Globalization of The Adoration: Pilgrimage, Trade, and Shifting Perspectives within The Master of the Legend of Saint Lucy’s 'Adoration of the Magi' (c. 1480-85)

Throughout the 15th century, depictions of the Adoration of the Magi began to take new forms. Merchants, pilgrims, and wealthy individuals were all part of a major shift in globalization, and this is reflected through the Adoration of the Magi (c. 1480-85) by the Master of the Legend of Saint Lucy.
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Rather than adhering to a strictly European vision, the artist now includes elements which reflect the culmination of trade within 15th century Northern Europe. Although there is knowledge and understanding of the developments within depictions of the Adoration, Saint Lucy’s paintings asserts itself as a direct reflection of shifting ideals and a focus on a secularized vision. Scholars such as Dr. Jean C. Wilson and Dr. Yona Pinson have guided my research thus far, especially in terms of market practices in Bruges. While these scholars provide insightful information concerning free marks, globalization, and changing depictions of the Adoration, there is a lack of connectedness, which is necessary to establish the shift.
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Specifically, I am addressing various panel paintings of the Adoration from ca. 1390-1485 to consider the impact of globalization of shifting trends and how this affects the region at large. My research focuses on how depictions of the Adoration vary based on time, place, and potential influences (such as geography, patrons, and use of painting). Adoration of the Magi survives as one of the first major scenes which has such an emphasis on expanding global markets and trade. In conclusion, this project, by closely examining marketplace standards, pilgrimage, shifting ideals of race, and a growing secular attitude to favor patrons, works to shed new light on 15th century adaptations of the Adoration of the Magi.