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- Type:
- Document
- Description/Abstract:
- 5 parts. 25 pages. A short play about a group of upper class Hispanic women living in the United States. The dynamics of their relationship gets tested when one of them, Joanna, comes to their children's soccer game with a new maid. Allegiances shift when Joanna receives the news of her husband's promotion, and their real feelings about each other are exposed.
- Creator/Author:
- Mazur, Eugenia, 1972-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-10-31
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Document
- Description/Abstract:
- 2 parts. 17 pages. The unexpected reunion of two sisters results in an emotional dead end.
- Creator/Author:
- Montes, Manuel R., 1981-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-12-24
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Document
- Description/Abstract:
- 4 parts. 14 pages. “Manrat” is more than just a rat; he is an elusive and amorous spirit residing in the smelly underbelly of man’s city. Fluff N' Stuff and Cheddars are his wisecracking nest-mates who speculate about the motives of Manrat's recently developed depression. All the while, they search the south side sewer for dinner: that is until they run into Talia, licensed psychologist. The two rodent cronies agree to help her back to the world above… if she can first cure Manrat of his sorrowful affliction. Fluff N' Stuff and Cheddars, Manrat's supposed friends are counting on it, but Talia's life is also at play. Can Talia and Manrat find salvation together, or will all four be condemned to wade in the stink of their daily problems? And what about Cheddars and Fluff N' Stuff? Will they be able to scurry out of their own hang-ups and help a friend in his hour of need? Fear. Passion. Giant mutant rats. “Manrat” delivers all in a filthy, unforgiving comedy.
- Creator/Author:
- Hutchinson, Sara W., 1989-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-12-12
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Media
- Description/Abstract:
- This work is part of a graduate project for SPAN 8062, Fall 2013 with Dr. Andrés Pérez-Simón. The seminar was funded by the Taft Research Center. Extent: 60 minutes.
- Creator/Author:
- García May, Ignacio, 1965-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-11-15
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Media
- Description/Abstract:
- This work is part of a graduate project for SPAN 8062, Fall 2013 with Dr. Andrés Pérez-Simón. The seminar was funded by the Taft Research Center. Extent: 53 minutes.
- Creator/Author:
- García May, Ignacio, 1965-
- Submitter:
- Andres Perez-Simon
- Date Uploaded:
- 09/21/2018
- Date Modified:
- 09/21/2018
- Date Created:
- 2013-10-04
- License:
- Attribution-NonCommercial-NoDerivs 4.0 International
-
- Type:
- Student Work
- Description/Abstract:
- UC SCHOOL OF ART MFA GRADUATING SHOW 2015 — TEXTS AND PROJECTS This collection of texts and images brings together the work of graduate students and faculty in art history, art education, and fine arts at the University of Cincinnati in the spring of 2015. We invited students in art education and art history to write accompanying texts for the final projects of their peers in the fine arts graduate program – projects encompassing everything from multimedia installation, abstract painting, video animation, fiber-based sculptural assemblages, photography, and drawing. The students’ projects were presented at the Contemporary Arts Center, Cincinnati, as part of the School of Art’s MFA Thesis Exhibition, which ran from April 1 and April 25, 2015. A process of looking, talking, looking again, writing, reading, and re-writing unfolded. Shorter versions of the texts were shown at the CAC alongside the artworks at the CAC. The process created a working space for artists and writers in dialogue, giving rise to new ideas and projects in turn. Morgan Thomas Vittoria Daiello [from Foreword] Design: Sso-Rha Kang
- Creator/Author:
- Stenger, Kate; Spires, Lauren; Thomas, Morgan; Daiello, Vittoria; Norton, Ben; Kang, Sso-Rha; Lang, Gabrielle; Johnson, Leigh; Wyatt Bauman, Emily; Karimi, Saeide; Tinney, Ross; Turner, Miles; Oswald, Sean; Klimesh, Colin; Asadipour, Saeedeh; Girandola, Joe; Morren, Samuel; Drout, Julie; Wolhoy, Rick, and Horwitz, Ian
- Submitter:
- Morgan Thomas
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 05/23/2019
- Date Created:
- 2015-04-27
- License:
- All rights reserved
-
- Type:
- Article
- Description/Abstract:
- Al-Tahrir Square, surrounded by commercial crowded streets, financial headquarters, and governmental institutions is one of the most iconic squares in Baghdad. It is part of daily life for many Iraqi people due to its central location, which is characterized by busy roads with honking cars. In this essay, I am going to explore Al-Tahrir Square in Baghdad, Iraq as a venue of rebellion for Iraqi people. Since 2015, Iraqi people from diverse backgrounds have been gathering in the square to protest for their rights every Friday. It has been the site of many historical events in Iraq although it has been established as a social place. I will explore the sociopolitical significance of Al-Tahrir Square by connecting the history of the place with how it has been changed since 1961 when the Freedom Monument was first open to the public. The research addresses the urban landscape of Al-Tahrir Square and its transformation over time, taking into consideration the political issues that affect it. I will analyze policies and regulations that have discouraged people from gathering in the Square to prevent political threats to the government and suggest ways to create safer spaces and mixed used attractions, modify the natural landscape of Al-Ummah Garden to make it more connected to the Square, and revitalize the existing kaleidoscope for closer proximity to Tigris River. Keywords: Al-Tahrir Square, Freedom monument, Al-Ummah Garden, Al-Rasheed Street, and urban planning Al-Tahrir Square has a complicated history. It was a parking lot in the 1950s, but in 1961, it use shifted and it became the location of the Freedom Monument. This shift marked AlTahrir Square as evidence of the Iraqi people’s journey of struggle and victory that designated it as a symbol of a new era of liberation from British colonialism. It has always been selected as a protest site because of its location in central Baghdad, especially in the past when it was the focal point for social gatherings. Besides being accessible from both Al-Karkh and Al-Rusafa, the two sides of Baghdad, through the highways and bridges that shorten the distance, the Square has had a long history of political demonstrations and has become a symbol for liberation, represented by the Freedom Monument.
- Creator/Author:
- Alberto, Lora
- Submitter:
- Lora Alberto
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 09/20/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- Ideation flexibility is the ability to shift between a designer’s preferred and non-preferred ways of generating solutions as required by the presented task. There are many tools that exist to support ideation; however, there is a lack of research defining how to facilitate ideation flexibility and how to support designers in this process through use of such tools. In this paper, we report on the development of a new tool, the "Incremental to Radical Heuristics" (I2Rh), which may provide inspiring prompts for ideation, ranging from more incremental to more radical examples. We tested the use of this I2Rh with a small set of industrial design and architecture students and aim to report on ways in which designers with varying cognitive styles perceive and apply these heuristics and further the impact of the heuristics on the students’ problem solving processes and ideation outcomes. Preliminary results demonstrate that more innovative students found the adaptive applications of the heuristics to trigger more novel solutions, whereas the more adaptive students found that the innovative applications to be more inspiring. Ideation is critical as it allows designers to form many diverse ideas to choose from and eventually test and validate them (Sheppard, Macatangay et al. 2009). However, in many cases, designers find it difficult to come up with many diverse ideas as a result of fixation they experience on particular ideas (Crilly 2015). Being a flexible designer means being able to move from one solution to another, in order to produce the most promising solutions for the given context. In this movement, idea generation methods play a critical role as facilitators of this movement while pushing designers to think differently (Silk, Daly et al. 2014). The focus of the proposed work is ideation flexibility (Yilmaz, Daly et al. 2014), defined as the ability to ideate in both incremental and radical ways – or, more precisely, to ideate along a continuum of thinking between the two, depending on the needs of the problem. Building on the theoretical foundation of Kirton’s adaption-innovation theory (Kirton 1976), we defined the ideation success as a designer’s ability to move between his/her preferred and nonpreferred ways of generating ideas as required in the design brief. To specifically target ideation flexibility, we took an empirically-driven and validated ideation tool, Design Heuristics (Yilmaz, Seifert et al. 2016), and modified it based on the Kirton’s adaptiveinnovative theory. This revised set, called the "Incremental to Radical Heuristics" (I2Rh), illustrates heuristics’ application both incrementally and radically to the same example design problem. I2Rh is intended to help designers execute an ideation strategy based on prompts, examples, and directions to incorporate more incremental or more radical changes to their naturally preferred ways of generating ideas, through facilitating flexible thinking. Our goal in this paper was to investigate how designers with different cognitive styles perceive and apply these revised heuristics and their impact on the students’ ideation outcomes.
- Creator/Author:
- Baker, Ian; Sevier, Daniel; McKilligan, Seda; Jablokow, Kathryn W.; Daly, Shanna R. and Silk, Eli M.
- Submitter:
- Lora Alberto
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 06/28/2019
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Article
- Description/Abstract:
- Al-Tahrir Square, surrounded by commercial crowded streets, financial headquarters, and governmental institutions is one of the most iconic squares in Baghdad. It is part of daily life for many Iraqi people due to its central location, which is characterized by busy roads with honking cars. In this essay, I am going to explore Al-Tahrir Square in Baghdad, Iraq as a venue of rebellion for Iraqi people. Since 2015, Iraqi people from diverse backgrounds have been gathering in the square to protest for their rights every Friday. It has been the site of many historical events in Iraq although it has been established as a social place. I will explore the sociopolitical significance of Al-Tahrir Square by connecting the history of the place with how it has been changed since 1961 when the Freedom Monument was first open to the public. The research addresses the urban landscape of Al-Tahrir Square and its transformation over time, taking into consideration the political issues that affect it. I will analyze policies and regulations that have discouraged people from gathering in the Square to prevent political threats to the government and suggest ways to create safer spaces and mixed used attractions, modify the natural landscape of Al-Ummah Garden to make it more connected to the Square, and revitalize the existing kaleidoscope for closer proximity to Tigris River. Keywords: Al-Tahrir Square, Freedom monument, Al-Ummah Garden, Al-Rasheed Street, and urban planning Al-Tahrir Square has a complicated history. It was a parking lot in the 1950s, but in 1961, it use shifted and it became the location of the Freedom Monument. This shift marked AlTahrir Square as evidence of the Iraqi people’s journey of struggle and victory that designated it as a symbol of a new era of liberation from British colonialism. It has always been selected as a protest site because of its location in central Baghdad, especially in the past when it was the focal point for social gatherings. Besides being accessible from both Al-Karkh and Al-Rusafa, the two sides of Baghdad, through the highways and bridges that shorten the distance, the Square has had a long history of political demonstrations and has become a symbol for liberation, represented by the Freedom Monument.
- Creator/Author:
- Al-Tameemi, Rasha
- Submitter:
- Lora Alberto
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 09/20/2018
- Date Created:
- 2017-10-31
- License:
- Attribution-NonCommercial 4.0 International
-
- Type:
- Image
- Description/Abstract:
- Individual scans and composite front and back. For parent work, with complete PDF, see https://scholar.uc.edu/show/jq085m00p
- Creator/Author:
- Dorpfeld, Wilhelm
- Submitter:
- Classics Library Staff
- Date Uploaded:
- 09/20/2018
- Date Modified:
- 09/20/2018
- Date Created:
- License:
- Public Domain Mark 1.0