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Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist
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The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy
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Entre la luz y el abismo: Voces al atardecer de Francisco Rivera
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Andrée Chedid: Dialogue and the Destruction of Form
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La “ima-sapra” como metáfora del caos en El zorro de arriba y el zorro de abajo de José María Arguedas
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Discontinuous Continuities in Assia Djebar’s L’amour la fantasia
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Our Bodies, Our Selves: Vengeance in the Novellas of María de Zayas
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From Realistic Narratives to Social Fantasy: Of Nightclubs and Supermarkets in Some Contemporary Narratives on Maghrebi-French
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Noticias del Imperio y Corona de sombra: Dos visiones distintas
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Schema Theory and Reader-Response Theory: Solutions to Contradictions in the Foreign Literature Class
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