1893 printing of 1893 copyrighted text. Raymond is credited with a L.H.D., as Professor of Oratory and Aesthetic Criticism in the College of New Jersey at Princeton, and as the author of several texts. Wheeler is credited with a Litt.D. and as University Fellow in English 1891-2, and in Oratory and Aesthetic Criticism 1892-3, in the College of New Jersey. A textbook designed to combine elocution and rhetoric, as these are often taught together. Preface argues that as elocution is simpler, it can used as an aid to understanding rhetoric. The introduction discusses "Elocution and Rhetoric Correlated." The section on style covers effects corresponding to those of elocutionary time, to those of elocutionary pitch, to those of elocutionary force, and to those of elocutionary quality. The section on theme cover the selection, limitation, a division of subjects, and the treatment of subjects as determined by their aims and readers. The Schultz Archive copy contains the preface, TOC, the introduction, and pages 166 – 203, (the theme section and the index).
1887 copyrighted text. Author is credited with a Master of Arts, a PhD, as Ex-President of Delaware College, and as the author of several educational texts. The preface states to be a treatise on rhetoric and composition that is practical and teachable. It identifies two objectives: teaching ease, grace, fluency and correctness; enabling discernment and appreciation of literary works. Lessons are followed by copious exercises. These exercises include criticism of faulty expressions and construction of sentences, figures, etc. The section headings are: capital letters, punctuation, letter-writing, rhetoric (broken into style, sentences, paragraphing, figurative language, variety of expression, special properties of style and varieties of style), composition (broken into invention, parts of composition, prose composition, poetry, and versification), and rhetoric and literature. The Schultz Archive copy includes the preface, TOC, and pages 54 – 93, and 258 - 285. Some pages are difficult to read due to quality of the copying.
1854 copyrighted text. Author is credited with an M.A. and as the author of The Poets and Poetry of the Ancient Greeks. Preface credits influence of Longinus and Quintilian by way of Blair. Covers principles of taste and origin of language up to the epic and dramatic forms. Makes a (new?) distinction between rhetoric and belles-lettres. The first chapter on language covers: origin and progress of language, origin and progress of writing, structure of language (in two parts). Chapter two (style) covers: perspicuity and precision and structure of sentences (in three parts). Chapter three (figurative language) covers: origin and nature of figurative language, metaphor, hyperbole, comparison—antithesis—interrogation—etc., and general character of style. Chapter four (components of a regular discourse) covers: introduction—division—narration, argument—pathos—peroration, pronunciation and delivery. Chapter five is beauty and sublimity. Chapter six eloquence. Chapter seven different kinds of public speaking. Chapter eight poetry. Schultz Archive copy contains preface, TOC, the first chapter on taste, and the section on historical, epistolary, and fictitious writing from chapter seven.
1894 printing of 1887 copyrighted text. The author is credited with an M.A. and as Professor of the Theory, History, and Practice of Education in the University of St. Andrews, Scotland. The preface states the text has material for four years of study and one year of training college for pupil-teachers. It also suggests its use in colleges, ladies' seminaries, high schools, academies, preparatory and normal schools. The text aims for simplicity and clearness. Part one's chapters cover orthography, etymology, words and their functions, syntax, analysis, word-building and derivation, word-branching, words derived from names of persons and places, words disguised in form, and words that have changed in meaning. Part two covers composition, punctuation, figures of speech, paraphrasing, prosody exercises and exam questions. The Schultz Archive copy contains the preface, TOC, and the section on composition from part two.
1922 copyrighted text. The author is credited as Formerly Supervisor of English in Charleston, West Virginia and Also Teacher of English in the Lincoln School of Teachers College. Preface states text regards language as a living, growing thing, and follows Dr. Charles Sears Baldwin that the teaching of composition should be promotive and not merely corrective. Aims to stimulate desire to speak and write, and uses children's actual realities and projects and group work. Uses terminology recommended by the Joint Committee on Grammatical Nomenclature (appointed by the NEA), the Modern Language Association of America, and the American Philological Association. Part one includes chapters on organizing a club, the study of pictures, how to become more rapid readers, reading for meaning, use of the dictionary, civic study for the club, outlining a subject for speaking or writing, and as well as chapters on grammar. Part two includes chapters on the paragraph, contributions to the school paper, the sentence, subject and predicate, making ourselves clear, making a booklet, letters and social notes, invitations, telling a story, expression of feeling, words without organic connection with the sentence, idioms, summary of punctuation, the use of capitals, business letters and forms, and more chapters on grammar. Includes examples from well known authors. The Schultz Archive copy includes the preface, TOC, and a selection of pages from throughout the text that relate to composition.
1879 printing of 1879 copyrighted text. The author is credited with a Bachelor of Arts and as Instructor in the St. Louis Central High School. The text is designed to follow instruction in English grammar and analysis. Preface claims there is a danger in making students too critical, therefore leading them to despise their own powers of expression. The work only includes what has been deemed practical. Uses exercises in oral composition. Chapters include: sentences and their parts, rhetorical forms of sentences, words, diction, style, figurative language, meter, characteristics of poetry, metaphrasing, composition (including narration, description, history, biography), imaginative composition, argumentative composition, letter writing, versification, criticism, correction of compositions, and list of subject for composition. The Schultz Archive copy contains the preface, TOC, and the chapters from the second half of the book covering composition.
Abbott's work provides rules and exercises for eliminating ambiguity in writing. The premise of this textbook is the notion that clarity, unlike many other characteristics of writing and speech, can be achieved through mechanistic rules and practice. The Schultz Archive only includes a brief excerpt, consisting of the title page, preface and partial table of contents.
A raw dataset produced using the clot on a suture experimental set up in the Holland lab (previously published in Bader 2015 & other articles). Data gathered and further analyzed using MATLAB 2012b.
No edition or printing information is given in the copy. The author has a Bachelor of Arts from Smith College. As indicated by the subtitle, the work is intended for secondary and college students. Includes topics historical, imaginative, argumentative and subsequent brief chapters on: plan, or analysis; elaboration of points; criticism of one's own work; form of finished composition; composition an essential factor in the study of rhetoric; and figures of speech. The work seems addressed more to the teacher of the students than the students themselves. It attempts to explain how to students should mentally approach the act of writing but its language suggests a teacher thinking about the student’s mental habits rather than the student working though his own thoughts.
