Passing the Test of Truth: Gender as Performance in Two French Narratives, Medieval and Modern

La subversión de las metáforas místicas en La Regenta

The Queen Who Would be King

Voiles et dévoilements, ou “L’entre-deux” dans Les carnets de Shérazade de Leila Sebbar

Erudizione, esotismo ed utopia in L’Isola del giorno prima di Umberto Eco

Introduction

Cincinnati Romance Review: Volume 17 (1998)

Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist

The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy