: Staff, CEAS Library
Submitter:: CEAS Library Staff
Date Uploaded:: 05/21/2025
Date Modified:: 05/21/2025
License:: Attribution-NonCommercial-NoDerivs 4.0 International

4. Data to accompany “Monarch butterflies (Danaus plexippus) only use magnetic cues for migratory directionality with orientation re-calibrated by coldness”

Type:: Dataset
Description/Abstract:: Data on orientation angle for fall migratory monarch butterflies exposed to experimental magnetic conditions north of, at, and south of their overwintering sites in Mexico. Additional orientation data for butterflies consistently exposed to either fall-like or colder temperatures.
Creator/Author:: Matter, Stephen F.
Submitter:: Stephen F. Matter
Date Uploaded:: 05/21/2025
Date Modified:: 05/21/2025
Date Created:: 2024
License:: Attribution-NonCommercial-ShareAlike 4.0 International

5. Varieties of International Cyber Strategies (VoICS): Text Analysis of National Cybersecurity Documents

Type:: Dataset
Description/Abstract:: Varieties of International Cyber Strategies (VoICS): Text Analysis of National Cybersecurity Documents is a project that compares and contrasts the three main approaches to conceptualize national cybersecurity strategies (NSS): deterrence, norm-based approach (NBA) and cyber persistence engagement (CPE). Scholars and policymakers have initially conceptualized NSS in terms of deterrence or NBA. More recent academic research has demonstrated that these frameworks are inadequate for cyber space. As a result, Cyber Persistence Engagement (CPE) emerged as a third option. The first version (1.0) of the VoICS database on National Cybersecurity Strategies focuses on nations in Europe and North America and includes a total of 77 NCS of the states in the North Atlantic Area—NATO allies, EU members and Switzerland—released from 2003 until the end of 2023. It consists of 27 variables, including country and strategy identifiers, EU and NATO membership, their respective accession dates, and total length of the documents. VoICS include eighteen variables representing different measures of relative and absolute weights of the three NSS types—deterrence, NBA and CPE. The text analysis is based on official NSS documents provided by the NATO Cooperative Cyber Defence Centre of Excellence library (2024) and ENISA’s interactive map for National Cyber Security Strategies (2023). Both sources rely on voluntary submission from the member states. Unfortunately, some official documents were not available or accessible or were not listed at all. Authors have used various sources and contacts with a variety of cyber attachés in Brussels to determine if any additional strategies were released and to obtain the missing documents. The 18 text analysis variables compare and contrast the extent to which different NCS are associated with a specific strategy. They represent different frequency scores based either on words, phrases, or words and phrases combined. These calculations are associated with either deterrence, NBA, or CPE in each strategy. The authors have generated respective vocabularies for the three strategic ideas through which each of these approaches are operationalized. We have conducted a text analysis using WordStat text analysis software by Provialis ( https://provalisresearch.com/products/content-analysis-software/). A detailed codebook for NSS Dataset 1.0 along with a NSS Dictionary 1.0 have been included in this collection/ repository. The process of generating vocabulary associated with the three cybersecurity approaches involved several steps. First, upon reviewing the literature, the authors generated independently a list of words and phrases associated with each type of cybersecurity strategy. Second, the authors compared their lists to determine the degree of overlap in vocabulary. Those words and phrases that included in at least two different lists were reviewed and, if there was consensus, were incorporated in the dictionary. Finally, words and phrases which were identified in only one of lists were once again reviewed and, in case there was a consensus among the authors, these were also included in the dictionary. Third, the three vocabularies were updated on several instances when it was unanimously agreed that these words or phrases should be included in the analysis.
Creator/Author:: Millard, Matthew; Kovac, Igor, and Ivanov, Ivan Dinev
Submitter:: Ivan Ivanov
Date Uploaded:: 05/12/2025
Date Modified:: 05/12/2025
Date Created:: 2025-04-18
License:: All rights reserved

6. Test for Versioning

Type:: Document
Description/Abstract:: Teset
Creator/Author:: Scherz, Thomas
Submitter:: Thomas Scherz
Date Uploaded:: 05/09/2025
Date Modified:: 05/09/2025
License:: All rights reserved

7. FIRE & EMS LAW – RECENT CURRENT EVENTS

Type:: Document
Description/Abstract:: CHAPTERS 1- 18: Supplement to Prof. Larry Bennett’s textbook, FIRE SERVICE LAW (SECOND EDITION), Jan. 2017: http://www.waveland.com/browse.php?t=708 SEE ALSO RECENT PUBLISHED COURT DECISIONS [NOV. 2018-PRESENT] FOR 18 CHAPTERS: From Prof. Bennett’s Fire & EMS Law monthly newsletters [send him e-mail if wish to receive] https://scholar.uc.edu/concern/documents/n870zs553?locale=en
Creator/Author:: Bennett, Lawrence
Submitter:: Lawrence Bennett
Date Uploaded:: 07/27/2021
Date Modified:: 05/07/2025
Date Created:: 2021-07
License:: Attribution 4.0 International

8. Fire & EMS Law - Recent Case Summaries / Legal Lessons Learned

Type:: Document
Description/Abstract:: Monthly newsletter for Fire and EMS.
Creator/Author:: Bennett, Lawrence
Submitter:: Lawrence Bennett
Date Uploaded:: 11/02/2020
Date Modified:: 05/05/2025
Date Created:: 2020-11
License:: Attribution 4.0 International

9. The Art of Unveiling: DeCamp’s Nude as a Sculptural Study

Type:: Document
Description/Abstract:: While DeCamps "Woman Drying Her Hair (1898)" may appear at first glance to be a conventional nude, its composition, technique, and context suggest that DeCamp intended it as a deep investigation into form and style- a study rather than a narrative work. Through his study in Europe like Munich, Germany and mentorship provided by Frank Duveneck, DeCamp refined his ability to portray the figure in a way that was both perpetually rigorous and resonant to anatomical paintings in America.
Creator/Author:: Cruz, Maleya
Submitter:: Maleya Cruz
Date Uploaded:: 04/22/2025
Date Modified:: 04/29/2025
License:: All rights reserved

10. Globalization of The Adoration: Pilgrimage, Trade, and Shifting Perspectives within The Master of the Legend of Saint Lucy’s 'Adoration of the Magi' (c. 1480-85)

Type:: Document
Description/Abstract:: By considering various depictions of the Adoration of the Magi between 1400 to 1485, I establish that the portrayal of the Magus within The Master of the Legend of Saint Lucy’s painting directly reflects the economic realities in Bruges throughout the same period. In turn, my close examination of marketplace standards alongside themes of pilgrimage, shifting racial ideals, and a growing interest in secular subjects, offers new insight into 15th century adaptations of the Adoration.
Creator/Author:: Wells, Maiana
Submitter:: Maiana Wells
Date Uploaded:: 04/29/2025
Date Modified:: 04/29/2025
Date Created:: 2025-04-30
License:: All rights reserved

11. Keeping Up Appearances: A Lacanian Perspective on American Mythmaking in Augustus Saint-Gaudens’ 'The Puritan' (1886)

Type:: Collection
Description/Abstract:: For Jacques Lacan, “psychoanalysis is the discipline which has reestablished the bridge linking modern man to the ancient myths.” This bridge towards myth that inevitably runs through the unconscious lays bare the scaffolding of culture. Famously, for Lacan, the unconscious is structured like a language, operating in one part through chains of signifiers which comprise a register of experience called the Symbolic. This Symbolic order, in relation to its two counterparts the Imaginary and the Real, is anchored by a fundamental signifier, the Symbolic Father, also called the Name-of-the-Father. Not necessarily a literal father, the Name-of-the-Father represents the lawgiving and morally punitive function that confers identity and legitimacy to the subject, in a clinical sense; culturally, it represents the guarantor of the laws, rules, and authority that comprise society. It imposes meaning. If repressed, meaning collapses, and the subject falls back into the Imaginary order, the order of fantasy. Augustus Saint-Gaudens’ towering bronze, 'The Puritan,' first unveiled in Springfield, Massachusetts on Thanksgiving Day in 1887, appears at first to exemplify the Name-of-the-Father as a dramatic consolidation of shared history and moral authority in an age of surfeited civic virtue. This is, however, only smoke and mirrors, a taste of the Lacanian Imaginary. In its embodiment of imagined Puritan virtue, it hides a dissonance between Puritanism, the artist, and an evolving nation struggling to define itself in its Gilded Age. Any meaningful study on The Puritan, particularly one dependent upon historical and social context, is indebted art historian Erika Doss. Her painstaking work in “Augustus Saint-Gaudens’s The Puritan: Founders’ Statues, Indian Wars, Contested Public Spaces, and Anger’s Memory in Springfield, Massachusetts” (2012) is a key interlocutor that provides rather crucial social and cultural contexts surrounding the statue. Where Doss presents a comprehensive socio-political account, this paper approaches The Puritan from a distinctly psychoanalytic perspective, expanding her insights through Lacanian theory. In doing so, I argue that, in the wake of cultural uncertainty following the American Civil War, Saint-Gaudens’ The Puritan (1886) functions as a compensatory and contradictory fantasy of moral authority; as a foreboding yet caricatural paternal archetype, it fails as a Lacanian signifier of the Symbolic Father, exposing the fragility and ultimately the neurosis of Gilded Age myth-making. Upon interrogation of The Puritan in the ideological significance of its patronage, its formal contradictions, and finally, its psychic disfigurement through parody, my paper uncovers how civic art does not simply reflect ideology, it actively constructs and performs it as a symptom of a myth-making society.
Creator/Author:: Reisser, Kristopher
Submitter:: Kristopher Reisser
License:: Public Domain Mark 1.0

12. Keeping Up Appearances: A Lacanian Perspective on American Mythmaking in Augustus Saint-Gaudens’ 'The Puritan' (1886)

Type:: Document
Description/Abstract:: Beneath the severe bronze of Saint-Gaudens' 'The Puritan' (1886) lies a fracture in an American myth. This paper reads the statue through the Lacanian concept of the Name-of-the-Father, revealing a national fantasy subtly unraveling at its seams. What at first conveys ancestral virtue is exposed as a compensatory myth-- an Imaginary projection built atop repression. Through patronage, iconography, and psychoanalysis, this study brings to light the scaffolding of Gilded Age mythmaking.
Creator/Author:: Reisser, Kristopher
Submitter:: Kristopher Reisser
Date Uploaded:: 04/29/2025
Date Modified:: 04/29/2025
License:: All rights reserved

13. 'Keeping Up Appearances' DAAPworks Poster

Type:: Image
Description/Abstract:: Poster for Senior Seminar paper.
Creator/Author:: Reisser, Kristopher
Submitter:: Kristopher Reisser
Date Uploaded:: 04/29/2025
Date Modified:: 04/29/2025
License:: Attribution-NonCommercial-ShareAlike 4.0 International

14. Saints and Sons: Painting Power, Piety, and the Performance of Nobility in Zurbarán’s Saint Peter Nolasco Recovering the Image of the Virgin of El Puig.

Type:: Article
Description/Abstract:: The young boy in Francisco de Zurbarán’s (1598-1664) Saint Peter Nolasco Recovering the Image of the Virgin of El Puig (1630) has been suggested to be either Zurbarán’s son, Juan de Zurbarán (1620–1649), or the son of James I of Aragon, Alfonso of Castile (1229–1260). Despite visual dominance, most scholars do not address the boy, and those who do offer conflicting identifications. This paper bridges the gap between these varying opinions, and concretely identifies the most formally important figure in this commission that defined Zurbarán’s career. The argument is built on the writings of Zurbarán scholar Martin S. Soria, as well as a comparison to Zurbarán’s body of work at large, primarily his tendency to create from life, and his suspected self-portrait, The Crucified Christ with a Painter (1650). I conclude that the child in the piece is likely a culmination of Juan and Alfonso and explore the implication of Zurbarán depicting his child in the noble and pious role of James the Conqueror’s son, paying witness to the rediscovery of the Virgin of El Puig. The combined figure of Juan and Alfonso gains significance through an exploration of historical context surrounding the legend of the Virgin of El Puig and its key figures. By drawing parallels between 17th-century Spanish colonialism contemporary to Zurbarán’s time and 13th-century Reconquista depicted in the painting, Zurbarán uses this composite figure to assert a vision of his lineage as triumphant and divinely favoured. Ultimately, this paper continues and expands upon Soria’s writings on the subject, and places Zurbarán within a Baroque tradition of artists, such as Velázquez, who used painting to assert their profession as divinely-inspired, nobel, and distinct from craftsmen.
Creator/Author:: Krimmer, Ruby
Submitter:: Ruby Krimmer
Date Uploaded:: 04/28/2025
Date Modified:: 04/28/2025
Date Created:: April 25, 2025
License:: All rights reserved

15. Globalization of The Adoration: Pilgrimage, Trade, and Shifting Perspectives within The Master of the Legend of Saint Lucy’s 'Adoration of the Magi' (c. 1480-85)

Type:: Collection
Description/Abstract:: Throughout the 15th century, depictions of the Adoration of the Magi began to take new forms. Merchants, pilgrims, and wealthy individuals were all part of a major shift in globalization, and this is reflected through the Adoration of the Magi (c. 1480-85) by the Master of the Legend of Saint Lucy. - Rather than adhering to a strictly European vision, the artist now includes elements which reflect the culmination of trade within 15th century Northern Europe. Although there is knowledge and understanding of the developments within depictions of the Adoration, Saint Lucy’s paintings asserts itself as a direct reflection of shifting ideals and a focus on a secularized vision. Scholars such as Dr. Jean C. Wilson and Dr. Yona Pinson have guided my research thus far, especially in terms of market practices in Bruges. While these scholars provide insightful information concerning free marks, globalization, and changing depictions of the Adoration, there is a lack of connectedness, which is necessary to establish the shift. - Specifically, I am addressing various panel paintings of the Adoration from ca. 1390-1485 to consider the impact of globalization of shifting trends and how this affects the region at large. My research focuses on how depictions of the Adoration vary based on time, place, and potential influences (such as geography, patrons, and use of painting). Adoration of the Magi survives as one of the first major scenes which has such an emphasis on expanding global markets and trade. In conclusion, this project, by closely examining marketplace standards, pilgrimage, shifting ideals of race, and a growing secular attitude to favor patrons, works to shed new light on 15th century adaptations of the Adoration of the Magi.
Creator/Author:: Wells, Maiana
Submitter:: Maiana Wells
License:: All rights reserved

16. Globalization of The Adoration: DAAPworks Poster 2025

Type:: Image
Description/Abstract:: Maiana Wells, Department of Art History, University of Cincinnati (DAAPworks).
Creator/Author:: Wells, Maiana Lynn
Submitter:: Maiana Wells
Date Uploaded:: 04/28/2025
Date Modified:: 04/28/2025
Date Created:: 2025-04-27
License:: All rights reserved

17. Changing Support among European Union (EU) Members for the War in Ukraine

Type:: Dataset
Description/Abstract:: This is a dataset generated as a part of a research project studying the changing support among European Union (EU) members for the war in Ukraine. The dataset contains a number of conditions (variables) used to conduct fuzzy-set qualitative comparative analysis (fsQCA) to test five critical conditions that have shaped the change in public opinion that include economic growth, democratic rule, distance from the front lines, level of energy dependence from Russia and trust in social media. These conditions (or variables) include: Num: Case number in the row MEMBR: EU member state two or three-letter abbreviation WEALTH: GDP per capita in Euro (measured in purchasing power parties) as reported by Eurostat GROWTH: GDP growth in volume based on seasonally adjusted data by Eurostat DEMOCR: the overall score for each EU member’s democracy index for 2022. Data have been drawn from the Economist Intelligence Unit (EIU) 2022 report DISTAN: an average distance (in thousand kilometers) from the geographic center point of the national capital of each EU member-state to the south-western and north-eastern tips of the frontline of the war in Ukraine. I have accepted that the western tip of the frontline is Kinburnsʹka Kosa National Park (Geographic Coordinates: 46°34’37”N 31°30’44”E) and the eastern tip of the frontline is at the village of Topoli in Kharkiv Oblast (Geographic Coordinates: 49°57’52″N, 37°54′31″E). TRADE: volume of trade with Russia per capita in thousand of US Dollars. ENERGY: EU energy dependence on Russia as estmated by the European Commission (from 0 to 100 percent) for 2020. Source: Eurostat. GOVTR: Net trust in national government (difference between the sum of fully trust and partially trust responses and fully distrust and partially distrust responses). MEDIATR: Net trust in social media (difference between the sum of fully trust and partially trust responses and fully distrust and partially distrust responses). ECONSAN: Difference in support for economic sanctions on Russia, Spring 2022-Spring 2024 (difference between the sum of tend to agree and totally agree with economic sanctions and partially disagree and totally disagree with sanctions responses). EQUIPS: Difference in support for financial support for providing military equipment for Ukraine, Spring 2022-Spring 2024 (difference between the sum of tend to agree and totally agree with financial support for equipment and partially disagree and totally disagree with support for equipment). HUMSAN: Difference in support for humanitarian support for Ukrainians fleeing the war, Spring 2022-Spring 2024 (difference between the sum of tend to agree and totally agree with humanitarian support for Ukrainians and partially disagree and totally disagree with humanitarian support for Ukrainians). REFUG: Difference in support for welcoming Ukrainian refugees, Spring 2022-Spring 2024 (difference between the sum of tend to agree and totally agree with welcoming Ukrainian and partially disagree and totally disagree with welcoming Ukrainian refugees). AVCHNG: Difference in average change of the support for Ukraine and economic sanctions on Russia, Spring 2022-Spring 2024. WEALTH1: Calibrated score for national wealth (see paper for details) GROWT1: Calibrated score for economic growth (see paper for details) DEMOCR1: Calibrated score for democracy (see paper for details) DISTAN1: Calibrated score for distance (see paper for details) TRADE1: Calibrated score for trade (see paper for details) RENERG1: Calibrated score for energy dependence (see paper for details) GOVTR1: Calibrated score for trust in governance (see paper for details) RMEDIATR1: Calibrated score for trust in social media (see paper for details) ECONSAN1: Calibrated score for support for economic sanctions on Russia (see paper for details, calibration the same as AVCHNG3) MDIASAN1: Calibrated score for media sanctions on Russia (see paper for details, calibration the same as AVCHNG3) AVCHNG3: Calibrated score for average change/ decline for public opinion (see paper for details)
Creator/Author:: Ivanov, Ivan
Submitter:: Ivan Ivanov
Date Uploaded:: 04/27/2025
Date Modified:: 04/27/2025
Date Created:: 5-01-2024
License:: All rights reserved

18. Test Collection for All to See

Type:: Collection
Description/Abstract:: Test Description
Creator/Author:: Rucker, Aaron
Submitter:: Aaron Rucker
License:: Public Domain Mark 1.0

19. Listing of theses on interior design submitted by members of the Senior class of the College of Design, Architecture, Art and Planning, University of Cincinnati

Type:: Document
Description/Abstract:: This is an excel file of the interior design senior theses with student's name, title of project, description of project and date. Physical access to the works can be requested here https://uclid.uc.edu/record=b1239197~S39.
Creator/Author:: Meyer, Elizabeth A.
Submitter:: Elizabeth A. Meyer
Date Uploaded:: 08/29/2024
Date Modified:: 04/18/2025
Date Created:: complied 2024
License:: Public Domain Mark 1.0

20. How can landscape design help reduce habitat loss for local bird species?

Type:: Document
Description/Abstract:: Ohio currently has 2 extinct, 5 extirpated, 5 threatened, and 10 endangered bird species. 36% of the birds on the lists call the prairie landscape home. In the 1700s Ohio had over 1,000,000 acres of prairies, today it is less than 10% of it. This project inspires and teaches people to bring prairies back into the modern landscape and bring nature back into these areas where they have been pushed out.
Creator/Author:: Holmes, Riley
Submitter:: Riley Holmes
Date Uploaded:: 04/09/2025
Date Modified:: 04/17/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

21. How can the relationship between socioeconomic status and soil health as it relates to quality of life, be understood and remediated to improve the quality of life in various neighborhoods within the Greater Cincinnati region?

Type:: Document
Description/Abstract:: This research investigates if there is a meaningful correlation between those living in low-income areas and the state of the soil’s health. Specifically, the neighborhoods of Lower Price Hill, Winton Hills, and Walnut Hills in Cincinnati, Ohio, are examined regarding socioeconomic class related to the quality of life for those living in these neighborhoods to determine if any quantifiable disparities in the aforementioned neighborhoods are perpetuated by or a direct result of poor soil health.
Creator/Author:: Evans, Emily
Submitter:: Emily Evans
Date Uploaded:: 04/09/2025
Date Modified:: 04/17/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

22. How can a mobile living wall improve well-being and emotional health in palliative care settings?

Type:: Document
Description/Abstract:: This capstone explores how a calming mobile living wall can improve the well-being and emotional health of individuals with ALS in palliative care, as well as those who care for them. This project examines a mobile green wall as an adaptable solution that introduces the benefits of green design into various spaces within a care facility. The goals of this project are (1) to better understand how mobile green walls enhance users’ senses, thus reducing anxiety and influencing mood and stress and (2) to gain insight into a mobile green wall’s overall impact in palliative care environments.
Creator/Author:: Appel, Katie
Submitter:: Katie Appel
Date Uploaded:: 04/09/2025
Date Modified:: 04/16/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

23. How can a memorial garden or greenspace be effectively designed to assist adults grieving the loss of a loved one?

Type:: Document
Description/Abstract:: This research demonstrates the positive effects of gardens on the well being of those grieving the loss of a loved one in the United States. This project creates a guideline for constructing an effective memorial garden using components such as motion, stillness, privacy, community, plant choice, and other design elements. The author also includes a recommended plant list for the Midwest United States and reading recommendations for garden design.
Creator/Author:: Rettig, Ethan
Submitter:: Ethan Rettig
Date Uploaded:: 04/09/2025
Date Modified:: 04/16/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

24. How can green design be implemented into interior spaces in urban settings through typical home decor objects to improve the mental wellbeing of the inhabitants?

Type:: Document
Description/Abstract:: The way plants have been utilized in interior spaces has shifted from stand-alone houseplants to incorporating them within functional aspects of the home. This can be seen in interior green walls and indoor gardening. This project expands how green design can be incorporated within home decor items that maintain functionality and promote interaction with natural elements to promote mental well-being. Proximity to the proposed plants has been proven to promote psychological well-being.
Creator/Author:: Vandekieft, Lucinda
Submitter:: Lucinda Vandekieft
Date Uploaded:: 04/09/2025
Date Modified:: 04/16/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

25. How can incorporating living art and food plants improve Cincinnati residents’ nutritional and emotional health?

Type:: Document
Description/Abstract:: Access to fresh food and green spaces is vital for well-being, yet downtown Cincinnati remains a food desert. This capstone explores how integrating living art and edible plants into urban spaces improves people’s mental health and well-being. Through the design of a community garden and a living art installation, this project blends horticulture, public health, and art to promote food access, reduce stress, and foster community a vibrant, restorative environment.
Creator/Author:: Tanner, Avery
Submitter:: Avery Tanner
Date Uploaded:: 04/09/2025
Date Modified:: 04/16/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

26. How Can A Horticultural Therapy Program Within VA’s Treat US Veterans in Cincinnati With Symptoms of PTSD?

Type:: Document
Description/Abstract:: Horticulture therapy is using nature to aid in healing the mind, body, and spirit. We can use this to help ourselves, and those who served our country. Veterans who have symptoms of PTSD face a multitude of challenges everyday. Horticulture therapy provides complementary treatment that aids their healing from trauma, and helps them manage symptoms of PTSD. This research is about PTSD, and the effects horticulture therapy has on veterans today.
Creator/Author:: Caddo, Savannah
Submitter:: Savannah Caddo
Date Uploaded:: 04/09/2025
Date Modified:: 04/16/2025
Date Created:: 2025-04-09
License:: CC0 1.0 Universal

27. How can hemp remediate soils with heavy metals in areas like the Old West End of Toledo, Ohio?

Type:: Document
Description/Abstract:: Toledo, Ohio has been struggling with soil contaminants due to factories and improper building demolishment, such as burying the remains of the building. This research creates a protocol for using hemp (Cannabis sativa L.) in the form of phytoremediation, as well as sheds light on the history of hemp and its other uses, including fiber, food, and oil. This capstone explores a protocol that helps remove heavy metals from the soils in areas such as Toledo.
Creator/Author:: Lorenc, Samantha
Submitter:: Sam Lorenc
Date Uploaded:: 04/09/2025
Date Modified:: 04/16/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

28. How can the use of Integrated Pest Management Strategies, be used to educate landscape industry employees and environmental policy-makers on the benefits IPM has on ecological health in urban Cincinnati?

Type:: Document
Description/Abstract:: Integrated Pest Management is a continually improving initiative that is beneficial to both conservation of beneficial insects and ecological health in urban Cincinnati. However, landscape industry employees and environmental policy-makers require education on the four main strategies of IPM in order to carry out this initiative. This project explains the emerging educational strategies that landscape industry employees and environmental policy-makers need in order to fulfill this initiative.
Creator/Author:: Leibold, Quinn
Submitter:: Quinn Leibold
Date Uploaded:: 04/09/2025
Date Modified:: 04/16/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

29. Cross Cultural Differences in Parental Feeding Practices - Prelim Survey Measures

Type:: Collection
Description/Abstract:: Survey measures and consent documents for Mothers and Fathers in English and Spanish. All measures were translated into Spanish by a native speaker and back translated from Spanish into English in order to ensure language equivalence. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
License:: Attribution-NonCommercial-ShareAlike 4.0 International

30. Father_s_Survey_Packet_-_Spanish.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

31. Mother_s_Survey_Packet_-_English.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

32. Father_s_Survey_Packet_-_English.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

33. Father_s_Survey_Packet_-_Mexican_American_in_English.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

34. Mother_s_Survey_Packet_-_Mexican_American_in_English.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

35. Mother_s_Survey_Packet_-_Spanish.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

36. Online_Intro_and_Consent_-_Spanish.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

37. Online_Intro_and_Consent_-_English.doc

Type:: Document
Description/Abstract:: Survey measures and online consent statement for Mothers and Fathers in English and Spanish. Available documents: Father's Survey Packet - English.doc Father's Survey Packet - Mexican American in English.doc Father's Survey Packet - Spanish.doc Mother's Survey Packet - English.doc Mother's Survey Packet - Mexican American in English.doc Mother's Survey Packet - Spanish.doc Online Intro and Consent - English.doc Online Intro and Consent - Spanish.doc Survey Measures include: Acculturation/incorporation – Abbreviated Multidimensional Acculturation Scale (Zea, Asner-Self, Birman, & Buki, 2003). The AMAS-ZABB is a 42 item, self-report scale with Likert-type response options designed to assess three factors associated with acculturation in the United States and in the country of origin: identity, language competence, and cultural competence. Parenting style – The PPQ scale yields three continuous scores reflecting Baumrind’s (1971) three parenting styles of authoritative, authoritarian, and permissive. Parental feeding practices – 49-item questionnaire that measures 12 aspects of parental feeding behavior, including monitoring child food intake, using food to regulate the child’s emotions, using food as a reward, child control over feeding, teaching about nutrition, encouraging good habits, restricting child’s food intake for weight reasons, restricting child’s intake for health reasons, and modeling healthy eating habits. Child eating behaviors – A 35-item parent-report questionnaire that measures eight dimensions of eating style in children. These constructs include responsiveness to food, enjoyment of food, satiety responsiveness, slowness in eating, fussiness, emotional overeating, emotional undereating, and desire for drinks. Anti-fat attitudes – Crandall’s Anti-fat Attitudes Questionnaire (AFA; Crandall, 1994) will assess parents’ attitudes toward obesity. This measure consists of 13 Likert-type response items and includes three subscales: the evaluation and dislike of individuals who are fat, the controllability of weight/fat, and personal concerns and distress about weight or the prospect of becoming overweight. Parent’s concern about child overweight - Concern for child’s overweight and child’s underweight were measured by ten questions from two subscales derived from the Child Feeding Questionnaire. Perception of child’s body. Parents’ satisfaction with their child’s current body shape was assessed utilizing body silhouettes of children (Collins, 1991; Appendix F). Parents were asked to indicate which of the seven figures they feel most closely resembles their child and then rate the figure they would most like their child to resemble and the figure they would not like their child to resemble.
Creator/Author:: Oehlhof, Marissa
Submitter:: Marissa Oehlhof, PhD
Date Uploaded:: 04/12/2025
Date Modified:: 04/12/2025
Date Created:: 2008-09
License:: Attribution-NonCommercial-ShareAlike 4.0 International

38. How Can Incorporating a Working Arboretum Into an Existing Farm and Community Garden Benefit The People of Anderson Township.

Type:: Document
Description/Abstract:: This project consists of taking an existing property in Anderson Township, Ohio that serves as an urban farm and community education center and incorporating a working arboretum into it. The project consists of a ten-year timeline of how the arboretum can be incorporated into the existing property with necessary upgrades. The property has existing trees and shrubs planted on it. This research illustrates the benefits of an arboretum.
Creator/Author:: Gressle, Benjamin
Submitter:: Benjamin Gressle
Date Uploaded:: 04/09/2025
Date Modified:: 04/09/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

39. How can we be happy in life?

Type:: Document
Description/Abstract:: This is a test summary. And the answer is- by just letting ourselves be happy
Creator/Author:: Famulari, Stevie
Submitter:: Stevie Famulari
Date Uploaded:: 04/09/2025
Date Modified:: 04/09/2025
Date Created:: 2025-04-09
License:: Attribution 4.0 International

40. ecology-and-evolution-2025-data

Type:: Dataset
Description/Abstract:: Raw data for: Siers, S.R., Mungaray, J.-C., Kastner, M. & Jayne, B.C. (2025) Hard to swallow: scaling relationships between the size of avian prey and the overall size and maximal gape of brown treesnakes. Ecology and Evolution (in revision). (BCJ corresponding author)
Creator/Author:: Jayne, Bruce
Submitter:: Bruce Jayne
Date Uploaded:: 04/02/2025
Date Modified:: 04/02/2025
Date Created:: 2025-04-02
License:: Open Data Commons Attribution License (ODC-By)

41. Biographical Dictionary of Cincinnati Architects

Type:: Document
Description/Abstract:: The Biographical Dictionary of Cincinnati Architects was complied by architectural historian Walter E. Langsam
Creator/Author:: Meyer, Elizabeth A. and Langsam, Walter E.
Submitter:: Elizabeth A. Meyer
Date Uploaded:: 10/16/2024
Date Modified:: 03/25/2025
License:: Public Domain Mark 1.0

42. Introducing LibParlor Online Learning: An Open-Source Curriculum for LIS Researchers

Type:: Document
Description/Abstract:: Have you wanted to pursue your own research in Library and Information Science (LIS) but are unsure of how to start? You aren’t alone - the lack of affordable, accessible, and effective training opportunities means many library workers do not have the resources, time, or support to learn how to do research effectively, which leads to a field that lacks diverse, inclusive, and robust scholarship. Utilizing funds granted by the Institute of Museum and Library Sciences, the presenters of this session have created a free, sustainable curriculum that provides library workers with the foundational knowledge and specialized skills necessary to conduct and publish rigorous original research in an effort toward improving LIS literature and promoting lifelong learning. This curriculum centers reflection and encourages learners to use their own lived experiences to inform their research journey, while also offering vital information that serves to democratize the often-privileged information around research and publishing for the public good. This presentation will serve as the official launch of LibParlor Online Learning: An Open Source Curriculum for LIS Researchers, and will share preliminary pilot participant data to demonstrate how the curriculum has resonated with learners. Attendees interested in LIS research will learn how this curriculum could be of use to their own professional development as well as others in the field. Attendees will also be able to evaluate the curriculum and receive support from the presenters on how to embed this program into their own library organizations to support a robust culture of research.
Creator/Author:: Fargo, Hailley; Powell, Charissa; Heinbach, Chelsea, and Bhat, Nimisha
Submitter:: Nimisha Bhat
Date Uploaded:: 03/19/2025
Date Modified:: 03/19/2025
License:: Attribution 4.0 International

43. LibParlor Online Learning: Diversifying & Improving LIS Literature Through An Open-Source Professional Development Program

Type:: Document
Description/Abstract:: This presentation provides an overview of LibParlor Online Learning, a free, open-source online curriculum of learning modules, and share how this professional development program will build the capacity for academic Library and Information Science (LIS) professionals to conduct and publish rigorous original research. The lack of affordable, accessible, and effective training opportunities means many librarians do not have the resources, time, or support to learn how to do research, and this leads to a field that lacks diverse, inclusive, and robust scholarship. The presenters have created grant funded open-source online curriculum that will provide LIS professionals with the foundational knowledge and specialized skills necessary to conduct and publish rigorous original research. This work will democratize the often privileged information around research and publishing in an effort toward diversifying and improving LIS literature.
Creator/Author:: Bhat, Nimisha; Fargo, Hailley; Heinbach, Chelsea, and Powell, Charissa
Submitter:: Nimisha Bhat
Date Uploaded:: 03/19/2025
Date Modified:: 03/19/2025
Date Created:: 2023
License:: Attribution 4.0 International

44. Building a community of librarian researchers: What we learned from creating LibParlor

Type:: Image
Description/Abstract:: The Librarian Parlor (aka LibParlor or #LibParlor) is an online space ( https://libparlor.com) for conversing, sharing expertise, and asking questions about the process of pursuing, developing, and publishing library research. LibParlor provides a community for new-to-research library workers as they consider a research agenda and provide support as they may face a number of challenges. LibParlor aims to address these challenges in part by collecting and showcasing honest reflections, conversations, and how-tos from library professionals engaged in library research. In providing this space, LibParlor aims to spark conversation and cultivate a community of researchers. This poster presents the mission and vision of LibParlor, how we got started, some of the work we’ve done, and plans for the future. We share what we have learned through the formation of an online community, including the importance of having established workflows, detailed editorial policies, and clear communication between members of the team as well as writers. This poster shares our lessons learned and takeaways for others wanting to start a new group. For example, early on we spent a considerable amount of time developing internal and external workflow documents. However, now our processes are documented and clear for contributors. We would also provide recommendations for getting buy-in from major stakeholders before starting a project like this.
Creator/Author:: Powell, Charissa; Fargo, Hailley; Bhat, Nimisha, and Heinbach, Chelsea
Submitter:: Nimisha Bhat
Date Uploaded:: 03/19/2025
Date Modified:: 03/19/2025
Date Created:: 2018
License:: Attribution 4.0 International

45. SNU-407 Combination MTT Excel Files for SynergyFinder+ (Figure 5)

Type:: Dataset
Description/Abstract:: SNU-407 cells were treated with a combination of varying concentrations of MRTX1133 with varying concentrations of either afatinib, sapitinib, or pelitinib for 72 hours. Absorbances were normalized to DMSO control for % viability. The attached files were compiled in data format from n=2 data sets (6 data points total for each combination) and uploaded to SynergyFinder+ with % viability chosen as response.
Creator/Author:: Kilroy, Mary
Submitter:: Mary Kilroy
Date Uploaded:: 03/07/2025
Date Modified:: 03/07/2025
Date Created:: 2024
License:: Attribution 4.0 International

46. LS513 Combination MTT Excel Files for SynergyFinder+ (Figure 5)

Type:: Dataset
Description/Abstract:: LS513 cells were treated with a combination of varying concentrations of MRTX1133 with varying concentrations of either afatinib, sapitinib, or pelitinib for 72 hours. Absorbances were normalized to DMSO control for % viability. The attached files were compiled in data format from n=2 data sets (6 data points total for each combination) and uploaded to SynergyFinder+ with % viability chosen as response.
Creator/Author:: Kilroy, Mary
Submitter:: Mary Kilroy
Date Uploaded:: 03/07/2025
Date Modified:: 03/07/2025
Date Created:: 2024
License:: Attribution 4.0 International

47. Co-Targeting KRASG12D and the HER family is efficacious in colorectal cancer

Type:: Collection
Description/Abstract:: Colorectal cancer (CRC) is the second leading cause of cancer deaths worldwide, with roughly 41% of CRC cases harboring a KRAS mutation. There have been significant advances with the advent of KRAS-targeted therapies; however, acquired resistance to KRAS-targeted treatments has occurred in other cancers, with mechanisms including increased HER family expression among other receptor tyrosine kinases. HER3, a member of the HER family that is kinase impaired, has been shown to be a resistance mechanism upon inhibition of the HER family and downstream targets including RAS/MEK/ERK and PI3K/AKT. Our study examines whether HER3 and mutant KRAS are viable co-targets. We find that KRAS mutations tend to co-occur with HER3 alterations in a large panel of cancers and in CRCs. Our results show that both total and activated HER3 levels increase in CRC patient derived organoids and cell lines after treatment with KRASG12D targeted agents, indicating that HER3 could be a potential adaptive response mechanism to KRAS-targeted therapy. Further, we found that genetic knock-down of KRAS and HER3 resulted in a statistically significant reduction in growth of CRC cells compared to single knockdown of either KRAS or HER3. We observed that kinase impaired HER3 binding partners, as assessed by immunoprecipitation, is cell dependent with EGFR binding HER3 in one cell line. After co-treating CRC cells with pan-HER inhibitors in combination with MRTX1133, a KRASG12D inhibitor, synergistic and additive effects in reduction in cell growth were observed in a drug-dependent manner. Finally, we found that co-targeting KRASG12D mutant cells with a KRASG12D inhibitor and a HER3 antibody-drug conjugate further reduced cell viability. We posit that co-targeting both KRASG12D and HER3, whether directly or indirectly, is a potential therapeutic strategy in CRC patients.
Creator/Author:: Garrett, Joan and Kilroy, Mary Kate
Submitter:: Joan Garrett
License:: Attribution 4.0 International

48. Test File

Type:: Document
Description/Abstract:: Test Document
Creator/Author:: Famulari, Stevie
Submitter:: Stevie Famulari
Date Uploaded:: 03/05/2025
Date Modified:: 03/05/2025
Date Created:: March 3, 2025
License:: Public Domain Mark 1.0

49. Vascular motion in the dorsal root ganglion sensed by Piezo2 in sensory neurons triggers episodic neuropathic pain

Type:: Dataset
Description/Abstract:: The dataset includes all the data used to generate figures for the article submitted to the journal of Neuron. This includes individual figure panels and the raw data used to generate each figure panel, as well as the statistical analyses for each experiment.
Creator/Author:: Zhang, Jun-Ming
Submitter:: Jun-Ming Zhang
Date Uploaded:: 01/28/2025
Date Modified:: 02/26/2025
Date Created:: 2022-2025
License:: All rights reserved

50. Greater Caribbean Manatee (Trichechus manatus manatus) BC-ABR data

Type:: Dataset
Description/Abstract:: Hearing data obtained using Bone Conduction Auditory Brainstem Response (BC-ABR) testing on six Greater Caribbean Manatees being rehabilitation at the Caribbean Manatee Conservation Center in Bayamon, Puerto Rico. Hearing data was collected while hearing assessments were conducted for clinical assessments of hearing.
Creator/Author:: Daniel Gonzalez-Socoloske; Moore, Amanda; Scheifele, Peter, and Antonio A. Mignucci-Giannoni
Submitter:: Amanda Moore
Date Uploaded:: 02/21/2025
Date Modified:: 02/21/2025
Date Created:: 2024-05-28
License:: Attribution 4.0 International

51. Greater Caribbean Manatee rehabilitation pool (36,000 gallon) recordings

Type:: Dataset
Description/Abstract:: Greater Caribbean manatee (Trichechus manatus manatus) pool recordings from the Caribbean Manatee Conservation Center in Bayamon, Puerto Rico including location and depth of recordings as well as recordings from the natural protected habitat of Laguna del Condado, San Juan, Puerto Rico which includes the GPS coordinates in the recording title. All recordings obtained using omnidirectional hydrophones with H1 recorder (Model SQ26-H1; Cetacean Research Technology, 2007) and are in .wav format.
Creator/Author:: Moore, Amanda; Antonio A. Mignucci-Giannoni; Daniel Gonzalez-Socoloske, and Scheifele, Peter
Submitter:: Amanda Moore
Date Uploaded:: 02/21/2025
Date Modified:: 02/21/2025
Date Created:: 2024-05-24
License:: Attribution 4.0 International

52. Greater Caribbean Manatee Laguna del Condado recordings

Type:: Dataset
Description/Abstract:: Greater Caribbean manatee (Trichechus manatus manatus) pool recordings from the Caribbean Manatee Conservation Center in Bayamon, Puerto Rico including location and depth of recordings as well as recordings from the natural protected habitat of Laguna del Condado, San Juan, Puerto Rico which includes the GPS coordinates in the recording title. All recordings obtained using omnidirectional hydrophones with H1 recorder (Model SQ26-H1; Cetacean Research Technology, 2007) and are in .wav format.
Creator/Author:: Daniel Gonzalez-Socoloske; Scheifele, Peter; Antonio A. Mignucci-Giannoni, and Moore, Amanda
Submitter:: Amanda Moore
Date Uploaded:: 02/21/2025
Date Modified:: 02/21/2025
Date Created:: 2024-05-29
License:: Attribution 4.0 International

53. Greater Caribbean Manatee (Trichechus manatus manatus) Rehabilitation Pool and Natural Habitat Laguna del Condado Recordings

Type:: Collection
Description/Abstract:: Greater Caribbean manatee (Trichechus manatus manatus) pool recordings from the Caribbean Manatee Conservation Center in Bayamon, Puerto Rico including location and depth of recordings as well as recordings from the natural protected habitat of Laguna del Condado, San Juan, Puerto Rico which includes the GPS coordinates in the recording title. All recordings obtained using omnidirectional hydrophones with H1 recorder (Model SQ26-H1; Cetacean Research Technology, 2007) and are in .wav format.
Creator/Author:: Moore, Amanda
Submitter:: Amanda Moore
License:: Attribution 4.0 International

54. Greater Caribbean Manatee rehabilitation pool (24,000 gallon) recordings

Type:: Dataset
Description/Abstract:: Greater Caribbean manatee (Trichechus manatus manatus) pool recordings from the Caribbean Manatee Conservation Center in Bayamon, Puerto Rico including location and depth of recordings as well as recordings from the natural protected habitat of Laguna del Condado, San Juan, Puerto Rico which includes the GPS coordinates in the recording title. All recordings obtained using omnidirectional hydrophones with H1 recorder (Model SQ26-H1; Cetacean Research Technology, 2007) and are in .wav format.
Creator/Author:: Scheifele, Peter; Daniel Gonzalez-Socoloske; Antonio A. Mignucci-Giannoni, and Moore, Amanda
Submitter:: Amanda Moore
Date Uploaded:: 02/21/2025
Date Modified:: 02/21/2025
Date Created:: 2024-05-24
License:: Attribution 4.0 International

55. Greater Caribbean Manatee rehabilitation pool (6,000 gallon) recordings

Type:: Dataset
Description/Abstract:: Greater Caribbean manatee (Trichechus manatus manatus) pool recordings from the Caribbean Manatee Conservation Center in Bayamon, Puerto Rico including location and depth of recordings as well as recordings from the natural protected habitat of Laguna del Condado, San Juan, Puerto Rico which includes the GPS coordinates in the recording title. All recordings obtained using omnidirectional hydrophones with H1 recorder (Model SQ26-H1; Cetacean Research Technology, 2007) and are in .wav format.
Creator/Author:: Peter M. Scheifele; Antonio A. Mignucci-Giannoni; Daniel Gonzalez-Socoloske, and Moore, Amanda
Submitter:: Amanda Moore
Date Uploaded:: 02/21/2025
Date Modified:: 02/21/2025
Date Created:: 2024-05-24
License:: Attribution 4.0 International

56. Lingual-Swallowing Functions Raw Data

Type:: Dataset
Description/Abstract:: Data collected for a project under the Dysphagia Rehabilitation Lab at the University of Cincinnati. The manuscript was submitted to the American Journal of Speech Language Pathology and is currently under review. Below is the abstract. Purpose: Manometric measures of lingual function are widely used in clinical practice, premised on the assumption that lingual impairments affect oropharyngeal swallowing. This study assessed correlations between measures of lingual function and oropharyngeal swallowing impairments using the Modified Barium Swallow Impairment Profile (MBSImP). Method: Participants undergoing routine Modified Barium Swallow Studies (MBSS) were recruited if able and willing to complete the lingual measurement protocol. Post-MBSS, participants completed the Eating Assessment Tool (EAT-10) and measures of lingual pressure during a saliva swallow, anterior maximum isometric press (aMIP), effortful swallow, anterior isometric endurance (ISO-M), and anterior isotonic endurance (ISO-T). Correlations between these measures and MBSImP Oral Total (OT) and Pharyngeal Total (PT) Overall Impression scores and Penetration-Aspiration Scale (PAS) scores were evaluated using Spearman’s correlation coefficients. Results: The final sample included 41 patients (23 men, 18 women; M= 61.75 ± 14.72 years) with heterogenous diagnoses. Analyses showed a moderate, significant negative correlation between aMIP and Oral Total (rs = -0.44, p < .01), and ISO-M and OT (rs = -0.36, p = .02). Specifically, aMIP was strongly correlated with oral residue (Component 5; rs = -0.49, p < .01), and ISO-M with tongue control during bolus hold (Component 2; rs = -0.47, p < .01). No significant correlations were found with Pharyngeal Total, EAT-10 or PAS scores. Conclusions: Some lingual measurements correlate with oral physiological impairments, suggesting potential utility as clinical indicators of oral swallowing physiology. Further research is needed to explore these relationships across different patient populations.
Creator/Author:: Mira, Amna
Submitter:: Amna Mira
Date Uploaded:: 02/05/2025
Date Modified:: 02/05/2025
License:: Open Data Commons Public Domain Dedication and License (PDDL)

57. DIGEST Stroke Validation

Type:: Dataset
Description/Abstract:: Raw data
Creator/Author:: Krekeler, Brittany
Submitter:: Brittany Krekeler
Date Uploaded:: 01/30/2025
Date Modified:: 01/30/2025
Date Created:: 2025-01-30
License:: Open Data Commons Public Domain Dedication and License (PDDL)

58. DIGEST Stroke Validation Repository

Type:: Collection
Description/Abstract:: The Dynamic Imaging Grade of Swallowing Toxicity (DIGEST) rating method was developed in head and neck cancer populations to describe severity of aspiration and residue. The purpose of this study was to assess criterion validity of DIGEST in a post-stroke cohort. In this retrospective analysis, 2 raters (using version 2 criteria) performed DIGEST rating on recordings of modified barium swallow studies (MBSS) from 88 post-stroke patients that were extracted from a larger de-identified database. Modified Barium Swallow Study Impairment Profile (MBSImP) scores and Functional Oral Intake Scale (FOIS) scores were used to determine criterion validity. Inter-rater and intra-rater reliability for overall DIGEST grade were substantial (ƙ=0.69 and 0.73, respectively), however inter-rater reliability for efficiency were only moderately reliable (ƙ=0.52). Reliability for MBSImP scoring was excellent for Pharyngeal Total (PT) scores (ICC=0.81-0.93). Overall DIGEST grades were significantly associated with PT scores in the expected direction (τ=0.51, p<0.0001), and there was no association between Oral Total (OT) and DIGEST grade (τ=-0.02, p=0.077). Pairwise comparisons using PT scores indicated significant differentiation between DIGEST grades 0 from all other grades (p<0.0001), with overlap in intermediate grades (p=0.106-0.713). Functional Oral Intake Scale (FOIS) scores were significantly associated with DIGEST grade in the anticipated direction (τ=-0.43, p<0.0001). Expected psychometrics and acceptable reliability for DIGEST grading were shown in this post-stroke cohort. A larger dataset would clarify mid-grade differentiation and potential influence of oral phase impairments in this sub-population.
Creator/Author:: Krekeler, Brittany
Submitter:: Brittany Krekeler
License:: Open Data Commons Public Domain Dedication and License (PDDL)

59. Replication Package of "Exploiting Vision-Language Models in GUI Reuse"

Type:: Generic Work
Description/Abstract:: Replication Package of "Exploiting Vision-Language Models in GUI Reuse", a paper published in the 22nd International Conference on Systems and Software Reuse (ICSR), Ottawa, Canada, April 27 2025. The authors are: Victoria Niu, Walaa Alshammari, Naga Mamata Iluru, Padmaja Vaishnavi Teeleti, Nan Niu, Tanmay Bhowmik, and Jianzhang Zhang.
Creator/Author:: Niu, Nan
Submitter:: Nan Niu
Date Uploaded:: 01/29/2025
Date Modified:: 01/29/2025
License:: Open Data Commons Open Database License (ODbL)

60. Towards a Virtual Cloud-Based Smart Factory Testbed for Cybersecurity

Type:: Article
Description/Abstract:: Today's industrial equipment is connected over a network to communicate with external systems and make decisions without human intervention, making it vulnerable to cyberattacks and showing the importance of research. This study explored the implementation of a cloud-based virtual testbed for a smart factory for cybersecurity testing and research. As a first step, this paper reports on developing an environment with one programmable logic controller (PLC) simulating a conveyor belt setup. The study examined different virtualization platforms and network designs. In addition, it executed a denial-of-service attack and identified its signature indicators. The study found that VMware Workstation Pro is the most suitable virtualization platform and that network input and output are the DoS attack's signature indicators.
Creator/Author:: Mandalapu, Rohit and Said, Hazem
Submitter:: Rohit Mandalapu
Date Uploaded:: 01/17/2025
Date Modified:: 01/17/2025
Date Created:: 2023-07-27
License:: Attribution 4.0 International

61. Rohit Mandalapu's Research Papers

Type:: Collection
Description/Abstract:: Rohit Mandalapu's Research Papers
Creator/Author:: Mandalapu, Rohit
Submitter:: Rohit Mandalapu
License:: Attribution 4.0 International

62. Covered aerated windrow feasibility for 200,000 tons of yearly residential food waste

Type:: Student Work
Description/Abstract:: Senior design capstone report
Creator/Author:: Alsaqri, Mohammed; Jordan, Kathryn; Cantor, Gianna; Gastaldo, Cameron; Tam, Aaron, and Fox, Ariana
Submitter:: CEAS Library Staff
Date Uploaded:: 11/26/2024
Date Modified:: 12/02/2024
License:: Attribution-NonCommercial-NoDerivs 4.0 International

63. 2024 Oxygen Scavenging and Gas Embolism Studies

Type:: Collection
Description/Abstract:: Data associated withs studies carried out in the Biomedical Ultrasonics and Cavitation Laboratory (PI: Haworth) associated with NIH grant R01HL148451. These studies focus on the development of a perfluorocarbon emulsion for use in ultrasound-mediated oxygen scavenging. The studies also assess the risk of gas embolization using a Langendorff preparation for a rat work heart model.
Creator/Author:: Haworth, Kevin and Al Rifai, Nour
Submitter:: Kevin Haworth
License:: Attribution 4.0 International

64. Wetland nutrient reduction of treated effluent in the Upper Mill Creek

Type:: Student Work
Description/Abstract:: Senior design capstone report
Creator/Author:: Urbanowicz, Jeff; Tristano, Autumn; Currier, Gabriela; Nowak, Grace, and French, Chloe
Submitter:: CEAS Library Staff
Date Uploaded:: 11/26/2024
Date Modified:: 11/26/2024
License:: Attribution-NonCommercial-NoDerivs 4.0 International

65. methane emissions from natural gas streetlights in Cincinnati, Ohio

Type:: Dataset
Description/Abstract:: Methane emissions from natural gas streetlights. Measurements were made by Dr. Amy Townsend-Small and her students.
Creator/Author:: Townsend-Small, Amy
Submitter:: Amy Townsend-Small
Date Uploaded:: 11/20/2024
Date Modified:: 11/20/2024
Date Created:: 2024-11-20
License:: Public Domain Mark 1.0

66. locations of natural gas streetlights in Cincinnati

Type:: Dataset
Description/Abstract:: Locations of natural gas streetlights in Cincinnati, Ohio
Creator/Author:: Townsend-Small, Amy
Submitter:: Amy Townsend-Small
Date Uploaded:: 11/20/2024
Date Modified:: 11/20/2024
Date Created:: 2024-11-20
License:: Public Domain Mark 1.0

67. Cincinnati gas streetlights

Type:: Collection
Description/Abstract:: Data from a project studying Cincinnati's gas streetlights. Table S1 contains latitude and longitude information for all natural gas streetlights identified within the Cincinnati city limits. These data can also be viewed at https://www.google.com/maps/d/edit?mid=1oEm033LLFl0KN3wIYVYyjkjUUCmxsF0&usp=sharing Table S2 contains methane emission rates measured from a subset of natural gas streetlights in Cincinnati. Measurements were made by Dr. Amy Townsend-Small and her students.
Creator/Author:: Townsend-Small, Amy
Submitter:: Amy Townsend-Small
License:: Public Domain Mark 1.0

68. Slide 115; J. M. Marks Residence, Sketch, Page 69

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

69. Slide 114; R. P. Jacobs Residence, Sketch, Page 66

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

70. Slide 113; J. G. Montgomery Residence, Sketch, Page 127

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

71. Slide 112; A. Wilkes Smith Residence, Floor Plan, Page 57

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

72. Slide 111; I. Shelby Irvine Residence, Sketch, Page 4

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

73. Slide 110; W. W. Watts Residence, Floor Plan, Page 10

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

74. Slide 106; Dr. L. A. Shepard Residence, Sketch, Page 11

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

75. Slide 105; R. T. McComas Residence, Sketch, Page 37

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

76. Slide 104; Edward Mills Residence, Sketch, Page 25

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

77. Slide 103; A. Percy Hooe Residence, Sketch, Page 142

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

78. Slide 102; L M. Brown Residence, Sketch, Page 108

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

79. Slide 101; B. F. McLennan Residence, Sketch, Page 86

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

80. Slide 100; J. R. Smith Residence, Sketch, Page 36

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

81. Slide 096; Adam Kramer Residence in The Inland Architect and News Record

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter; 3514 Forest Ave; 3514 Wade Ave, and Avondale
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
License:: Public Domain Mark 1.0

82. Slide 095; Alfred White Residence, Sketch, Page 75

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

83. Slide 094; Charles F. Loudon Residence, Sketch, Page 50

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

84. Slide 093; L. Weiskopf Residence, Stairs Sketch, Page 126

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

85. Slide 092; Charles H. Brenneman Residence, Sketch, Page 21

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

86. Slide 091; H. A. Bohm Residence, Sketch, Page 136

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

87. Slide 090; Isaac Winkler Residence, Sketch, Page 157

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

88. Slide 089; H. W. Beneker Residence, Sketch, Page 163

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

89. Slide 088; David Hessberg Residence, Sketch, Page 139

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

90. Slide 087; John H. Law Residence, Sketch, Page 14

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

91. Slide 085; John W. Siebern Residence, Sketch, Page 58

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

92. Slide 084; Moses Goldsmith Residence, Sketch, Page 166

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

93. Slide 083; Benedict H. Brunswick Residence, Stairs Sketch, Page 94

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

94. Slide 081; Max Lowenstein Residence, Sketch, Page 105

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

95. Slide 078; Abraham Segal (William B. Segal) Residence, Sketch, Page 111

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

96. Slide 077; William A. Goodman Residence, Sketch, Page 83

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

97. Slide 076; Isaac S. Deutch Residence, Floor Plan, Page 98

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

98. Slide 074; Isaac S. Deutch Residence, Sketch, Page 96

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

99. Slide 073; J. M. Brunswick Residence, Floor Plan, Page 3

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

100. Slide 072; J. M. Brunswick Residence, Sketch, Page 1

Type:: Image
Description/Abstract:: Slide presentation given by Walter E. Langsam on Desjardins & Hayward, a firm active in the Cincinnati, Ohio area in the late 19th century and early 20th century. Desjardins, S. (Samuel) E. ("Dizzy") (Forestville, Mich., 1856-1916) Highly individual, even eccentric architect; conceivably trained at the Ecole des Beaux-Arts (but not listed by Chafee) or possibly in an atelier as a Frenchman. Practiced on own 1882-1892, 1905, and 1910; with A.W. Hayward, 1893-1903 and 1913-1916; with John G. Drainie, 1906; with John F. Sheblessy, 1907-1909; with Rowland G. Bevis, 1911-1912. Desjardins, buttressed by his various partners and staff, was one of the most creative of Cincinnati’s architects for 30 years, with a fanciful flair in massing, outline, and decoration, often combining elements from different historic sources in a remarkably free way. It was Desjardins’ Cincinnati City Hall competition project, for instance –rather than the more conventional Richardsonian Romanesque design of the winning competitor, Samuel Hannaford & Sons– that was published in the influential American Architect & Building News (9/10/1887). Among Desjardins' and his firm's most important works are the 7th Presbyterian Church at 1721 Madison Rd., SEC Cleinview Ave., E. Walnut Hills, which burnt several years ago (the striking tower remains above the modern sanctuary); as well as churches of the Christian denomination in Paris, Winchester, and Cynthiana, Ky. A 1904 account mentions a distillery in Old Mexico, a summer cottage in Nova Scotia, and a church in Alaska. The Greek Revival Bell House in Bell Court in Lexington, Ky., was lavishly remodeled by Desjardins after a fire in the 1880s, and is now open to the public. It was suburban residences, however, that probably gave Desjardins' picturesque talent the freest rein. A most valuable source, The Autograph Book of Suburban Houses, prepared by Desjardins & Hayward in 1895, has just been discovered. It appears to consist of about 175 sheets of exquisite India-ink original drawings (hence the name "Autograph Book") of about 75 houses, most in the Cincinnati area (but not including the Ravogli House). For each residence, there is a perspective of the exterior, in great detail and framed by convincing foliage; a number of houses also have first and second floor plans, and a very few also have interior views of the entrance-stair-halls. These designs vary from Richardsonian Romanesque, Chateauesque, "Queen Anne" and Shingle Style, to early Colonial Revival, but usually have quaint features of their own. The interior plans also reveal some fantastic spatial affects, particularly in the treatment of staircases and polygonal rooms. Many of these houses survive, although some are in deteriorated condition in no-longer-fashionable neighborhoods. Desjardins & Hayward exhibited residences in Cincinnati (as part of the AIA Circuit Drawings show) at the 1st exhibit sponsored by the Cincinnati Chapter of the American Institute of Architects held at the Cincinnati Art Museum in 1901; designs for a university and a church at the 2nd CAIA/CA (1902); and a court house, competition design for the Cincinnati Law school, et al., at the 3rd CAIA/CAM (1903). Desjardins & Sheblessy, interestingly, exhibited also at the 1st CAIA/CAM (1901; when J.F. Sheblessy was probably still located in Louisville); and various buildings at the 4th CAIA/CAM (1908). An article on "The Genius of Michael Angelo [sic]" by Desjardins, originally given before the Cincinnati Chapter of the AIA on May 20, 1902, was published in The American Architect, LXXVI, 1382 (June 21, 1902), 91-93. Obituary, Western Architect & Builder, XXIV, 7 (12/1916); Desjardins & Hayward advertisement, "A Tour of Fourth Street, Cincinnati" (ca. 1892); numerous listings for individual buildings in AA&BN, IA, AR, and WA&B; Nuxhall, SGC, 23, Lot 2.
Creator/Author:: Langsam, Walter
Submitter:: Walter Langsam
Date Uploaded:: 10/23/2024
Date Modified:: 10/31/2024
Date Created:: 1895
License:: Public Domain Mark 1.0

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